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  1. Drawing the Curtain
    Cervantes's Theatrical Revelations
    Contributor: Burningham, Bruce R. (Mitwirkender); Calderón, José R. Cartagena (Mitwirkender); Domínguez, Julia (Mitwirkender); Fernández, Esther (Mitwirkender); Galán, Mercedes Alcalá (Mitwirkender); Guerrero, Eduardo Olid (Mitwirkender); Ife, B. W. (Mitwirkender); Infante, Catherine (Mitwirkender); Johnson, Paul Michael (Mitwirkender); Laguna, Ana (Mitwirkender); Martín, Adrienne L. (Mitwirkender); Slater, John (Mitwirkender); Velasco, Sherry (Mitwirkender); Velázquez, Sonia (Mitwirkender)
    Published: 2022; ©2022
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Miguel de Cervantes's experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes's prose and analyses the... more

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    Miguel de Cervantes's experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes's prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook's notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes's omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.

     

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    Source: Union catalogues
    Contributor: Burningham, Bruce R. (Mitwirkender); Calderón, José R. Cartagena (Mitwirkender); Domínguez, Julia (Mitwirkender); Fernández, Esther (Mitwirkender); Galán, Mercedes Alcalá (Mitwirkender); Guerrero, Eduardo Olid (Mitwirkender); Ife, B. W. (Mitwirkender); Infante, Catherine (Mitwirkender); Johnson, Paul Michael (Mitwirkender); Laguna, Ana (Mitwirkender); Martín, Adrienne L. (Mitwirkender); Slater, John (Mitwirkender); Velasco, Sherry (Mitwirkender); Velázquez, Sonia (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487538927
    Other identifier:
    Series: Toronto Iberic
    Scope: 1 Online-Ressource (392 p.), 6 b&w illustrations
  2. Drawing the Curtain
    Cervantes's Theatrical Revelations
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Published: 2022; ©2022
    Publisher:  University of Toronto Press, Toronto

    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the... more

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    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness

     

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    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487538927
    Other identifier:
    Series: Toronto Iberic
    Subjects: Revelation in literature; Theater in literature; LITERARY CRITICISM / Renaissance
    Other subjects: Don Quixote; Miguel de Cervantes; Peter Brook; Renaissance; Spanish drama; drama; dramatic works; early modern Spanish literature; empty space; entremeses; performance; prose; revelations; theatre; theatricality
    Scope: 1 Online-Ressource (392 p.), 6 b&w illustrations