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Displaying results 26 to 50 of 100.

  1. The working class and twenty-first-century British fiction
    deindustrialisation, demonisation, resistance
    Published: 2020; © 2020
    Publisher:  Routledge, New York, NY

    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni... more

     

    "The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century"--

     

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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781003007913; 1003007910
    Series: Routledge studies in contemporary literature
    Routledge studies in contemporary literature ; 40
    Subjects: English fiction / 21st century / History and criticism; Working class in literature; Labor in literature; Capitalism in literature; Social conflict in literature; Equality in literature; Abjection in literature; Stigma (Social psychology) in literature; Literature and society / England / History / 21st century
    Scope: 1 online resource (172 pages.)
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    Description based on print version record

  2. Women and Ireland as Beckett's lost others
    beyond mourning and melancholia
    Author: Kim, Rina
    Published: 2010
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  3. Powers of horror
    an essay on abjection
    Published: 2002
    Publisher:  Columbia Univ. Press, New York, NY

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Roudiez, Leon Samuel
    Language: English
    Media type: Book
    ISBN: 9780231053464; 9780231053471; 0231053460; 0231053479
    RVK Categories: EC 5910 ; IH 25481 ; IH 54210
    Edition: [Nachdr.]
    Series: European perspectives
    Subjects: Horror in literature; Abjection in literature; Anthropologie; Semiotik; Schrecken
    Other subjects: Céline, Louis-Ferdinand, 1894-1961 -- Criticism and interpretation
    Scope: X, 219 S.
    Notes:

    Approaching abjection -- Something to be scared of -- From filth to defilement -- Semiotics of Biblical abomination -- ...Qui Tollis Peccata Mundi -- Céline: neither actor nor martyr -- Suffering and horror -- Those females who can wreck the infinite -- "Ours to Jew or die" -- In the beginning and without end... -- Powers of horror

  4. Una literatura abyecta
    Gombrowicz en la tradición argentina
    Published: 2012
    Publisher:  Rodopi, Amsterdam

    El escritor polaco Witold Gombrowicz ocupa hoy un lugar paradójico en la literatura argentina. Este libro indaga ese lugar a través de la categoría de lo abyecto, una categoría psicoanalítica, política y estética que ilumina tanto la práctica... more

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    El escritor polaco Witold Gombrowicz ocupa hoy un lugar paradójico en la literatura argentina. Este libro indaga ese lugar a través de la categoría de lo abyecto, una categoría psicoanalítica, política y estética que ilumina tanto la práctica literaria de Gombrowicz como la recepción ambivalente que sufrió en Argentina. Inspirándose en los escritos teóricos de Julia Kristeva, e integrando las elaboraciones teóricas más recientes, este libro evalúa el 'legado argentino' del escritor polaco, y demuestra, al mismo tiempo, el gran potencial interpretativo de lo abyecto como categoría de análisis literario Preliminary Material -- Introducción -- La abyección -- Abyección y asco: Bakakai -- Abyección y subjetividad: Diario, Testamento y Peregrinaciones argentinas -- Abyección y nación: Trans-Atlántico -- Abyección y canon: Piglia lector de Gombrowicz -- Conclusión -- Bibliografía.

     

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    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9789401207492
    Series: Foro hispánico 0925-8620 ; 43
    Foro hispánico ; 43
    Subjects: Abjection in literature; LITERARY CRITICISM ; General; Abjection in literature; Art appreciation; Criticism, interpretation, etc
    Other subjects: Gombrowicz, Witold; Gombrowicz, Witold; Gombrowicz, Witold; Gombrowicz, Witold; Gombrowicz, Witold
    Scope: Online Ressource
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    Includes bibliographical references. - Description based on print version record

  5. Lyric as Comedy
    The Poetics of Abjection in Postwar America
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

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    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice Frontmatter -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman’s Dream Songs -- 2. Robert Lowell: The Noise of One’s Own Voice -- 3. A. R. Ammons: Comic Badness -- 4. Terrance Hayes: Floundering Interiors -- 5. Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn -- Notes -- Index

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Other identifier:
    Subjects: Abjection in literature; American poetry; American poetry; Humor in literature; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (234 p)
  6. Extravagant Abjection
    Blackness, Power, and Sexuality in the African American Literary Imagination
    Published: [2010]
    Publisher:  New York University Press, New York, NY

    Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the... more

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    Challenging the conception of empowerment associated with the Black Power Movement and its political and intellectual legacies in the present, Darieck Scott contends that power can be found not only in martial resistance, but, surprisingly, where the black body has been inflicted with harm or humiliation.Theorizing the relation between blackness and abjection by foregrounding often neglected depictions of the sexual exploitation and humiliation of men in works by James Weldon Johnson, Toni Morrison, Amiri Baraka, and Samuel R. Delany, Extravagant Abjection asks: If we’re racialized through domination and abjection, what is the political, personal, and psychological potential in racialization-through-abjection? Using the figure of male rape as a lens through which to examine this question, Scott argues that blackness in relation to abjection endows its inheritors with a form of counter-intuitive power—indeed, what can be thought of as a revised notion of black power. This power is found at the point at which ego, identity, body, race, and nation seem to reveal themselves as utterly penetrated and compromised, without defensible boundary. Yet in Extravagant Abjection, “power” assumes an unexpected and paradoxical form.In arguing that blackness endows its inheritors with a surprising form of counter–intuitive power—as a resource for the political present—found at the very point of violation, Extravagant Abjection enriches our understanding of the construction of black male identity Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Fanon’s Muscles -- 2. “A Race That Could Be So Dealt With” -- 3. Slavery, Rape, and the Black Male Abject -- 4. The Occupied Territory -- 5. Porn and the N-Word -- Conclusion -- Notes -- Index -- About the Author

     

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  7. De geuren van het verwerpelijke
    essays
    Published: 2004
    Publisher:  Meulenhoff, Amsterdam

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Dutch
    Media type: Book
    ISBN: 9029073675
    RVK Categories: GU 61900
    Series: Meulenhoff editie ; 2063
    Subjects: Fictie; Nederlands; Niederländisch; Prosa; Abjection in literature; Dutch literature; Flemish literature; Literature, Modern
    Scope: 199 S., [8] Bl., Ill.
  8. Masculinity, psychoanalysis, straight queer theory
    essays on abjection in literature, mass culture, and film
    Published: 2008
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Edition: 1. ed
    Subjects: Abjection in literature; Abjection in motion pictures; Masculinity in literature; Masculinity in motion pictures; Abjection in literature; Abjection in motion pictures; Masculinity in literature; Masculinity in motion pictures; Englisch; Abweisung; Erniedrigung <Motiv>; Männlichkeit; Literatur; Film
    Scope: XVI, 224 S., 22 cm
    Notes:

    Includes bibliographical references (p. [207]-215) and index

    Introduction : abject (without) apologies -- Beginning with a bit of (be)hindsight ... -- Re-enfleshing the bright boys; or, How male bodies might matter to feminist theory -- Must desire be taken literally? -- Cultural droppings : on Bersani and Beckett -- Is what you want something you can discuss? -- "It's no longer your film" : abjection and (the) Mulholland (death) Drive

  9. Abjection and representation
    an exploration of abjection in the visual arts, film and literature
    Author: Arya, Rina
    Published: 2014
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230389342; 9780230389359
    Other identifier:
    Subjects: Abjection in literature; Abjection in motion pictures; Art
    Other subjects: Kristeva, Julia (1941-): Powers of Horror
    Scope: XI, 231 S.
  10. Abjection and representation
    an exploration of abjection in the visual arts, film and literature
    Author: Arya, Rina
    Published: 2014
    Publisher:  Palgrave Macmillan, Basingstoke

    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230389335
    Subjects: Abjection in literature; Abjection in motion pictures; Art
    Other subjects: Kristeva, Julia (1941-): Powers of Horror
    Scope: XI, 231 S.
  11. Women and Ireland as Beckett's lost others
    beyond mourning and melancholia
    Author: Kim, Rina
    Published: 2010
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230230477; 0230230474
    Subjects: Beckett, Samuel, 1906-1989--Criticism and interpretation; Grief in literature; Abjection in literature; Women in literature; Ireland--In literature
    Scope: XI, 210 S., 23 cm
  12. Extravagant abjection
    blackness, power, and sexuality in the African American literary imagination
    Published: 2010
    Publisher:  New York Univ. Press, New York [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
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  13. Masculinity, psychoanalysis, straight queer theory
    essays on abjection in literature, mass culture, and film
    Published: 2008
    Publisher:  Palgrave Macmillan, Basingstoke

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230600085
    Subjects: Abjection in literature; Abjection in motion pictures; Masculinity in literature; Masculinity in motion pictures; Gender identity in literature; Gender identity in motion pictures
    Scope: XVI, 224 Seiten, 22cm
  14. Ovid's Tragic Heroines
    Gender Abjection and Generic Code-switching
    Published: [2023]; © 2023
    Publisher:  Cornell University Press, Ithaca, NY

    Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their... more

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    Ovid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given a free reign to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501770371
    Other identifier:
    Subjects: Ancient History & Classical Studies; GENDER STUDIES.; LITERARY STUDIES.; LITERARY CRITICISM / Ancient & Classical; Abjection in literature; Gender identity in literature; Heroines in literature; Sex role in literature
    Scope: 1 Online-Ressource (228 pages), 1 b&w halftone
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023)

  15. Powers of Horror
    An Essay on Abjection
    Published: [2024]; © 2024
    Publisher:  Columbia University Press, New York, NY

    In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the... more

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    In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231561419
    Other identifier:
    Series: European Perspectives: A Series in Social Thought and Cultural Criticism
    Subjects: PSYCHOLOGY / Movements / Psychoanalysis; Abjection in literature; Horror in literature; Narcissism; Psychoanalysis; Rejection (Psychology)
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)

  16. Lyric as comedy
    the poetics of abjection in postwar America
    Published: 2020
    Publisher:  Cornell University Press, Ithaca [New York]

    "Explores the unexpected comic opportunities within recent American poems about personal experience"-- more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "Explores the unexpected comic opportunities within recent American poems about personal experience"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Subjects: American poetry; American poetry; Abjection in literature; Humor in literature; Lyrik; Komik; Amerikanisches Englisch
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Description based on print version record

    Introduction: Consider What That Feels Like -- Comedy in an Age of Close Reading: John Berryman's Dream Songs -- The Noise of Robert Lowell's Own Voice -- A. R. Ammons and Comic Badness -- Terrance Hayes: Floundering Interiors -- Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn

  17. Pouvoirs de l'horreur
    essai sur l'abjection
    Published: 1980
    Publisher:  Ed. du Seuil, Paris

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2020055392
    RVK Categories: EC 1980 ; EC 5910 ; ER 880 ; IE 4421
    Series: Collection Tel Quel
    Subjects: Afschuw; Narcissisme; Psychanalyse; Abjection in literature; Horror in literature; Schrecken; Anthropologie; Semiotik
    Other subjects: Céline, Louis-Ferdinand <1894-1961>
    Scope: 247 S.
  18. Masculinity, psychoanalysis, straight queer theory
    essays on abjection in literature, mass culture, and film
    Published: 2008
    Publisher:  Palgrave Macmillan, Basingstoke

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  19. Lyric as Comedy
    The Poetics of Abjection in Postwar America
    Published: [2020]
    Publisher:  Cornell University Press, Ithaca, NY

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a... more

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    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn.Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging.The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice Frontmatter -- Contents -- Acknowledgments -- Permissions -- Introduction: Consider What That Feels Like -- 1. Comedy in an Age of Close Reading: John Berryman’s Dream Songs -- 2. Robert Lowell: The Noise of One’s Own Voice -- 3. A. R. Ammons: Comic Badness -- 4. Terrance Hayes: Floundering Interiors -- 5. Coming to Terms with Our Self: Morgan Parker, Natalie Shapero, Monica Youn -- Notes -- Index

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501750991
    Other identifier:
    Subjects: Abjection in literature; American poetry; American poetry; Humor in literature; LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (234 p)
  20. De geuren van het verwerpelijke
    essays
    Published: 2004
    Publisher:  Meulenhoff, Amsterdam

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: Dutch
    Media type: Book
    ISBN: 9029073675
    RVK Categories: GU 61900
    Series: Meulenhoff editie ; 2063
    Subjects: Fictie; Nederlands; Niederländisch; Prosa; Abjection in literature; Dutch literature; Flemish literature; Literature, Modern
    Scope: 199 S., [8] Bl., Ill.
  21. Masculinity, psychoanalysis, straight queer theory
    essays on abjection in literature, mass culture, and film
    Published: 2008
    Publisher:  Palgrave Macmillan, New York [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    Edition: 1. ed
    Subjects: Abjection in literature; Abjection in motion pictures; Masculinity in literature; Masculinity in motion pictures; Abjection in literature; Abjection in motion pictures; Masculinity in literature; Masculinity in motion pictures; Englisch; Abweisung; Erniedrigung <Motiv>; Männlichkeit; Literatur; Film
    Scope: XVI, 224 S., 22 cm
    Notes:

    Includes bibliographical references (p. [207]-215) and index

    Introduction : abject (without) apologies -- Beginning with a bit of (be)hindsight ... -- Re-enfleshing the bright boys; or, How male bodies might matter to feminist theory -- Must desire be taken literally? -- Cultural droppings : on Bersani and Beckett -- Is what you want something you can discuss? -- "It's no longer your film" : abjection and (the) Mulholland (death) Drive

  22. Women and Ireland as Beckett's lost others
    beyond mourning and melancholia
    Author: Kim, Rina
    Published: 2010
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  23. National abjection
    the Asian American body onstage
    Published: 2002
    Publisher:  Duke University Press, Durham [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822329379; 0822328232
    RVK Categories: HU 1729
    Subjects: Asian Americans; Asian Americans; Body, Human; Orientalism; American drama; Performance art; Abjection in literature; Racism in literature
    Scope: XI, 192 S., Ill.
    Notes:

    Literaturverz. S. [179] - 188

  24. Bitter Carnival
    Ressentiment and the Abject Hero
    Published: 1992; ©1992
    Publisher:  Princeton University Press, Princeton, N.J.

    Main description: "You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are... more

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    Main description: "You people put importance on your lives. Well, my life has never been important to anyone. I haven't got any guilt about anything," bragged the mass-murderer Charles Manson. "These children that come at you with knives, they are your children. You taught them. I didn't teach them. . . . They are running in the streets--and they are coming right at you!" When a real murderer accuses the society he has brutalized, we are shocked, but we are thrilled by the same accusations when they are mouthed by a fictional rebel, outlaw, or monster. In Bitter Carnival, Michael Andr Bernstein explores this contradiction and defines a new figure: the Abject Hero. Standing at the junction of contestation and conformity, the Abject Hero occupies the logically impossible space created by the intersection of the satanic and the servile. Bernstein shows that we heroicize the Abject Hero because he represents a convention that has become a staple of our common mythology, as seductive in mass culture as it is in high art. Moving from an examination of classical Latin satire; through radically new analyses of Diderot, Dostoevsky, and Cline; and culminating in the courtroom testimony of Charles Manson, Bitter Carnival offers a revisionist rereading of the entire tradition of the "Saturnalian dialogue" between masters and slaves, monarchs and fools, philosophers and madmen, citizens and malcontents. It contests the supposedly regenerative power of the carnivalesque and challenges the pieties of utopian radicalism fashionable in contemporary academic thinking. The clarity of its argument and literary style compel us to confront a powerful dilemma that engages some of the most central issues in literary studies, ethics, cultural history, and critical theory today.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400820634
    Other identifier:
    9781400820634
    Subjects: Cynicism in literature; Comparative literature; Heroes in literature; Abjection in literature; Comparative literature; LITERARY CRITICISM
    Scope: Online-Ressource (260 S.)
  25. Bitter carnival
    ressentiment and the abject hero
    Published: (c)1992
    Publisher:  Princeton University Press, Princeton, N.J

    Introduction : murder and the Utopian movement -- I wear not motley in my brain : slaves, fools, and abject heroes -- O totiens servus : Horace, Juvenal, and the classical Saturnalia -- Oui, monsieur le philosophe : Diderot's Le neveu de Rameau --... more

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    Hochschule Aalen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Introduction : murder and the Utopian movement -- I wear not motley in my brain : slaves, fools, and abject heroes -- O totiens servus : Horace, Juvenal, and the classical Saturnalia -- Oui, monsieur le philosophe : Diderot's Le neveu de Rameau -- Lacerations : the novels of Fyodor Dostoevsky -- L'Apocalypse à crédit : Louis-Ferdinand Céline's war trilogy -- These children that come at you with knives : Charles Manson and the modern Saturnalia.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691069395; 0691069395; 140081104X; 9781400811045
    Subjects: Comparative literature; Abjection in literature; Heroes in literature; Cynicism in literature; Comparative literature; Comparative literature; Cynicism in literature; Abjection in literature; Heroes in literature; LITERARY CRITICISM ; Gay & Lesbian; Abjection in literature; Comparative literature ; Themes, motives; Cynicism in literature; Heroes in literature; Verstotenen; Ressentiment
    Scope: Online Ressource (243 pages)
    Notes:

    Includes bibliographical references (pages 185-234) and index. - Print version record

    Introduction : murder and the Utopian movementI wear not motley in my brain : slaves, fools, and abject heroes -- O totiens servus : Horace, Juvenal, and the classical Saturnalia -- Oui, monsieur le philosophe : Diderot's Le neveu de Rameau -- Lacerations : the novels of Fyodor Dostoevsky -- L'Apocalypse à crédit : Louis-Ferdinand Céline's war trilogy -- These children that come at you with knives : Charles Manson and the modern Saturnalia.