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  1. <<The>> architecture in Giotto's paintings
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge [u.a.]

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    Source: Union catalogues
    Contributor: Giotto
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107016323; 1107016320
    RVK Categories: LI 33906
    Edition: 1. publ.
    Subjects: Giotto, 1266?-1337--Criticism and interpretation.; Architecture in art.
    Scope: XV, 276 S., Ill., 26 cm
    Notes:

    Formerly CIP Uk

    Literaturverz. S. 253 - 266

  2. The architecture in Giotto's paintings
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Giotto (Ill.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107016323; 1107016320
    Other identifier:
    9781107016323
    RVK Categories: LI 33906
    Edition: 1. publ.
    Subjects: Architecture in art; Mural painting and decoration, Italian; Mural painting and decoration, Gothic
    Other subjects: Giotto (1266?-1337); Array; Architecture in art
    Scope: XV, 276 S., [4] Bl, zahlr. Ill, 26 cm
    Notes:

    Literaturverz. S. 253 - 266

    Machine generated contents note: Introduction; 1. The cycle of the Legend of San Francis in the upper church of Assisi; 2. The Enrico Scrovegni chapel in Padua; 3. The Peruzzi and Bardi chapels in the church of Santa Croce in Florence; 4. The lower church of Assisi; 5. Giotto's influence in the lower church of Assisi and the church of Santa Croce in Florence; 6. Excursus; Conclusion.

  3. The architecture in Giotto's paintings
    Published: 2012
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2012:2230:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 150737
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    KGS-It 6890,40
    No inter-library loan
    Universitätsbibliothek Heidelberg
    2012 C 810
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    KUN:YG:4000:::2012
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Rb 7826
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    62a/1202
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    62.4° 377
    Unlimited inter-library loan, copies and loan

     

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Giotto (Ill.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107016323; 1107016320
    Other identifier:
    9781107016323
    RVK Categories: LI 33906
    Edition: 1. publ.
    Subjects: Architecture in art; Mural painting and decoration, Italian; Mural painting and decoration, Gothic
    Other subjects: Giotto (1266?-1337); Array; Architecture in art
    Scope: XV, 276 S., [4] Bl, zahlr. Ill, 26 cm
    Notes:

    Literaturverz. S. 253 - 266

    Machine generated contents note: Introduction; 1. The cycle of the Legend of San Francis in the upper church of Assisi; 2. The Enrico Scrovegni chapel in Padua; 3. The Peruzzi and Bardi chapels in the church of Santa Croce in Florence; 4. The lower church of Assisi; 5. Giotto's influence in the lower church of Assisi and the church of Santa Croce in Florence; 6. Excursus; Conclusion.