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  1. Stage-Wrights
    Shakespeare, Jonson, Middleton, and the Making of Theatrical Value
    Author: Yachnin, Paul
    Published: [2015]; ©1997
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to... more

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    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way.In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well as through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority.Paul Yachnin offers a new way of understanding dramatic texts in relation to their social history. In showing how the efforts of three playwrights helped shape the area of discourse we now call "the literary," Stage-Wrights represents both a major rereading of the place of theater in Shakespeare's London and an important clarification of the social context of contemporary criticism.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512809398
    Other identifier:
    Series: New Cultural Studies
    Subjects: Theater and society; English drama; English drama; Theater and society; English drama; English drama; Theater and society; Theater and society; English drama.; English drama.; Theater and society.; Theater and society.; Anglo-American Literature, general.; Literary Studies.; Literature in Diverse Languages.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Textual Note and Abbreviations -- -- Preface -- -- 1. The Powerless Theater -- -- 2. Desdemona’s Voice: Historical Interpretation and the Operations of Minds -- -- 3. The Knowledge Marketplace -- -- 4. Instituting Mirth in Renaissance Comedy -- -- 5. Reflections of Theater in the “Tragic Glass” from 93 Marlowe to Middleton -- -- 6. “Gargantua’s Mouth”: Orality, Voice, and the 129 Gender of Theatrical Power -- -- Notes -- -- Works Cited -- -- Index
  2. Stage-Wrights
    Shakespeare, Jonson, Middleton, and the Making of Theatrical Value
    Author: Yachnin, Paul
    Published: [2015]; © 1997
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way.In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well as through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority.Paul Yachnin offers a new way of understanding dramatic texts in relation to their social history. In showing how the efforts of three playwrights helped shape the area of discourse we now call "the literary," Stage-Wrights represents both a major rereading of the place of theater in Shakespeare's London and an important clarification of the social context of contemporary criticism

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512809398
    Other identifier:
    Series: New Cultural Studies
    Subjects: Anglo-American Literature, general; Literary Studies; Literature in Diverse Languages; Geschichte; English drama; English drama; Theater and society; Theater and society; Englisch; Drama; Theater
    Other subjects: Shakespeare, William (1564-1616); Jonson, Ben (1572-1637); Middleton, Thomas (1580-1627)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  3. Stage-Wrights
    Shakespeare, Jonson, Middleton, and the Making of Theatrical Value
    Author: Yachnin, Paul
    Published: [2015]; © 1997
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to... more

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    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common playhouses and in a manner often antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way.In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well as through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority.Paul Yachnin offers a new way of understanding dramatic texts in relation to their social history. In showing how the efforts of three playwrights helped shape the area of discourse we now call "the literary," Stage-Wrights represents both a major rereading of the place of theater in Shakespeare's London and an important clarification of the social context of contemporary criticism

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512809398
    Other identifier:
    Series: New Cultural Studies
    Subjects: Anglo-American Literature, general; Literary Studies; Literature in Diverse Languages; Geschichte; English drama; English drama; Theater and society; Theater and society; Englisch; Drama; Theater
    Other subjects: Shakespeare, William (1564-1616); Jonson, Ben (1572-1637); Middleton, Thomas (1580-1627)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)