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  1. (Post)colonial histories - trauma, memory and reconciliation in the context of the Angolan Civil War
    Author: Jager, Benedikt; Dessingué, Alexandre; Hansen, Ketil Fred; Knutsen, Ketil; Siegert, Nadine; Simonhjell, Nora; Skarpeid, Jon; Wagner, David-Alexandre; Wolff, Kaya de
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Jager, Benedikt (HerausgeberIn); Hobuß, Steffi (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783837634792
    Other identifier:
    9783837634792
    RVK Categories: NQ 9440 ; MI 41086 ; MI 41094
    Series: Postcolonial studies ; Volume 26
    Subjects: Bürgerkrieg; Konflikt; Auswirkung; Transitional Justice; Vergangenheitsbewältigung; Versöhnung; Kollektives Gedächtnis
    Scope: 257 Seiten, Diagramme, Notenbeispiele, 22.5 cm x 14.8 cm, 273 g
    Notes:

    Literaturangaben

    Benedikt Jager (University of Stavanger), Steffi Hobuß (Leuphana University Lüneburg): Black and white dogs : conceptual encounters

    Ketil Fred Hansen (University of Stavanger): Angola : a brief historical background

    Kaya de Wolff (University of Tübingen): "They said we have to forgive each other" : memory, 'transitional justice', and (post)colonialism in the context of the international screenings of the documentary My Heart of Darkness

    Alexandre Dessingué (University of Stavanger): The ethics of memory in My Heart of Darkness

    Steffi Hobuß (Leuphana University Lüneburg): Memory, contradictions and resignification of colonial imagery in My Heart of Darkness

    Ketil Knutsen (University of Stavanger): Performing history : My Heart of Darkness from a dramatist perspective

    David-Alexandre Wagner (University of Stavanger), Jon Skarpeid (University of Stavanger): The role of music in memorial production and discourse in My Heart of Darkness

    Benedikt Jager (University of Stavanger): "I don't trust in pictures" : forms for authentication in My Heart of Darkness and Annekatrin Hendel's Vaterlandsverräter

    Nadine Siegert (Bayreuth University): Memory, trauma and empathy : on the (un)representability of the civil war in art

    Nora Simonhjell (University of Stavanger): Miss Landmine in Angola : negotiating the political aesthetics of the mutilated body
  2. (Post)colonial histories - trauma, memory and reconciliation in the context of the Angolan Civil War
    Author: Jager, Benedikt; Dessingué, Alexandre; Hansen, Ketil Fred; Knutsen, Ketil; Siegert, Nadine; Simonhjell, Nora; Skarpeid, Jon; Wagner, David-Alexandre; Wolff, Kaya de
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    MI 41086 2017 001
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    02.s.3343
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Signature:
    PN1997 Jage2017
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    German Institute for Global and Area Studies, Bibliothek
    Signature:
    AGO-H/12
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    68/1664
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    58 A 291
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Jager, Benedikt (HerausgeberIn); Hobuß, Steffi (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783837634792
    Other identifier:
    9783837634792
    RVK Categories: NQ 9440 ; MI 41086 ; MI 41094
    Series: Postcolonial studies ; Volume 26
    Subjects: Konflikt; Auswirkung; Transitional Justice; Vergangenheitsbewältigung; Versöhnung; Kollektives Gedächtnis
    Scope: 257 Seiten, Diagramme, Notenbeispiele, 22.5 cm x 14.8 cm, 273 g
    Notes:

    Literaturangaben

    Benedikt Jager (University of Stavanger), Steffi Hobuß (Leuphana University Lüneburg): Black and white dogs : conceptual encounters

    Ketil Fred Hansen (University of Stavanger): Angola : a brief historical background

    Kaya de Wolff (University of Tübingen): "They said we have to forgive each other" : memory, 'transitional justice', and (post)colonialism in the context of the international screenings of the documentary My Heart of Darkness

    Alexandre Dessingué (University of Stavanger): The ethics of memory in My Heart of Darkness

    Steffi Hobuß (Leuphana University Lüneburg): Memory, contradictions and resignification of colonial imagery in My Heart of Darkness

    Ketil Knutsen (University of Stavanger): Performing history : My Heart of Darkness from a dramatist perspective

    David-Alexandre Wagner (University of Stavanger), Jon Skarpeid (University of Stavanger): The role of music in memorial production and discourse in My Heart of Darkness

    Benedikt Jager (University of Stavanger): "I don't trust in pictures" : forms for authentication in My Heart of Darkness and Annekatrin Hendel's Vaterlandsverräter

    Nadine Siegert (Bayreuth University): Memory, trauma and empathy : on the (un)representability of the civil war in art

    Nora Simonhjell (University of Stavanger): Miss Landmine in Angola : negotiating the political aesthetics of the mutilated body