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  1. The Cast of Character
    The Representation of Personality in Ancient and Medieval Literature
    Author: Ginsberg, Warren
    Published: [2019]; © 1983
    Publisher:  University of Toronto Press, Toronto

    This book is concerned with the idea of character and the methods of representing it in ancient and medieval narrative fiction, and shows how late classical and medieval authors adopted techniques and perspectives from rhetoric, philosophy, and... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This book is concerned with the idea of character and the methods of representing it in ancient and medieval narrative fiction, and shows how late classical and medieval authors adopted techniques and perspectives from rhetoric, philosophy, and sometimes theology to fashion figures who define not only themselves but also their readers. Ginsberg first tests Ovid's concept in the Amores and the Metamorphoses against the conventions of classical tradition and shows how, although Ovid's idea of character did not change, his technique grew more subtle and complex as his art matured. Ginsberg then employs the methods of biblical exegesis to show how medieval characters – Gottfried's Tristan, Dante's Farinata, Chrétien's Yvain – both exist as themselves and point to characters beyond themselves, gaining depth and resonance because we see them in this perspective. Perspective is also a distinguishing quality of the maturing of Boccaccio's art. In the early works his characters seem to be little more than positions in a debate, but as he grew more skilful the strict formalism of binary oppositions gave way to the complexity of experience characteristic of the 'probably true' and culminating in the hundred perspectives of the Decameron. In Chaucer's Canterbury Tales the pilgrims are both typical and individual, twice-formed by the tale and by the frame. A character acts, and the reader forms expectations of his acting and in the process 'character,' the abiding glory of medieval literature, is created

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487595869
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Ancient & Classical; Charakterisierung; Charakter <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400); Chaucer, Geoffrey (1343-1400): The Canterbury tales; Ovidius Naso, Publius (v43-17); Boccaccio, Giovanni (1313-1375)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  2. The Cast of Character
    The Representation of Personality in Ancient and Medieval Literature
    Author: Ginsberg, Warren
    Published: [2019]; © 1983
    Publisher:  University of Toronto Press, Toronto

    This book is concerned with the idea of character and the methods of representing it in ancient and medieval narrative fiction, and shows how late classical and medieval authors adopted techniques and perspectives from rhetoric, philosophy, and... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book is concerned with the idea of character and the methods of representing it in ancient and medieval narrative fiction, and shows how late classical and medieval authors adopted techniques and perspectives from rhetoric, philosophy, and sometimes theology to fashion figures who define not only themselves but also their readers. Ginsberg first tests Ovid's concept in the Amores and the Metamorphoses against the conventions of classical tradition and shows how, although Ovid's idea of character did not change, his technique grew more subtle and complex as his art matured. Ginsberg then employs the methods of biblical exegesis to show how medieval characters – Gottfried's Tristan, Dante's Farinata, Chrétien's Yvain – both exist as themselves and point to characters beyond themselves, gaining depth and resonance because we see them in this perspective. Perspective is also a distinguishing quality of the maturing of Boccaccio's art. In the early works his characters seem to be little more than positions in a debate, but as he grew more skilful the strict formalism of binary oppositions gave way to the complexity of experience characteristic of the 'probably true' and culminating in the hundred perspectives of the Decameron. In Chaucer's Canterbury Tales the pilgrims are both typical and individual, twice-formed by the tale and by the frame. A character acts, and the reader forms expectations of his acting and in the process 'character,' the abiding glory of medieval literature, is created

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487595869
    Other identifier:
    Series: Heritage
    Subjects: LITERARY CRITICISM / Ancient & Classical; Charakterisierung; Charakter <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400); Chaucer, Geoffrey (1343-1400): The Canterbury tales; Ovidius Naso, Publius (v43-17); Boccaccio, Giovanni (1313-1375)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)