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  1. Exhibiting Antonio Canova
    Display and the Transformation of Sculptural Theory
    Author: Ferando, Christina
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... more

    Location:
    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
    Signature:
    200 LI 21400 F345
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9463724095; 9789463724098
    RVK Categories: LI 21400
    Subjects: Rezeptionsästhetik
    Other subjects: Canova, Antonio (1757-1822); History, Art History, and Archaeology; HIS; Art and Material Culture; ART & MAT; Modern History; MOD HIS; Antonio Canova, Sculpture, Art theory, Display, Reception theory; Theory of art; History of art & design styles: c 1800 to c 1900; ART / European; ART / History / Romanticism; ART / Sculpture & Installation; History of art
    Scope: 293 Seiten, Illustrationen, 26 cm
    Notes:

    List of Illustrations Acknowledgments Introduction. Canova on Display Chapter One. Imagining Sculptural Practice Chapter Two. Reevaluating Ancients and Moderns Chapter Three. Anatomizing the Female Nude Chapter Four. Challenging the Supremacy of Painting Chapter Five. Defining Modern Sculpture Conclusion. Aftereffects Bibliography Index
  2. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Author: Ferando, Christina
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
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    Content information
  3. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Author: Ferando, Christina
    Published: [2023]
    Publisher:  Amsterdam University Press, Amsterdam

    <Cite>Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory</cite> argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  4. Exhibiting Antonio Canova
    display and the transformation of sculptural theory
    Author: Ferando, Christina
    Published: [2023]; © 2023
    Publisher:  Amsterdam University Press, Amsterdam

    'Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory' argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects.... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 D 1704
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    UB Weimar
    Signature:
    Iv CanoAnt/6
    Inter-library loan:
    No inter-library loan

     

    'Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory' argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Verlag (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Canova, Antonio (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789463724098
    Subjects: Canova, Antonio; Ausstellung; Ästhetik; Theorie;
    Scope: 293 Seiten, Illustrationen