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  1. Sinister resonance
    the mediumship of the listener
    Author: Toop, David
    Published: 2010
    Publisher:  Continuum-Verl., London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781441149725; 1441149724
    RVK Categories: CP 2500 ; LR 57650
    Subjects: Music--Physiological effect.; Auditory perception.; Musical perception.
    Scope: XV, 256 S., 22 cm
  2. Being musically attuned
    the act of listening to music
    Author: Wallrup, Erik
    Published: [2015]; © 2015
    Publisher:  Ashgate, Farnham, Surrey, UK

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    Hochschule für Musik und Theater, Bibliothek
    Signature:
    Sbc 45, Wall, Being
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Mus 140.071
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    Universität Potsdam, Universitätsbibliothek
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    LR 56820 WAL
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1472429907; 9781472429902
    RVK Categories: LR 57650 ; LR 56820
    Subjects: Music; Music
    Scope: 275 Seiten, Notenbeispiele, 24 cm
    Notes:

    Originally presented as the author's thesis (Ph. D., Stockholm University and University of Rome La Sapienza) under title: The concept and phenomenon of Stimmung in music

    Includes bibliographical references (pages 241-261) and index

    Stimmung in music -- The philosophy of Stimmung -- Playing in between -- History -- Duration -- Aftersong.
  3. Funktionale Klänge
    Hörbare Daten, klingende Geräte und gestaltete Hörerfahrungen
    Published: [2015]; ©2009
    Publisher:  transcript-Verlag, Bielefeld

    Funktionale Klänge sind in Erscheinung und Struktur absichtlich ausgestaltet und dienen einem bestimmten Zweck. Die Funktion ist die Grundlage für Gestaltung und Gebrauch. Klingt phantastisch, funktioniert aber.Der zweite Band der Reihe »Sound... more

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    Funktionale Klänge sind in Erscheinung und Struktur absichtlich ausgestaltet und dienen einem bestimmten Zweck. Die Funktion ist die Grundlage für Gestaltung und Gebrauch. Klingt phantastisch, funktioniert aber.Der zweite Band der Reihe »Sound Studies« fasst ein breites Spektrum verschiedener Forschungs- und Gestaltungsdisziplinen zusammen, die sich mit Klang und Funktion auseinandersetzen: Klang als vielseitiger Designfaktor; als Identifikations-, Orientierungs- und Differenzierungsmerkmal in Räumen, Systemen und Kulturen; als Instrument zur Interaktion; als Aspekt zum Erleben des Digitalen; als Erkenntnisgewinn; als Mittel zum Zweck.Der Band enthält Texte zu Sonifikationen, zu Interaction Design, zu Mensch-Maschine-Kommunikation, zu akustischer Markenkommunikation, zu Klanganthropologie und -ökologie, zu Design-Methoden, zu Klangsynthese und zu funktionalem Stimmklang.Mit Beiträgen von:Kai Bronner, Christopher Frauenberger, Nicola Fricke, Thomas Hermann, Jan Paul Herzer, Daniel Hug, Steffi Hußlein, Marcel Kloppenburg, Frank Lachmann, Iris Lemke, Sascha Mahlke, Matthias Rath, Max Schneider, Holger Schulze, Ulrike Sowodniok, Georg Spehr und Hans-Ulrich Werner

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839411681
    Other identifier:
    RVK Categories: LR 57650
    Edition: 1. Aufl
    Series: Sound Studies ; 2
    Other subjects: Klang / Gestaltung / Funktion / Aufsatzsammlung; Aesthetics; Architecture; Architektur; Cultural Studies; Design; Funktion; Klang; Kulturwissenschaft; Kunst; Musicology; Musikwissenschaft; Sonic Interaction Design; Sonifikationen; Sound; Soundsysteme; Technik; Technology; Ästhetik; Funktion; Hörtheorie; Gestaltung; Klang; Alltag; MUSIC / History & Criticism
    Scope: 1 online resource
  4. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Haßfurt [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    Universität Gießen, Zweigbibliothek der UB im Philosophikum II
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    Universität Marburg, Handapparate
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    023 HAP 117 001 LR 57730 A182
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927332208
    Other identifier:
    9783927332201
    RVK Categories: CC 6600 ; EC 5410 ; IH 1000 ; IH 74361 ; LR 56650 ; LR 57650 ; LR 57710 ; LR 57730 ; ER 990
    DDC Categories: 840
    Subjects: Hören <Motiv>; Literatur
    Other subjects: Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 518 S., 27 cm
    Notes:

    Zugl.:Erlangen, Nürnberg, Univ., Diss., 1998
  5. Listen
    a history of our ears
    Author: Szendy, Peter
    Published: 2008
    Publisher:  Fordham Univ. Press, New York

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    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    LR 57650 sze 2008
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    15/EC 5410 S997
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    Source: Union catalogues
    Contributor: Nancy, Jean-Luc (Mitarb.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823228003
    RVK Categories: EC 5410 ; LR 57650
    Series: Music / philosophy
    Subjects: Musikhören
    Scope: XIII, 160 S.
  6. Reason and resonance
    a history of modern aurality
    Author: Erlmann, Veit
    Published: 2014
    Publisher:  Zone books, New York

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    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    LR 57650 erl 2014
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    25 Mus HE 0014
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781935408055
    RVK Categories: LR 57650 ; CP 2500 ; LR 56820 ; EC 5910 ; CC 6600
    Subjects: Hören; Lautwahrnehmung; Rationalität; Klang; Wahrnehmung; Kultur
    Scope: 422 S., Ill.
  7. Jenseits von Hören und Sehen
    zur Ästhetik audiovisueller Medien
    Contributor: Sackl, Susanne (Hrsg.)
    Published: 2013
    Publisher:  EpOs Music, Osnabrück

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    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    LR 57790 sac 2013
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    Source: Union catalogues
    Contributor: Sackl, Susanne (Hrsg.)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783940255426
    Other identifier:
    9783940255426
    RVK Categories: LR 56808 ; LR 57650 ; LR 57790 ; LR 53509
    DDC Categories: 780
    Series: Beiträge zur Medienästhetik der Musik ; 13
    Subjects: Audiovisuelle Medien; Musik; Ästhetik
    Scope: VI, 150 S., 24 cm
    Notes:

    Literaturangaben
  8. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Inst. für Alltagskultur, Haßfurt [u.a.]

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3927332208; 9783927332201
    RVK Categories: EC 5410 ; IH 74361 ; LR 56650 ; LR 57650 ; LR 57710 ; LR 57730
    DDC Categories: 840
    Subjects: Litteratur - teman och motiv - historia - sekelskiftet 1900; Hören <Motiv>; Literatur
    Other subjects: Proust, Marcel <1871-1922> - teman och motiv; Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 518 S.
    Notes:

    Zugl.: Erlangen, Univ., Diss., 1998
  9. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020
    Publisher:  Fordham University Press, New York

    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is... more

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    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic Cover -- THE FACT OF RESONANCE -- Title -- Copyright -- Dedication -- CONTENTS -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780823288168
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom: inventing writing theory
    Subjects: Literaturtheorie; Roman; Klang <Motiv>; Prosa
    Scope: ix, 345 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Description based on publisher supplied metadata and other sources
  10. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020; © 2020
    Publisher:  Fordham University Press, New York

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823288199
    Other identifier:
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom
    Subjects: Colonialism; Film and Media; Joseph Conrad; Literary Theory; Modernism; Narratology; Race; Sound; W.E.B. Du Bois; William Faulkner; LITERARY CRITICISM / Modern / 20th Century; Literature; Modernism (Literature); Sound in literature; Prosa; Roman; Literaturtheorie; Klang <Motiv>
    Scope: 1 Online-Ressource (ix, 345 Seiten), Illustrationen, Notenbeispiele
  11. Reason and resonance
    a history of modern aurality
    Author: Erlmann, Veit
    Published: 2010
    Publisher:  Zone Books, New York, NY

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781935408048; 9781935408055
    RVK Categories: LR 57650 ; LR 56820 ; EC 5910 ; CC 6600
    Subjects: Listening (Philosophy); Hearing; Kultur; Lautwahrnehmung; Rationalität; Wahrnehmung; Klang; Hören
    Scope: 422 Seiten, Illustrationen, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction: the string and the mirror -- The great entente : anatomy, rationalism, and the quest for reasonance -- Point of audition : Claude Perrault's "du bruit" (1680) and the politics of pleasure in the Ancien Régime -- Good vibes : nerves, air, and happiness during the French Enlightenment -- Water, sex, noise : early German romanticism and the metaphysics of listening -- Hearing oneself hear : the autoresonant self and the expansion of the audible -- The labyrinth of reason : Hermann von Helmholtz's physiological acoustics and the loss of certainty -- Rhythm and clues : time and the acoustic unconscious, ca. 1900 -- Echoless : the pathology of freedom and the crisis of twentieth-century listening
  12. L' oreille divisée
    les discours sur l'écoute musicale aux XVIIIe et XIXe siècles
    Author: Kaltenecker, Martin
    Published: 2010
    Publisher:  MF, [Paris]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782915794526
    RVK Categories: LR 57650
    Edition: 1. tirage
    Series: Collection Répercussions
    Subjects: Musical perception / Aesthetics / 18th-19th century; Ästhetik; Musik; Hörverstehen; Hören
    Scope: 453 S., Ill., Notenbeisp., 21 cm
    Notes:

    Bibliogr. p. 427 - 444. - Index. - MF = Musica Falsa
  13. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: [2020]; 2020
    Publisher:  Fordham University Press, New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823288199
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom: inventing writing theory
    Subjects: Fiction; Literature; Oral interpretation; Prosa; Klang <Motiv>; Roman; Literaturtheorie
    Scope: 1 Online-Ressource (363 pages)
    Notes:

    Description based on print version record

    Modernist acoustics and narrative form
  14. Reason and resonance
    a history of modern aurality
    Author: Erlmann, Veit
    Published: 2010
    Publisher:  Zone Books, New York, NY

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781935408048; 9781935408055
    RVK Categories: LR 57650 ; LR 56820 ; EC 5910 ; CC 6600
    Subjects: Listening (Philosophy); Hearing; Kultur; Lautwahrnehmung; Rationalität; Wahrnehmung; Klang; Hören
    Scope: 422 Seiten, Illustrationen, 24 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction: the string and the mirror -- The great entente : anatomy, rationalism, and the quest for reasonance -- Point of audition : Claude Perrault's "du bruit" (1680) and the politics of pleasure in the Ancien Régime -- Good vibes : nerves, air, and happiness during the French Enlightenment -- Water, sex, noise : early German romanticism and the metaphysics of listening -- Hearing oneself hear : the autoresonant self and the expansion of the audible -- The labyrinth of reason : Hermann von Helmholtz's physiological acoustics and the loss of certainty -- Rhythm and clues : time and the acoustic unconscious, ca. 1900 -- Echoless : the pathology of freedom and the crisis of twentieth-century listening
  15. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020; © 2020
    Publisher:  Fordham University Press, New York

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823288199
    Other identifier:
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom
    Subjects: Colonialism; Film and Media; Joseph Conrad; Literary Theory; Modernism; Narratology; Race; Sound; W.E.B. Du Bois; William Faulkner; LITERARY CRITICISM / Modern / 20th Century; Literature; Modernism (Literature); Sound in literature; Prosa; Roman; Literaturtheorie; Klang <Motiv>
    Scope: 1 Online-Ressource (ix, 345 Seiten), Illustrationen, Notenbeispiele
  16. Listening/Hearing
    Contributor: Seiffarth, Carsten (Publisher); Mörchen, Raoul (Publisher)
    Published: [2022]; ©2022
    Publisher:  Schott, Mainz

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Contributor: Seiffarth, Carsten (Publisher); Mörchen, Raoul (Publisher)
    Language: German
    Media type: Conference proceedings
    ISBN: 9783795730437
    RVK Categories: LP 13000 ; LR 57810 ; LR 57650
    Corporations / Congresses: Listening/Hearing (Veranstaltung) (2021, Bonn)
    Series: edition neue zeitschrift für musik
    Subjects: Zuhören; Musikwissenschaft; Rezeption; Klangkunst; Hören; Wahrnehmung; Soundscape; Ästhetik; Musikhören
    Scope: 343 Seiten, Illustrationen
    Notes:

    Beiträge des Symposiums "Listening/Hearing" (20.-23. Oktober 2021, Bonn) - Grußwort
  17. Funktionale Klänge
    Hörbare Daten, klingende Geräte und gestaltete Hörerfahrungen
    Published: 2015
    Publisher:  transcript Verlag, Bielefeld

    Funktionale Klänge sind in Erscheinung und Struktur absichtlich ausgestaltet und dienen einem bestimmten Zweck. Die Funktion ist die Grundlage für Gestaltung und Gebrauch. Klingt phantastisch, funktioniert aber. Der zweite Band der Reihe »Sound... more

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    Funktionale Klänge sind in Erscheinung und Struktur absichtlich ausgestaltet und dienen einem bestimmten Zweck. Die Funktion ist die Grundlage für Gestaltung und Gebrauch. Klingt phantastisch, funktioniert aber. Der zweite Band der Reihe »Sound Studies« fasst ein breites Spektrum verschiedener Forschungs- und Gestaltungsdisziplinen zusammen, die sich mit Klang und Funktion auseinandersetzen: Klang als vielseitiger Designfaktor; als Identifikations-, Orientierungs- und Differenzierungsmerkmal in Räumen, Systemen und Kulturen; als Instrument zur Interaktion; als Aspekt zum Erleben des Digitalen; als Erkenntnisgewinn; als Mittel zum Zweck. Der Band enthält Texte zu Sonifikationen, zu Interaction Design, zu Mensch-Maschine-Kommunikation, zu akustischer Markenkommunikation, zu Klanganthropologie und -ökologie, zu Design-Methoden, zu Klangsynthese und zu funktionalem Stimmklang. Mit Beiträgen von: Kai Bronner, Christopher Frauenberger, Nicola Fricke, Thomas Hermann, Jan Paul Herzer, Daniel Hug, Steffi Hußlein, Marcel Kloppenburg, Frank Lachmann, Iris Lemke, Sascha Mahlke, Matthias Rath, Max Schneider, Holger Schulze, Ulrike Sowodniok, Georg Spehr und Hans-Ulrich Werner.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839411681
    Other identifier:
    RVK Categories: EC 2400 ; LR 56820 ; LR 55170 ; AP 14900 ; AP 15500 ; LR 57650 ; LR 57790
    Series: Sound Studies ; 2
    Subjects: Klang; Acoustical engineering.; Architecture, Art, Music.; Fine Arts and Architecture.; Klang.; Music, general.; Musik.; Sound.; Klang.; Funktion.; Gestaltung.; Hörtheorie; Alltag; MUSIC / History & Criticism
    Scope: 1 Online-Ressource (315 S.)
    Notes:

    Description based upon print version of record

    Spehr, Georg: Frontmatter ; Inhalt ; Funktionale Klänge
  18. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Haßfurt [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927332208
    RVK Categories: LR 56650 ; LR 57650 ; LR 57710 ; LR 57730 ; EC 5187 ; EC 5410 ; IH 74361
    Subjects: Proust, Marcel; Hören <Motiv>; ; Hören <Motiv>; Literatur; Geschichte 1900-1930;
    Scope: 520 S
    Notes:

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 1998
  19. Tonwahrnehmung und Musikhören
    phänomenologische, hermeneutische und bildungsphilosophische Zugänge
    Author: Geisler, Josephine
    Published: 2016
    Publisher:  Wilhelm Fink Verlag, Paderborn

    Was ist Musik? Diese musikphilosophische Fragestellung bildet den Ausgangspunkt von Josephine Geislers phänomenologischer Untersuchung, die einen wichtigen Beitrag zur anthropologischen Grundlagenforschung liefert.Geisler greift in diesem... more

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    Was ist Musik? Diese musikphilosophische Fragestellung bildet den Ausgangspunkt von Josephine Geislers phänomenologischer Untersuchung, die einen wichtigen Beitrag zur anthropologischen Grundlagenforschung liefert.Geisler greift in diesem Zusammenhang nicht nur auf die Phänomenologie der Tonwahrnehmung Husserls zurück, sondern auch auf Helmuth Plessners ästhesiologische Schriften, die bisher kaum rezipiert wurden. Auch Günther Anders' musikphänomenologische Habilitationsschrift - noch nicht veröffentlicht und daher wenig bekannt - dient als theoretische Grundlage. Anhand dieser drei Autoren legt die Arbeit mit den Kategorien Zeitlichkeit, Leiblichkeit und Gestimmtheit anthropologische Konstanten des Verhältnisses Mensch-Musik frei und verweist damit auf den normativen Eigensinn des besonderen Wahrnehmungsereignisses Musik.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846760383
    Other identifier:
    9783846760383
    RVK Categories: LR 57650 ; EC 2440
    Series: Phänomenologische Untersuchungen ; 34
    Subjects: (Musik-) Ästhetik; (Musik-) Wahrnehmung; (Musik-)Verstehen; Anthropologie; Ästhesiologie; Bildungsphilosophie; Ekenntnis; Erfahrung; Mus6ikphilosophie; Musikphänomenologie; Normativität
    Scope: 1 Online-Ressource (317 Seiten)
  20. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Haßfurt [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927332208
    RVK Categories: LR 56650 ; LR 57650 ; LR 57710 ; LR 57730 ; EC 5187 ; EC 5410 ; IH 74361
    Subjects: Proust, Marcel; Hören <Motiv>; ; Hören <Motiv>; Literatur; Geschichte 1900-1930;
    Scope: 520 S
    Notes:

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 1998
  21. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020
    Publisher:  Fordham University Press, New York

    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is... more

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    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic Cover -- THE FACT OF RESONANCE -- Title -- Copyright -- Dedication -- CONTENTS -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823288168; 9780823288175
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom: inventing writing theory
    Subjects: Klang; Hören; Literatur;
    Scope: ix, 345 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Description based on publisher supplied metadata and other sources
  22. The Fact of Resonance
    Modernist Acoustics and Narrative Form
    Author: Napolin, Julie Beth
    Published: [2020]
    Publisher:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1. Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy... more

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    Frontmatter -- Contents -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1. Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2. The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the “Narcissus” and “The Fact of Blackness” -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3. A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?”For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music.A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780823288199
    Other identifier:
    RVK Categories: LR 57650
    Series: Idiom: Inventing Writing Theory
    Subjects: Sound in literature; Literature; Modernism (Literature); Oral interpretation; Fiction; LITERARY CRITICISM / Modern / 20th Century
    Scope: 1 Online-Ressource (288 p), 10
  23. What now?
    the politics of listening
    Contributor: Barlow, Anne (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Black Dog Publishing, London

    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine... more

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    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we position listening as a political act? And how do we further develop our ability to listen for what is left out, and why? What Now? documents a program of sound installations, audio works, film screenings and performances that question our ability to 'listen' held under the title "The Politics of Listening" in the second annual 'What Now?' symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, as part of Alignment, the Vera List Center's 2013-2015 curatorial focus theme Mechanics, methods, metaphysics -- Fact, fiction, and the in-between -- Community actions, reciprocity, co-determination

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Barlow, Anne (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1910433578; 9781910433577
    RVK Categories: LR 57650 ; AP 14150 ; LH 65829
    Series: What now?
    Subjects: Art, Modern; Art; Sound installations (Art); Listening; Listening; Art; Art; Art, Modern; Art, Modern; Listening; Listening; Sound installations (Art); Sound installations (Art); 2000-2099
    Scope: 95 Seiten, Illustrationen, 24 cm
    Notes:

    The first in a series of three books published in conjunction with Art in General's annual What Now? symposium running from 2015-2017

    AJ Hudspeth: Mechanics, methods, metaphysics ; Where listening begins

    ESTAR(SER): The Esthetical Society for Transcendental and Applied Realization: The Narma tapes: polyphony and politics in the Cold War

    Christoph Cox: Listening as agon in the society of control

    Council (Grégory Castéra and Sandra Terdjman): Tacet, or the cochlear vertigo: towards the limits of hearing

    Laruen van Haaften-Schick: Fact, fiction, and the in-between ; What is the shape and feel of the in-between?

    Lawrence Abu Hamdan: Aural contract: towards a politics of listening

    Joshua Craze: How to do things with(out) words

    Naeem Mohaiemen: What we mean when we ask permission

    Beatriz Santiago Munñoz: Tricks

    Seeta Peña Gangadharan: Community actions, reciprocity, co-determination ; Algorithmic listening and communictive democracy

    Robert Sember (Ultra-Red): Strong people don't need strong leaders: intentionality, accountability, and pedagogy

    Pablo Helguera: Listening to the converted: critical looks at the social algorithm

    Kade L. Twist: Repellent fence: when land becomes shared metaphor

    Laurie Jo Reynolds: We never ask why: the failure of retributive justice
  24. Listening/Hearing
    Contributor: Seiffarth, Carsten (Publisher); Mörchen, Raoul (Publisher)
    Published: [2022]; ©2022
    Publisher:  Schott, Mainz

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Contributor: Seiffarth, Carsten (Publisher); Mörchen, Raoul (Publisher)
    Language: German
    Media type: Conference proceedings
    ISBN: 9783795730437
    RVK Categories: LP 13000 ; LR 57810 ; LR 57650
    Corporations / Congresses: Listening/Hearing (Veranstaltung) (2021, Bonn)
    Series: edition neue zeitschrift für musik
    Subjects: Zuhören; Musikwissenschaft; Rezeption; Klangkunst; Hören; Wahrnehmung; Soundscape; Ästhetik; Musikhören
    Scope: 343 Seiten, Illustrationen
    Notes:

    Beiträge des Symposiums "Listening/Hearing" (20.-23. Oktober 2021, Bonn) - Grußwort
  25. Being musically attuned
    the act of listening to music
    Author: Wallrup, Erik
    Published: 2015; © 2015
    Publisher:  Ashgate, Farnham, Surrey, UK

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    Universitätsbibliothek Freiburg
    Signature:
    GE 2015/2196
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    Sbc 45, Wall, Being
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    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Mus 140.071
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    LR 56820 WAL
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    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    65/7058
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9781472429902; 1472429907
    Other identifier:
    9781472429902
    RVK Categories: LR 57650 ; LR 56820
    Subjects: Music; Music; Music; Music
    Scope: 275 S., Notenbeisp., 24 cm
    Notes:

    Includes bibliographical references and index

    Zugl.: Stockholm, Univ., Diss., 2012 u.d.T.: Wallrup, Erik: The concept and phenomenon of Stimmung in music

    Stimmung in music -- The philosophy of Stimmung -- Playing in between -- History -- Duration -- Aftersong.