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  1. The poet as phenomenologist
    Rilke and the New Poems
    Author: Fischer, Luke
    Published: 2015
    Publisher:  Bloomsbury Academic, New York ; [Bloomsbury Publishing], London

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    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781628925456; 9781628925449
    Other identifier:
    RVK Categories: GM 5165
    DDC Categories: 830; 100
    Series: New directions in German studies ; Vol. 10
    Subjects: Phänomenologie
    Other subjects: Rilke, Rainer Maria (1875-1926): Neue Gedichte
    Scope: 1 Online-Ressource (XII, 331 Seiten)
    Notes:

    Literaturverzeichnis S. 307 - 317
  2. The poet as phenomenologist
    Rilke and the new poems
    Author: Fischer, Luke
    Published: 2015
    Publisher:  Bloomsbury, New York [u.a.]

    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem"..

     
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