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  1. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Haßfurt [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 89151
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    P Kupä-A 1130
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    VKK-F5/138
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    Thüringer Universitäts- und Landesbibliothek
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    ROM:Y:F:Pro850:9:2003
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    Hochschule Magdeburg-Stendal, Hochschulbibliothek
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    SW 949-71
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    psy 223.9 CM 5351
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    psy 223.9 CM 5351
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    Universitätsbibliothek Osnabrück
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    2505-031 0
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    Universität Potsdam, Universitätsbibliothek
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    EC 5410 ACKE
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    Universitätsbibliothek Vechta
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    391657
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927332208
    RVK Categories: LR 56650 ; LR 57650 ; LR 57710 ; LR 57730 ; EC 5187 ; EC 5410 ; IH 74361
    Subjects: Proust, Marcel; Hören <Motiv>; ; Hören <Motiv>; Literatur; Geschichte 1900-1930;
    Scope: 520 S
    Notes:

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 1998
  2. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Haßfurt [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3927332208
    RVK Categories: LR 56650 ; LR 57650 ; LR 57710 ; LR 57730 ; EC 5187 ; EC 5410 ; IH 74361
    Subjects: Proust, Marcel; Hören <Motiv>; ; Hören <Motiv>; Literatur; Geschichte 1900-1930;
    Scope: 520 S
    Notes:

    Teilw. zugl.: Erlangen-Nürnberg, Univ., Diss., 1998
  3. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020
    Publisher:  Fordham University Press, New York

    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic Cover -- THE FACT OF RESONANCE -- Title -- Copyright -- Dedication -- CONTENTS -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823288168; 9780823288175
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom: inventing writing theory
    Subjects: Klang; Hören; Literatur;
    Scope: ix, 345 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Description based on publisher supplied metadata and other sources
  4. What now?
    the politics of listening
    Contributor: Barlow, Anne (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Black Dog Publishing, London

    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we position listening as a political act? And how do we further develop our ability to listen for what is left out, and why? What Now? documents a program of sound installations, audio works, film screenings and performances that question our ability to 'listen' held under the title "The Politics of Listening" in the second annual 'What Now?' symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, as part of Alignment, the Vera List Center's 2013-2015 curatorial focus theme Mechanics, methods, metaphysics -- Fact, fiction, and the in-between -- Community actions, reciprocity, co-determination

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Barlow, Anne (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1910433578; 9781910433577
    RVK Categories: LR 57650 ; AP 14150 ; LH 65829
    Series: What now?
    Subjects: Art, Modern; Art; Sound installations (Art); Listening; Listening; Art; Art; Art, Modern; Art, Modern; Listening; Listening; Sound installations (Art); Sound installations (Art); 2000-2099
    Scope: 95 Seiten, Illustrationen, 24 cm
    Notes:

    The first in a series of three books published in conjunction with Art in General's annual What Now? symposium running from 2015-2017

    AJ Hudspeth: Mechanics, methods, metaphysics ; Where listening begins

    ESTAR(SER): The Esthetical Society for Transcendental and Applied Realization: The Narma tapes: polyphony and politics in the Cold War

    Christoph Cox: Listening as agon in the society of control

    Council (Grégory Castéra and Sandra Terdjman): Tacet, or the cochlear vertigo: towards the limits of hearing

    Laruen van Haaften-Schick: Fact, fiction, and the in-between ; What is the shape and feel of the in-between?

    Lawrence Abu Hamdan: Aural contract: towards a politics of listening

    Joshua Craze: How to do things with(out) words

    Naeem Mohaiemen: What we mean when we ask permission

    Beatriz Santiago Munñoz: Tricks

    Seeta Peña Gangadharan: Community actions, reciprocity, co-determination ; Algorithmic listening and communictive democracy

    Robert Sember (Ultra-Red): Strong people don't need strong leaders: intentionality, accountability, and pedagogy

    Pablo Helguera: Listening to the converted: critical looks at the social algorithm

    Kade L. Twist: Repellent fence: when land becomes shared metaphor

    Laurie Jo Reynolds: We never ask why: the failure of retributive justice
  5. Die Kultur des Hörens
    Wahrnehmung und Fiktion ; Texte vom Beginn des 20. Jahrhunderts
    Author: Ackermann, Max
    Published: 2003
    Publisher:  Falkenberg, Inst. für Alltagskultur, Haßfurt [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Verbund der Öffentlichen Bibliotheken Berlins - VÖBB
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Zentrum Informationsarbeit Bundeswehr, Bibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3927332208; 9783927332201
    RVK Categories: EC 5410 ; IH 74361 ; LR 56650 ; LR 57650 ; LR 57710 ; LR 57730
    DDC Categories: 840
    Subjects: Litteratur - teman och motiv - historia - sekelskiftet 1900; Hören <Motiv>; Literatur
    Other subjects: Proust, Marcel <1871-1922> - teman och motiv; Proust, Marcel (1871-1922): À la recherche du temps perdu
    Scope: 518 S.
    Notes:

    Zugl.: Erlangen, Univ., Diss., 1998
  6. What now?
    the politics of listening
    Contributor: Barlow, Anne (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Black Dog Publishing, London

    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 996408
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    documenta archiv, Bibliothek
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    Location:
    UB Weimar
    Signature:
    Ih 6300/88
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    To what degree are we able to listen to different kinds of intelligences, and how can we incite receptivity? How do we address the fact that the right to listen is relative, and that the right not to listen, or to remain silent, is also a genuine stance? Can we position listening as a political act? And how do we further develop our ability to listen for what is left out, and why? What Now? documents a program of sound installations, audio works, film screenings and performances that question our ability to 'listen' held under the title "The Politics of Listening" in the second annual 'What Now?' symposium, organized by Art in General in collaboration with the Vera List Center for Art and Politics, as part of Alignment, the Vera List Center's 2013-2015 curatorial focus theme Mechanics, methods, metaphysics -- Fact, fiction, and the in-between -- Community actions, reciprocity, co-determination

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Barlow, Anne (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1910433578; 9781910433577
    RVK Categories: LR 57650 ; AP 14150 ; LH 65829
    Series: What now?
    Subjects: Art, Modern; Art; Sound installations (Art); Listening; Listening; Art; Art; Art, Modern; Art, Modern; Listening; Listening; Sound installations (Art); Sound installations (Art); 2000-2099
    Scope: 95 Seiten, Illustrationen, 24 cm
    Notes:

    The first in a series of three books published in conjunction with Art in General's annual What Now? symposium running from 2015-2017

    AJ Hudspeth: Mechanics, methods, metaphysics ; Where listening begins

    ESTAR(SER): The Esthetical Society for Transcendental and Applied Realization: The Narma tapes: polyphony and politics in the Cold War

    Christoph Cox: Listening as agon in the society of control

    Council (Grégory Castéra and Sandra Terdjman): Tacet, or the cochlear vertigo: towards the limits of hearing

    Laruen van Haaften-Schick: Fact, fiction, and the in-between ; What is the shape and feel of the in-between?

    Lawrence Abu Hamdan: Aural contract: towards a politics of listening

    Joshua Craze: How to do things with(out) words

    Naeem Mohaiemen: What we mean when we ask permission

    Beatriz Santiago Munñoz: Tricks

    Seeta Peña Gangadharan: Community actions, reciprocity, co-determination ; Algorithmic listening and communictive democracy

    Robert Sember (Ultra-Red): Strong people don't need strong leaders: intentionality, accountability, and pedagogy

    Pablo Helguera: Listening to the converted: critical looks at the social algorithm

    Kade L. Twist: Repellent fence: when land becomes shared metaphor

    Laurie Jo Reynolds: We never ask why: the failure of retributive justice
  7. The fact of resonance
    modernist acoustics and narrative form
    Author: Napolin, Julie Beth
    Published: 2020
    Publisher:  Fordham University Press, New York

    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 113939
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    Location:
    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    Signature:
    LR 57650 Napo 2020
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    CR/930/1056
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    The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. The book shows how the experience of reading is undergirded by the sonic Cover -- THE FACT OF RESONANCE -- Title -- Copyright -- Dedication -- CONTENTS -- Note on Abbreviations -- Overture: The Sound of a Novel -- 1 Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading -- Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy -- 2 The Echo of the Object: On the Pain of Self-Hearing in The Nigger of the "Narcissus" and "The Fact of Blackness" -- Coda: Literary History as Miscegenating Sound: The Sound and the Fury -- Intersonority: Unclaimed Voices Circum-1900, or Sound and Sourcelessness in The Souls of Black Folk -- 3 A Sinister Resonance: On the Extraction of Sound and Language in Heart of Darkness -- Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) -- Acknowledgments -- Notes -- Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780823288168; 9780823288175
    RVK Categories: LR 57650
    Edition: First edition
    Series: Idiom: inventing writing theory
    Subjects: Klang; Hören; Literatur;
    Scope: ix, 345 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Description based on publisher supplied metadata and other sources