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  1. Aesthetic Conflict and Contradiction
    The Sublime in Kant and Kierkegaard
    Author: Cuff Snow, Samuel
    Published: 2023; ©2023
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part... more

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    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant's Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard's work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111169996
    Other identifier:
    RVK Categories: CC 6900 ; CF 5017 ; CH 8517
    DDC Categories: 100
    Series: Quellen und Studien zur Philosophie , ; 151
    Subjects: Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855)
    Scope: 1 Online-Ressource (XII, 229 p.)
  2. Aesthetic Conflict and Contradiction
    The Sublime in Kant and Kierkegaard
    Author: Cuff Snow, Samuel
    Published: [2023]; © 2023
    Publisher:  De Gruyter, Berlin ; Boston

    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part... more

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    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant's Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard's work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111169996
    Other identifier:
    RVK Categories: CC 6900
    Series: Quellen und Studien zur Philosophie ; 151
    Subjects: Prototyp; Verklärung; ästhetische Autonomie; ästhetische Erfahrung; PHILOSOPHY / History & Surveys / General; Sublime, The; Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855)
    Scope: 1 Online-Ressource (XII, 229 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
  3. Aesthetic Conflict and Contradiction
    The Sublime in Kant and Kierkegaard
    Author: Cuff Snow, Samuel
    Published: 2023
    Publisher:  De Gruyter, Berlin/Boston

    Export to reference management software   RIS file
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