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  1. Theatre on Terror
    Subject Positions in British Drama
    Author: Waal, Ariane de
    Published: [2017]
    Publisher:  De Gruyter Mouton, Berlin ; Walter de Gruyter GmbH

    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts... more

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    Universitätsbibliothek Gießen
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    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110517088
    Other identifier:
    RVK Categories: HN 1261
    DDC Categories: 820; 420
    Series: Contemporary Drama in English Studies ; 27
    Subjects: Englisch; Drama; Terrorismus <Motiv>; Krieg <Motiv>; Islam <Motiv>; Fundamentalismus <Motiv>
    Scope: 1 Online-Ressource (305p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed May. 17, 2017)
  2. Theatre on Terror
    Subject Positions in British Drama
    Author: Waal, Ariane de
    Published: 2017
    Publisher:  De Gruyter, Berlin/Boston ; ProQuest, Ann Arbor, Michigan

    The book series CDE Studies invites monographs (and collections) on issues in contemporary Anglophone dramatic literature and theatre performance. The book series is dedicated to the analysis and renegotiation of contemporary writers and plays and... more

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    The book series CDE Studies invites monographs (and collections) on issues in contemporary Anglophone dramatic literature and theatre performance. The book series is dedicated to the analysis and renegotiation of contemporary writers and plays and their historical, political, formal, theoretical and methodological contexts.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110517088
    RVK Categories: HN 1261
    DDC Categories: 820
    Series: Contemporary Drama in English Studies ; v.27
    Subjects: Englisch; Drama; Terrorismus <Motiv>; Krieg <Motiv>; Islam <Motiv>; Fundamentalismus <Motiv>
    Scope: 1 Online-Ressource (306 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Theatre on terror
    subject positions in British drama
    Author: Waal, Ariane de
    Published: [2017]; © 2017
    Publisher:  De Gruyter Mouton, Berlin ;Boston

    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts... more

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    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110517088
    Other identifier:
    RVK Categories: HN 1261
    Series: Contemporary drama in English studies ; volume 27
    Subjects: 9/11; Britisches Gegenwartstheater; Contemporary British Theatre; Drama; Elfter September; Subject Positions; Terror; Fundamentalismus <Motiv>; Islam <Motiv>; Drama; Krieg <Motiv>; Terrorismus <Motiv>; Englisch
    Scope: 1 Online-Ressource (VIII, 297 Seiten)
    Notes:

    Dissertation, Universität Bochum, 2016
  4. Theatre on terror
    subject positions in British drama
    Author: Waal, Ariane de
    Published: [2017]; © 2017
    Publisher:  Walter de Gruyter GmbH, Berlin

    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts... more

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    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110517088; 9783110515435
    Other identifier:
    RVK Categories: HN 1261
    Series: Contemporary Drama in English Studies ; 27
    Contemporary drama in english studies ; volume 27
    De Gruyter eBook-Paket Literatur- und Kulturwissenschaft, Area Studies
    Subjects: English drama; Terror in art; 9/11.; Britisches Gegenwartstheater.; Contemporary British Theatre.; Drama.; Elfter September.; Subject Positions.; Terror.; LITERARY CRITICISM / Drama
    Scope: 1 Online-Ressource (VIII, 297 Seiten)
    Notes:

    Dissertation, Universität Bochum, 2016
  5. Theatre on terror
    subject positions in British drama
    Author: Waal, Ariane de
    Published: [2017]; © 2017
    Publisher:  De Gruyter Mouton, Berlin ;Boston

    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts... more

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    In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110517088
    Other identifier:
    RVK Categories: HN 1261
    Series: Contemporary drama in English studies ; volume 27
    Subjects: 9/11; Britisches Gegenwartstheater; Contemporary British Theatre; Drama; Elfter September; Subject Positions; Terror; Fundamentalismus <Motiv>; Islam <Motiv>; Drama; Krieg <Motiv>; Terrorismus <Motiv>; Englisch
    Scope: 1 Online-Ressource (VIII, 297 Seiten)
    Notes:

    Dissertation, Universität Bochum, 2016