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  1. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936; 9004195939
    Series: Sinica Leidensia ; 101
    Scope: 1 Online-Ressource (xii, 277 pages), Illustrations
    Notes:

    Includes bibliographical references and index
  2. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Boston ; [ProQuest], [Ann Arbor, Michigan]

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Location:
    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    Series: Sinica Leidensia, ; v. 101
    Scope: xii, 277 p.
    Notes:

    Includes bibliographical references and index
  3. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9004191666; 9004195939; 9789004191662; 9789004195936
    Series: Sinica Leidensia ; 101
    Subjects: Chinese fiction / Ming dynasty, 1368-1644 / History and criticism; Chinese fiction / Yuan dynasty, 1260-1368 / History and criticism; LITERARY CRITICISM / Asian / General; Shui hu zhuan; Xi you ji (Wu, Cheng'en); Chinese fiction; Chinese fiction / Ming dynasty; Theater in literature; Yuan Dynasty (China); Chinese fiction; Chinese fiction; Theater in literature; Chinesisch; Roman; Theater
    Other subjects: Wu, Cheng'en (approximately 1500-approximately 1582): Xi you ji; Wu, Cheng'en (1500-1582): Xi you ji
    Scope: 1 Online-Ressource (xii, 277 pages)
    Notes:

    Includes bibliographical references and index

    Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals: Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing: perceptive and fleshly eyes -- Part III. Didactic theater versus playful theatricals: tropes of theater in Zhishang chuntai and Wusheng xi
  4. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Boston

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    RVK Categories: EG 12677 ; EG 12839 ; EG 9585
    Series: Sinica Leidensia ; v. 101
    Subjects: Chinese fiction; Chinese fiction; Theater in literature; Chinesisch; Theater; Roman
    Other subjects: Wu, Cheng'en (ca. 1500-ca. 1582): Xi you ji; Wu, Cheng'en (1500-1582): Xi you ji
    Scope: xii, 277 p
    Notes:

    Includes bibliographical references and index

    Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals : Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing : perceptive and fleshly eyes -- Part III. Didactic theater versus playful theatricals : tropes of theater in Zhishang chuntai and Wusheng xi
  5. The novel and theatrical imagination in early modern China
    Published: 2011
    Publisher:  Brill, Leiden

    Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals: Shuihu zhuan and Xiyou ji. Staging,... more

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    Location:
    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction -- Part I. Xi in early modern context. Theatrum mundi: the theatrical, the playful, the ephemeral; the structuring of Xi in illustrations and a prologue theatrical -- Part II. Playful theatricals: Shuihu zhuan and Xiyou ji. Staging, spectacles, and acts of recognition; Staging, mimicry, and acts of appropriation; Acting, quren, and the authenticity of incongruity; Acting, jiaren, and the artifice of congruity; Viewing: perceptive and fleshly eyes -- Part III. Didactic theater versus playful theatricals: tropes of theater in Zhishang chuntai and Wusheng xi

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936; 9004195939
    Series: Sinica Leidensia 0169-9563 ; 101
    Sinica Leidensia ; 101
    Subjects: Chinese fiction; Chinese fiction; Theater in literature; Chinese fiction; Chinese fiction; Chinese fiction; Chinese fiction; LITERARY CRITICISM ; Asian ; General; Chinese fiction; Chinese fiction ; Ming dynasty; Theater in literature; Yuan Dynasty (China); Criticism, interpretation, etc
    Other subjects: Wu, Cheng'en approximately 1500-approximately 1582; Wu, Cheng'en (approximately 1500-approximately 1582): Xi you ji
    Scope: Online Ressource (xii, 277 p.), ill.
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  6. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of "the theatrical" to read those... more

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    Location:
    Universität Mainz, Zentralbibliothek
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    The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of "the theatrical" to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel's unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index.
  7. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three.... more

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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three. Staging, Spectacles, And Acts Of Recognition /C. Mei -- Chapter Four. Staging, Mimicry, And Acts Of Appropriation /C. Mei -- Chapter Five. Acting, Quren, And The Authenticity Of Incongruity /C. Mei -- Chapter Six. Acting, Jiaren, And The Artifice Of Congruity /C. Mei -- Chapter Seven. Viewing: Perceptive And Fleshly Eyes /C. Mei -- Chapter Eight. Tropes Of Theater In Zhishang Chuntai And Wusheng XI /C. Mei -- Epilogue /C. Mei -- Bibliography /C. Mei -- Index /C. Mei. The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    Other identifier:
    RVK Categories: EG 12677 ; EG 9585 ; EG 12839
    Series: Brill eBook titles 2011
    Subjects: Chinese fiction; Chinese fiction; Theater in literature
    Other subjects: Wu, Cheng'en (ca. 1500-ca. 1582): Xi you ji
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  8. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three.... more

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    Verlag (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three. Staging, Spectacles, And Acts Of Recognition /C. Mei -- Chapter Four. Staging, Mimicry, And Acts Of Appropriation /C. Mei -- Chapter Five. Acting, Quren, And The Authenticity Of Incongruity /C. Mei -- Chapter Six. Acting, Jiaren, And The Artifice Of Congruity /C. Mei -- Chapter Seven. Viewing: Perceptive And Fleshly Eyes /C. Mei -- Chapter Eight. Tropes Of Theater In Zhishang Chuntai And Wusheng XI /C. Mei -- Epilogue /C. Mei -- Bibliography /C. Mei -- Index /C. Mei. The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    RVK Categories: EG 12677 ; EG 9585 ; EG 12839
    Series: Sinica Leidensia ; volume 101
    Subjects: Chinese fiction; Chinese fiction; Theater in literature
    Other subjects: Wu, Cheng'en (ca. 1500-ca. 1582): Xi you ji
    Scope: 1 Online-Ressource (xii, 277 pages)
    Notes:

    Includes bibliographical references and index
  9. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three.... more

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    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three. Staging, Spectacles, And Acts Of Recognition /C. Mei -- Chapter Four. Staging, Mimicry, And Acts Of Appropriation /C. Mei -- Chapter Five. Acting, Quren, And The Authenticity Of Incongruity /C. Mei -- Chapter Six. Acting, Jiaren, And The Artifice Of Congruity /C. Mei -- Chapter Seven. Viewing: Perceptive And Fleshly Eyes /C. Mei -- Chapter Eight. Tropes Of Theater In Zhishang Chuntai And Wusheng XI /C. Mei -- Epilogue /C. Mei -- Bibliography /C. Mei -- Index /C. Mei. The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    Other identifier:
    RVK Categories: EG 12677 ; EG 9585 ; EG 12839
    Series: Brill eBook titles 2011
    Subjects: Chinese fiction; Chinese fiction; Theater in literature
    Other subjects: Wu, Cheng'en (ca. 1500-ca. 1582): Xi you ji
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  10. The novel and theatrical imagination in early modern China
    Author: Mei, Chun
    Published: 2011
    Publisher:  Brill, Leiden

    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three.... more

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    Location:
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Location:
    Universitätsbibliothek Freiburg
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    Location:
    Kompetenzzentrum für Lizenzierung
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    Preliminary Material /C. Mei -- Introduction /C. Mei -- Chapter One. Theatrum Mundi: The Theatrical, The Playful, The Ephemeral /C. Mei -- Chapter Two. The Structuring Of XI In Illustrations And A Prologue Theatrical /C. Mei -- Chapter Three. Staging, Spectacles, And Acts Of Recognition /C. Mei -- Chapter Four. Staging, Mimicry, And Acts Of Appropriation /C. Mei -- Chapter Five. Acting, Quren, And The Authenticity Of Incongruity /C. Mei -- Chapter Six. Acting, Jiaren, And The Artifice Of Congruity /C. Mei -- Chapter Seven. Viewing: Perceptive And Fleshly Eyes /C. Mei -- Chapter Eight. Tropes Of Theater In Zhishang Chuntai And Wusheng XI /C. Mei -- Epilogue /C. Mei -- Bibliography /C. Mei -- Index /C. Mei. The cultural fascination with and imagination of theater has long been overlooked as an important historical and literary context for reading Water Margin and Journey to the West . This study focuses on the concept of “the theatrical” to read those novels and their commentaries. Imbued with performances, playacting, spectacles, and spectatorship, the early modern theatrical novel borrowed heavily from theater to conflate the theatrical and the real, juggle theatrical roles, persons, and identities, and contest orthodoxies by challenging and appropriating sites of control and authority. This study showcases the theatrical novel’s unique position as a new form of literati self-representation in response to the destabilizing social and political forces of early modern China

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004195936
    RVK Categories: EG 12677 ; EG 9585 ; EG 12839
    Series: Sinica Leidensia ; volume 101
    Subjects: Chinese fiction; Chinese fiction; Theater in literature
    Other subjects: Wu, Cheng'en (ca. 1500-ca. 1582): Xi you ji
    Scope: 1 Online-Ressource (xii, 277 pages)
    Notes:

    Includes bibliographical references and index