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  1. Occult knowledge, science, and gender on the Shakespearean stage
    Author: Floyd-Wilson, Mary
    Published: July 2013
    Publisher:  Cambridge University Press, Cambridge

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567541
    Other identifier:
    RVK Categories: HI 3560
    Subjects: Theater; Okkultismus; Wissenschaft; Geschlecht
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 236 Seiten)
    Notes:

    Literaturverzeichnis: Seite 201-230
  2. Occult knowledge, science, and gender on the Shakespearean stage
    Author: Floyd-Wilson, Mary
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Introduction: Secret sympathies -- Women's secrets and the status of evidence in All's well that ends well -- Sympathetic contagion in Arden of Faversham and A warning for fair women -- "As secret as maidenhead": magnetic wombs and the nature of... more

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    Hochschule Esslingen, Bibliothek
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    Introduction: Secret sympathies -- Women's secrets and the status of evidence in All's well that ends well -- Sympathetic contagion in Arden of Faversham and A warning for fair women -- "As secret as maidenhead": magnetic wombs and the nature of attraction in Shakespeare's Twelfth night -- Tragic antipathies in the changeling -- "To think there's power in potions": Experiment, sympathy, and the devil in The Duchess of Malfi. Mary Floyd-Wilson's ground-breaking study explores occult beliefs and their relation to women and scientific knowledge in six early modern plays

     
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  3. Occult knowledge, science, and gender on the Shakespearean stage
    Author: Floyd-Wilson, Mary
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized Introduction: Secret sympathies -- Women's secrets and the status of evidence in All's well that ends well -- Sympathetic contagion in Arden of Faversham and A warning for fair women -- "As secret as maidenhead": magnetic wombs and the nature of attraction in Shakespeare's Twelfth night -- Tragic antipathies in the changeling -- "To think there's power in potions": Experiment, sympathy, and the devil in The Duchess of Malfi

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567541
    Other identifier:
    RVK Categories: HI 3560
    Subjects: Literature and spiritualism; Women in literature; Occultism in literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Occultism in literature; Literature and spiritualism; Women in literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 236 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Occult knowledge, science, and gender on the Shakespearean stage
    Author: Floyd-Wilson, Mary
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567541
    Other identifier:
    RVK Categories: HI 3385 ; HI 3560
    Subjects: Occultism in literature; Literature and spiritualism; Women in literature; Wissenschaft; Theater; Drama; Frau <Motiv>; Geschlecht; Okkultismus; Englisch
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Scope: 1 online resource (xi, 236 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Secret sympathies -- Women's secrets and the status of evidence in All's well that ends well -- Sympathetic contagion in Arden of Faversham and A warning for fair women -- "As secret as maidenhead": magnetic wombs and the nature of attraction in Shakespeare's Twelfth night -- Tragic antipathies in the changeling -- "To think there's power in potions": Experiment, sympathy, and the devil in The Duchess of Malfi
  5. Occult knowledge, science, and gender on the Shakespearean stage
    Author: Floyd-Wilson, Mary
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Peace Research Institute Frankfurt, Bibliothek
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    Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized Introduction: Secret sympathies -- Women's secrets and the status of evidence in All's well that ends well -- Sympathetic contagion in Arden of Faversham and A warning for fair women -- "As secret as maidenhead": magnetic wombs and the nature of attraction in Shakespeare's Twelfth night -- Tragic antipathies in the changeling -- "To think there's power in potions": Experiment, sympathy, and the devil in The Duchess of Malfi

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567541
    Other identifier:
    RVK Categories: HI 3560
    Subjects: Literature and spiritualism; Women in literature; Occultism in literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Occultism in literature; Literature and spiritualism; Women in literature
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xi, 236 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)