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  1. Virginia Woolf
    the aesthetics of vision
    Author: Olk, Claudia
    Published: 2014
    Publisher:  de Gruyter Mouton, Berlin

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110340228; 9783110340235; 9783110346404; 9783110393514
    Other identifier:
    Series: Buchreihe der Anglia ; 45
    Subjects: Ästhetische Wahrnehmung; Sehen / g:Motiv
    Other subjects: Woolf, Virginia / 1882-1941; Electronic books
    Scope: 1 Online-Ressource (VIII, 206 S.)
    Notes:

    Description based upon print version of record

    The Modernist fascination with the visual is not only palpable in the development of media and the visual arts, but it becomes a central concern in literature. Modernist texts, particularly the works of Virginia Woolf, turn towards vision to explore new ways of seeing and aesthetic experience. Her novels experiment with phenomena of vision that not merely reflect on modes of perception but create aesthetic vision as a function of the text

    The Modernist fascination with the visual is not only palpable in the development of media and the visual arts, but it becomes a central concern in literature. Modernist texts, particularly the works of Virginia Woolf, turn towards vision to explore new ways of seeing and aesthetic experience. Her novels experiment with phenomena of vision that not merely reflect on modes of perception but create aesthetic vision as a function of the text. Claudia Olk, Freie Universität Berlin, Germany
  2. Virginia Woolf
    the aesthetics of vision
    Author: Olk, Claudia
    Published: 2014
    Publisher:  de Gruyter Mouton, Berlin

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9783110340228; 9783110340235; 9783110346404
    Other identifier:
    RVK Categories: HM 4815
    DDC Categories: 820
    Series: Buchreihe der Anglia
    Subjects: Ästhetische Wahrnehmung; Sehen <Motiv>; Roman; Erzähltechnik
    Other subjects: Woolf, Virginia (1882-1941)
    Scope: Online-Ressource (VIII, 206 S.)
    Notes:

    Description based upon print version of record
  3. Virginia Woolf and the aesthetics of vision
    Author: Olk, Claudia
    Published: 2014; © 2014
    Publisher:  De Gruyter, Berlin, [Germany] ; Boston, [Massachusetts]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110340228; 9783110340235
    Series: Buchreihe der ANGLIA ; Volume 45
    Subjects: Ästhetik; Sehen <Motiv>; Ästhetische Wahrnehmung
    Other subjects: Woolf, Virginia (1882-1941); Woolf, Virginia (1882-1941); Woolf, Virginia (1882-1941)
    Scope: 1 online resource (212 pages)
    Notes:

    Description based on print version record
  4. Virginia Woolf
    the aesthetics of vision
    Author: Olk, Claudia
    Published: 2014
    Publisher:  de Gruyter Mouton, Berlin

    The Modernist fascination with the visual is not only palpable in the development of media and the visual arts, but it becomes a central concern in literature. Modernist texts, particularly the works of Virginia Woolf, turn towards vision to explore... more

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    Staats- und Universitätsbibliothek Bremen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    The Modernist fascination with the visual is not only palpable in the development of media and the visual arts, but it becomes a central concern in literature. Modernist texts, particularly the works of Virginia Woolf, turn towards vision to explore new ways of seeing and aesthetic experience. Her novels experiment with phenomena of vision that not merely reflect on modes of perception but create aesthetic vision as a function of the text. Claudia Olk, Freie Universität Berlin, Germany. The Modernist fascination with the visual is not only palpable in the development of media and the visual arts, but it becomes a central concern in literature. Modernist texts, particularly the works of Virginia Woolf, turn towards vision to explore new ways of seeing and aesthetic experience. Her novels experiment with phenomena of vision that not merely reflect on modes of perception but create aesthetic vision as a function of the text

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110340235; 9783110346404; 9783110340228
    Other identifier:
    RVK Categories: HM 4815
    Series: Buchreihe der Anglia ; 45
    Subjects: aesthetics, visualization, modernity
    Scope: Online-Ressource (VIII, 206 S.)
    Notes:

    Description based upon print version of record

    Acknowledgements; Contents; List of Abbreviations; Introduction; Modernism and vision; Aesthetic vision and visual culture; Woolf studies and vision; 1 Aesthetic Vision and Experience; 1.1 The semantics of seeing in Woolf's essays; 1.2 Immediacy and abstraction in The Voyage Out; 1.3 The transformation of vision: To the Lighthouse and the immanence of art; 1.3.1 Immanence and ideal in Woolf's reading of Platonism; 1.3.2 The dynamics of the image in To the Lighthouse; 1.3.3 Light, love and perfection: Platonic eros and the dynamics of narrative in To the Lighthouse

    2 Modalities of the Gaze: Windows, Mirrors, and the Veil2.1 The window and the novel as narrative space; 2.1.1 The mediated gaze in The Voyage Out; 2.1.2 The multiplicity of symbolic form in Jacob's Room; 2.1.3 The dialectics of perspective: windows in Mrs. Dalloway; 2.2 "The veil of words" and the poetics of the diaphanous; 2.2.1 The diaphanous in Modernist aesthetics; 2.2.2 Twilight and fog: vague and fading vision; 2.2.3 Seeing through tears; 2.3 The looking glass and the reflection of difference; 2.3.1 Beyond the looking glass: the surface and "the other side of life"

    2.3.2 Water and glass in Between the Acts3 The Temporality of Aesthetic Vision; 3.1 Modernist temporalities of the view; 3.2 Beginnings: the sketch and the scene; 3.3 Jacob's Room and the space of time; 3.4 "Was that the end?" - Between the Acts and the paradox of vision in time; 3.4.1 Vision and silence; 3.4.2 The rhythm of vision in time; 4 The Poetry of Aesthetic Vision in The Waves; 4.1 Visibility and form in the Interludes; 4.2 The "little language" and the private view; Conclusion; Bibliography; Texts and Editions; Secondary Sources