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Displaying results 1 to 5 of 5.

  1. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Bayreuth
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    Volltext (URL des Erstveröffentlichers)
  2. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  3. The body and the screen
    female subjectivity in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors... more

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    Resolving-System (lizenzpflichtig)
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study."--Bloomsbury Publishing Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion

     
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  4. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

    Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine... more

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    Location:
    Universitätsbibliothek Leipzig
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    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study. Cover -- Contents -- Acknowledgements -- List of Figures -- 1 Female Subjectivity in Philosophy and Theory -- 2 Feminist Film Studies and Women's Cinema after Psychoanalysis -- 3 Body -- 4 Look -- 5 Speech -- 6 Performance -- 7 Desire -- 8 Freedom -- Conclusion -- Bibliography -- Filmography -- Index

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781623566265; 9781623565206
    RVK Categories: HD 402 ; AP 47950 ; AP 51800
    Series: Thinking cinema ; Volume 5
    Subjects: Women in motion pictures; Motion pictures; Motion pictures; Women motion picture producers and directors; Women motion picture producers and directors; Feminist films; Feminist films; Feminism and motion pictures; Feminism and motion pictures
    Scope: 1 Online-Ressource (vii, 194 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 177-187
  5. The body and the screen
    female subjectivity in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study."--Bloomsbury Publishing Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion

     
    Export to reference management software   RIS file
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