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  1. Artaud's theatre of cruelty
    Published: 2001; 2020
    Publisher:  Methuen, London, England ; Bloomsbury Publishing

    The definitive guide to the life and work of Antonin Artaud Antonin Artaud''s theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel... more

    Access:
    Resolving-System (lizenzpflichtig)
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    The definitive guide to the life and work of Antonin Artaud Antonin Artaud''s theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud''s work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty''s origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as fi

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781408148280; 1408148285; 9781408118023; 1408118025; 9781408169735; 1408169738
    Other identifier:
    Series: Plays and Playwrights
    Subjects: Biography: general
    Other subjects: Artaud, Antonin (1896-1948)
    Scope: 1 Online-Ressource (vii, 135 pages, 8 unnumbered pages of plates), illustrations, portrait
    Notes:

    Originally published: New York : Taplinger, 1977

    Includes bibliographical references (pages 124-127) and index

    Also published in print

    Cover; Contents; Preface: Neither Drugs Nor Madness; I: Theatre as Therapy; 1 The Breakaway: Possibilities, Masterpieces, Irrationalities; 2 Redefinitions: The Plague, Culture, Cruelty; 3 Inspiration and Aspirations: Unification, Healing, Temperament and Sexual Attitudes; II: History and Myth as Resources; 4 From Antiquity On: Prior to Aristotle, Aristotle, Seneca, the Jacobeans; 5 Into the Twentieth Century: Epic, Surrealism, Symbolism, Modern Staging; 6 Related Arts: Painting, Film, Dance, Ritual; III: Artaud as Artist.

    7 Playwright: Paul the Birds, The Fountain of Blood, The Philosopher''s Stone, There Is No More Firmament, The Conquest of Mexico, The Cenci8 Actor and Director: Performer, Coach, The Cenci on Stage; 9 Social Redeemer: Questions, Doubts, Limitations; IV: The Legacy as Grab Bag; 10 In the Auditorium: Modernizing the Classics, Encompassing the Audience; 11 On the Boards: Using the Stage''s Three Dimensions, Depersonalizing the Characters, Inventing a New Theatre Language; 12 Looking Backwards 2000-1977: Artaud''s Life and Writings: A Chronology; A Chronology; Selected Bibliography; Index; A; B.

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