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Volume of new essays investigating Kleist's influences and sources both literary and philosophical, their role as paradigms, and the ways in which he responded to and often shattered them. Front Cover -- Contents -- Foreword: A Note on Kleist in American Art, Film, and Literature -- Acknowledgments -- Introduction: Kleist's Literary and Philosophical Paradigms -- Part I Kleist's Literary Paradigms -- 1: In the Beginning: Kleist, Genesis, Kafka, and the Pursuit of Epistemological Salvation -- 2: Just Violence? War, Law, and Politics in Kleist's Die Herrmannsschlacht and Shakespeare's Henry V -- 3: The Mereau-Brentano Translations of María de Zayas's "Spanish Novellas" and Kleist's Prose Works -- 4: The Old and the New: Christoph Martin Wieland and Kleist on Parteigeist -- 5: Receptions, Homages, and Anti-Occupational Allegories of Autonomy: The Case of Schiller's Bohe -- 6: Anti-Napoleonic Rage and the Hope for a Better Future: Collin between Schiller and Kleist -- Part II Kleist's Philosophical Paradigms -- 7: Fiat claritas et pereat opus: Equity and the Limits of Rectification in Kleist's Michael Kohlhaa -- 8: Kleist, Johann Joachim Spalding, and the Bestimmung des Menschen: Philosophy as a Way of Life? -- 9: War Games: Kleist, Adam Ferguson, and the Cultural Poetics of Play -- 10: Economic Concepts and Authorial Self-Design in Heinrich von Kleist's Letters -- 11: Gender and the Politics of Recognition in Johann Gottlieb Fichte's Foundations of Natural Right -- 12: Kleist and Haiti-Beyond Hegel -- Contributors -- Index. "Heinrich von Kleist (1777-1811) was a rebel who upset canonization by employing his predecessors and contemporaries as what Steven Howe calls "inspirational foils." It was precisely a keen awareness of literary and philosophical traditions that allowed Kleist to shatter prevailing paradigms. Though little is known about what specifically Kleist read, the frequent allusions in his enduringly modern oeuvre indicate fruitful dialogues with both canonical and marginal works of European literature, spanning antiquity (The Old Testament, Sophocles), the Early Modern Period (Shakespeare, De Zayas), the late Enlightenment (Wieland, Goethe, Schiller), and the first eleven years of the nineteenth century (Mereau, Brentano, Collin). Kleist's works also evidence encounters with his philosophical precursors and contemporaries, including the ancient Greeks (Aristotle) and representatives of all phases of Enlightenment thought (Montesquieu, Rousseau, Ferguson, Spalding, Fichte, Kant, Hegel), economic theories (Smith, Kraus), and developments in anthropology, sociology, and law. This volume of new essays sheds light on Kleist's relationship to his literary and philosophical influences and on their function as paradigms to which his writings respond"--
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