Includes bibliographical references and index Carole Boyce Davies: Preface: Authoring Lives/Telling Women's Stories of the African Experience / Maureen Ngozi Eke: Introduction / Maureen Ngozi Eke: Women and Indigeneous Resistance in Tess Onwueme's Tell It to Women and What Mama Said / Thérèse Migraine-George: Performances of Power, Mimicry and Subversion in Tess Onwueme's Work / Kanika Batra: Polygamous Postcolonialism and Transnational Critique in Tess Onwueme's The Reign of Wazobia / Kayode Omoniyi Ogunfolabi: Osonye Tess Onwueme's Tell It to Women, or Gender and Sexuality at Crossroads / Irene Isoken Salami-Agunloye: Women and Power in Tess Onwueme's The Reign of Wazobia / Sonja Darlington: Women as Power Brokers of the Earth's Resources: Tess Onwueme's Warnings of Social and Environmental Toxicity / Sheri Anderson: When African Drums Turn Talkative: Music and Spectacle as Extensions of Identity in Selected Writings of Osonye Tess Onwueme / H. Oby Okolocha: Identity and Transformative Paths in Tess Onwueme's Tell It to Women and Shakara: Dance-Hall Queen / Onyeka Iwuchukwu: Tess Onwueme's Revolt Against Some Feminist Postulations for Women Writers in Tell It to Women and Shakara: Dance-Hall Queen / Maureen Ngozi Eke: Bodies in Motion: Gestures and Performance of Identity in Tess Onwueme's Shakara: Dance-Hall Queen / Grace Uchechukwu Adinku: Performing Africa in America: An Appraisal of the Costumes for The Reign of Wazobia on Eau Claire Stage / Afram Ebeogu: Feminism and the Meditation of the Mythic in Three Plays by Tess A. Onwueme / Delinda Marzette-Stuckey: We are the Land, We are the Earth, We Are Here to Stay: Women's Worth in Tess Onwueme's Tell It to Women / Dixie Beadle: Tess Onwueme's Then She Said It: A Dramatic Paradigm for Critical Consciousness-Raising / Becky Becker: Walking that Rickety Bridge: Cultural Ambivalence in Tess Onwueme's What Mama Said / Romanus Muoneke: The Middle Passage in Reverse: A Semiotics of Ritual Reunification in Tess Onwueme's The Missing Face / Otymeyin Agbajoh-Laoye: Gendering Diaspora, Depoliticizing Homeland: The Question of Restoration and Wholeness in Osonye Tess Onwueme's The Missing Face / Andrea J. Nouryeh: Staging the Dilemma of the Female Husband: Igbo Empowerment or Igbo Oppression in Tess Onwueme's The Broken Calabash / Touria Khannous: Political Satire in Tess Onwueme's Play No Vacancy / Miriam Stephen Inegbe: Stylistics and Language Aesthetics in Tess Onwueme's A Hen Too Soon / Oluwafunminiyi Mabawonku and: The Artist and the Nation: A Reflection on Onwueme's Mirror for Campus / Benedict Binebai: Clash of Wills: Parental Subjugation and Class Discrimination in Tess Onwueme's The Artist's Homecoming / Ada Uzoamaka Azodo: Melding Igbo Explanatory Folktale and the Struggle against Global Inequities: Reading Tess Onwueme's Why the Elephant Has No Butt as Literature of the Environment / Gregory J. Kocken: "The World Is a Masquerade Dancing:" The Papers of Tess Osonye Onwueme / Godini G. Darah: Tess Onwueme and the Dramatic March to Freedom in the Niger Delta / Sonja Darlington: Contextualizing Tess Onwueme's Distinguished Literary Accomplishments / |
