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Displaying results 1 to 6 of 6.

  1. Mavis Gallant
    the eye and the ear
    Author: Dvorak, Marta
    Published: [2020]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer."

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487531959
    Other identifier:
    Subjects: Canadian literature; Mavis Gallant; Paris; aesthetics; arts; cubism; expatriate; film, jazz; literary criticism; modernism; music; short story; LITERARY CRITICISM / General; Ästhetik; Literatur
    Other subjects: Gallant, Mavis (1922-2014)
    Scope: 1 Online-Ressource (viii, 261 Seiten)
  2. Mavis Gallant
    the eye and the ear
    Author: Dvorak, Marta
    Published: [2020]; © 2019
    Publisher:  University of Toronto Press, Toronto ; Buffalo ; London

    Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer."

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487531959
    Other identifier:
    RVK Categories: HQ 4689
    Subjects: Canadian literature; Mavis Gallant; Paris; aesthetics; arts; cubism; expatriate; film, jazz; literary criticism; modernism; music; short story; LITERARY CRITICISM / General; Literatur; Ästhetik
    Other subjects: Gallant, Mavis (1922-2014)
    Scope: 1 Online-Ressource (viii, 261 Seiten)
  3. Mavis Gallant
    the eye and the ear
    Author: Dvorak, Marta
    Published: 2019
    Publisher:  University of Toronto Press, Toronto

    "Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity's aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant's writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which - like the Cubist rupture with academic spatial perspective - spearheaded modernity's aesthetics of dislocation. How does Gallant's work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer's sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant's texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by 'a writers' writer.'"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1487531958; 9781487531959
    Subjects: LITERARY CRITICISM ; General; Aesthetics; Criticism, interpretation, etc
    Other subjects: Gallant, Mavis; Gallant, Mavis; Gallant, Mavis
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  4. Mavis Gallant
    The Eye and the Ear
    Author: Dvorak, Marta
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- 1. “Acquisitions”: mapping world and work -- 2. “Is it dead or alive?” -- 3. The oratorical triad: “Like looking into the sun” -- 4. Dissonance & syncopation -- 5. Text/image borderblur & Cubist realism... more

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    Frontmatter -- Contents -- Acknowledgments -- 1. “Acquisitions”: mapping world and work -- 2. “Is it dead or alive?” -- 3. The oratorical triad: “Like looking into the sun” -- 4. Dissonance & syncopation -- 5. Text/image borderblur & Cubist realism -- 6. Who is I & when is here? -- 7. “How can you tell what somebody’s worth? What’s the measure?” -- Works Cited -- Index Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer."

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487531959
    Other identifier:
    Subjects: LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (272 p)
    Notes:

    restricted access online access with authorization star
  5. Mavis Gallant
    The Eye and the Ear
    Author: Dvorak, Marta
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- Acknowledgments -- 1. “Acquisitions”: mapping world and work -- 2. “Is it dead or alive?” -- 3. The oratorical triad: “Like looking into the sun” -- 4. Dissonance & syncopation -- 5. Text/image borderblur & Cubist realism... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- Acknowledgments -- 1. “Acquisitions”: mapping world and work -- 2. “Is it dead or alive?” -- 3. The oratorical triad: “Like looking into the sun” -- 4. Dissonance & syncopation -- 5. Text/image borderblur & Cubist realism -- 6. Who is I & when is here? -- 7. “How can you tell what somebody’s worth? What’s the measure?” -- Works Cited -- Index Repositioning Mavis Gallant as a late modernist figure, this book interrogates the Paris-based Canadian expatriate at the juncture of multiple, transnational interacting fields. Marta Dvořák draws on private correspondence and conversations with the Gallant who loved pictures, films, and music to examine her relations with the arts and to interrogate how modernity’s aesthetic systems meet within a transcontinental cultural context. Deploying philosophical aesthetics, Dvořák identifies the formal painterly, cinematic, and musical dynamics which light up Gallant’s writing. Dvořák opens a dialogue between Gallant and other international modernists and also with those they were reading, watching, and listening to. These range from the moving pictures which shaped her generation to the rhythm and dissonance of modernist compositions and jazz, which – like the Cubist rupture with academic spatial perspective – spearheaded modernity’s aesthetics of dislocation. How does Gallant’s work work? The analogies drawn between Gallant and certain European filmmakers provide a visual key to the writer’s sleights-of-hand and tonal shifts. Through hands-on analyses focusing on the eye and the ear, Dvořák investigates the osmosis between Gallant’s texts (including her critically neglected novels) and both music and visual culture. The adventurous close readings offer guiding interpretive keys to readers dazzled or puzzled by "a writers’ writer."

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487531959
    Other identifier:
    Subjects: LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (272 p)
    Notes:

    restricted access online access with authorization star
  6. Mavis Gallant
    The Eye and the Ear
    Author: Dvorak, Marta
    Published: 2019; ©2019
    Publisher:  University of Toronto Press, Toronto

    Endowed with a confidant's insights, Marta Dvořák sets up a trailblazing connection between Mavis Gallant's dazzling writing and the whole spectrum of the arts. more

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    Aggregator (lizenzpflichtig)

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    Endowed with a confidant's insights, Marta Dvořák sets up a trailblazing connection between Mavis Gallant's dazzling writing and the whole spectrum of the arts.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487531959
    Subjects: Gallant, Mavis-Criticism and interpretation; Electronic books
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on publisher supplied metadata and other sources