Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 12 of 12.

  1. Exploring the Selfie
    Historical, Theoretical, and Analytical Approaches to Digital Self-Photography
    Contributor: Eckel, Julia (HerausgeberIn); Ruchatz, Jens (HerausgeberIn); Wirth, Sabine (HerausgeberIn)
    Published: 2018
    Publisher:  Springer International Publishing, Cham

    This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of... more

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology 1.The Selfie as Image (and) Practice - Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the ‘Selfie’ Within Photography’s History - and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship - On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self - Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero - Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16.“Machos” and “Top Girls”: Photographic Self-Images of Berlin Hauptschüler.-

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Eckel, Julia (HerausgeberIn); Ruchatz, Jens (HerausgeberIn); Wirth, Sabine (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319579498
    Other identifier:
    RVK Categories: AP 95740 ; EC 5410
    Subjects: Culture; Communication; Social media; Photography
    Scope: 1 Online-Ressource (XXI, 392 p. 44 illus., 40 illus. in color)
  2. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Syndey

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries."

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160 ; LH 85150
    Subjects: Portraits in art / bicssc; Portraits; Kunst; Subjektivität; Kunstwissenschaft; Bildnis <Motiv>; Selbstbildnis <Motiv>
    Scope: 1 Online-Ressource (xi, 220 Seiten), Illustrationen
    Notes:

    Includes index
  3. Beyond the Family
    a Inszenierungen von Gemeinschaft in der zeitgenössischen Fotografie
    Author: Kröncke, Meike
    Published: 2012
    Publisher:  Wilhelm Fink Verlag, Paderborn ; Brill, Leiden

    Wen meinen wir, wenn wir von Familie sprechen? Mit welchen Vorstellungen und Bildern assoziieren wir sie? In der Familienfotografie wird mit einer Ikonographie von Nähe gearbeitet, die uns vertraut ist. Aber stimmt das wirklich? Die kulturelle... more

    Access:

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

     

    Wen meinen wir, wenn wir von Familie sprechen? Mit welchen Vorstellungen und Bildern assoziieren wir sie? In der Familienfotografie wird mit einer Ikonographie von Nähe gearbeitet, die uns vertraut ist. Aber stimmt das wirklich? Die kulturelle Konstruktion dieses Blicks bleibt oft unbemerkt, weil es Bilder sind, deren Inszenierung wir nicht hinterfragen. Es sind die im Bild vermittelten Affekte, Gesten und Blicke, die Aufschluss darüber geben, wie die im Bild Dargestellten zueinander stehen. Das Ungewöhnliche an diesen Fotoarbeiten ist der absichtsvolle Wechsel zwischen Blickführungen aus großer Nähe, die den Körper als Oberfläche zeigen und solchen, die seine Beziehung zu anderen, zum Ort oder Ereignis, in Szene setzen. Im Mittelpunkt stehen die Arbeiten von Ruth Erdt (The Gang), Elinor Carucci (Closer) und Nan Goldin (The Devil’s Playground).

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783846753743
    Other identifier:
    RVK Categories: AP 95700 ; AP 95740
    DDC Categories: 770
    Series: Schöningh and Fink Literature and Culture Studies E-Books, Collection 2007-2012, ISBN: 9783657100057
    Subjects: Familienfotografie
    Scope: 1 Online-Ressource
  4. <<Das>> Autorenfoto in Buch und Buchwerbung
    Autoinszenierung und Kanonisierung mit Bildern
    Author: Oster, Sandra
    Published: 2014
    Publisher:  <<de>> Gruyter, Berlin [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110346138; 3110346133
    Other identifier:
    RVK Categories: AP 95740 ; EC 2280
    DDC Categories: 020
    Series: Archiv für Geschichte des Buchwesens : Studien ; 11
    Subjects: Autor; Porträtfotografie; Selbstdarstellung; Verlag; Werbemittel; Geschichte 1900-1950; Online-Ressource;
    Scope: IX, 310 S., Ill., 240 mm x 170 mm
    Notes:

    Literaturverz. S. [287] - 310

    Online-Ausg.
  5. Die Tode der Fotografie
    1, Totenfotografie und ihr sozialer Gebrauch
    Author: Sykora, Katharina
    Published: [2009]
    Publisher:  Wilhelm Fink, München

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783846749159
    Parent title:
    RVK Categories: AP 95740 ; LC 31000
    Subjects: Brauch; Toter <Motiv>; Fotografie; Leiche; Tod
    Scope: 1 Online-Ressource
  6. Exploring the Selfie
    Historical, Theoretical, and Analytical Approaches to Digital Self-Photography
    Contributor: Eckel, Julia (HerausgeberIn); Ruchatz, Jens (HerausgeberIn); Wirth, Sabine (HerausgeberIn)
    Published: 2018
    Publisher:  Palgrave Macmillan, Cham

    This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    ebook
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheksservice-Zentrum Baden-Württemberg (BSZ)
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
    Signature:
    eBook Springer
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan
    Location:
    Universitätsbibliothek Mannheim
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

     

    This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology 1.The Selfie as Image (and) Practice - Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the ‘Selfie’ Within Photography’s History - and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship - On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self - Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero - Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16.“Machos” and “Top Girls”: Photographic Self-Images of Berlin Hauptschüler.-

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Eckel, Julia (HerausgeberIn); Ruchatz, Jens (HerausgeberIn); Wirth, Sabine (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319579498
    Other identifier:
    RVK Categories: EC 5410 ; AP 95740
    Series: Array
    Array
    Subjects: Cultural and Media Studies; Culture; Communication; Social media; Photography
    Scope: Online-Ressource (XXI, 392 p. 44 illus., 40 illus. in color, online resource)
  7. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London [England] ; Bloomsbury Publishing, [London, England]

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean post-dictatorship / Megan Corbin. "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055; 9781350192768
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160
    Edition: First edition
    Subjects: Portraits; Portraits in art
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Includes index

    Also published in print.
  8. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Dehli ; Syndey

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries."

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Johnstone, Fiona (Publisher); Imber, Kirstie (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160 ; LH 85150
    Subjects: Portraits in art / bicssc; Portraits; Kunst; Subjektivität; Kunstwissenschaft; Bildnis <Motiv>; Selbstbildnis <Motiv>
    Scope: 1 Online-Ressource (xi, 220 Seiten), Illustrationen
    Notes:

    Includes index
  9. Photography and Death
    Author: Linkman, Audrey
    Published: 2012
    Publisher:  Reaktion Books, London

    The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan

     

    The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy.  Photography and Death reveals the beauty and significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and ...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781861897916; 9781780230122 (Sekundärausgabe)
    RVK Categories: AP 95740 ; AP 95700 ; AP 95000 ; AP 94700
    Series: RB-Exposures
    Subjects: Tod <Motiv>
    Scope: 216 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  10. Listening to images
    Author: Campt, Tina
    Published: 2017
    Publisher:  Duke University Press, Durham

    Quiet soundings : the grammar of Black futurity -- Striking poses in a tense grammar : stasis and the frequency of Black refusal -- Haptic temporalities : the quiet frequency of touch -- Black futurity in the shadow of premature death more

     

    Quiet soundings : the grammar of Black futurity -- Striking poses in a tense grammar : stasis and the frequency of Black refusal -- Haptic temporalities : the quiet frequency of touch -- Black futurity in the shadow of premature death

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822373582; 0822373580
    Other identifier:
    RVK Categories: AP 95740 ; MS 3530
    Subjects: Identification photographs; Portrait photography / Social aspects / United States; Portrait photography / Political aspects / United States; Blacks / Portraits; Africans / Portraits; African diaspora; Rassismus; Person of Color <Motiv>; Schwarze <Motiv>; Porträtfotografie
    Scope: 1 Online-Ressource (viii, 140 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  11. Revisionen des Realismus
    zwischen Sozialporträt und Profilbild
    Author: Schweppenhäuser, Gerhard
    Published: [2018]
    Publisher:  J.B. Metzler Verlag, Stuttgart

    Dieses Buch bietet eine (medien-)philosophische Grundlagenforschung, die philosophiehistorische Fragen im Licht der Gegenwart neu behandelt. Hauptfrage ist, wie philosophische Realismusbegriffe in der Fotografie des 20. und in der Profilbild-Kultur... more

     

    Dieses Buch bietet eine (medien-)philosophische Grundlagenforschung, die philosophiehistorische Fragen im Licht der Gegenwart neu behandelt. Hauptfrage ist, wie philosophische Realismusbegriffe in der Fotografie des 20. und in der Profilbild-Kultur des 21. Jahrhunderts ästhetisch in Erscheinung treten. Ausgangspunkt der Argumentation ist die Wiederkehr des Universalienstreits in der Porträtfotografie des 20. Jahrhunderts, Endpunkt die Erörterung der Frage, was die paradigmatische Bildform der Gegenwart ist (was sind „öffentliche“ und „private“ Bilder im Zeitalter von sozialen Netzwerken? wie verändert das Internet das Selbstbild? wie virtuell ist „virtuelle Realität“ eigentlich?) in Verbindung mit der Debatte über den „neuen Realismus“ (M. Gabriel). Dabei werden literaturwissenschaftliche, ästhetische und philosophische Texte sowie Texte zur Theorie der Fotografie befragt (Döblin, Adorno, Kant, Benjamin, Kracauer, Barthes, Bourdieu, Sontag)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783476046284
    Other identifier:
    RVK Categories: AP 95740
    Series: Abhandlungen zur Philosophie
    Subjects: Philosophy (General); Philosophy, general
    Scope: 1 Online-Ressource (223 Seiten), Illustrationen
  12. Anti-portraiture
    challenging the limits of the portrait
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London [England] ; Bloomsbury Publishing, [London, England]

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Zentrale Hochschulbibliothek Flensburg
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Decapitations : the portrait, the anti-portrait ... and what comes after? / Michael Newman -- Subjects unknown : found images and the depersonalization of portraiture / Ella Mudie -- Filling the narrative void : material portraits in the Chilean post-dictatorship / Megan Corbin. "The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to create visual or psychological likenesses or the expression of personal, familial or social identity; it was typically associated with the privileged individual. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine individuality via a range of media including sculpture, photography, installation and sound art, and make a convincing case for an expanded definition of portraiture. By offering a timely re-appraisal of the terms through which this art form is approached, the authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries"--

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Johnstone, Fiona (HerausgeberIn); Imber, Kirstie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350193062; 9781350193055; 9781350192768
    Other identifier:
    RVK Categories: AP 95740 ; LH 85160
    Edition: First edition
    Subjects: Portraits; Portraits in art
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Includes index

    Also published in print.