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Displaying results 1 to 4 of 4.

  1. Lyric in the Renaissance
    from Petrarch to Montaigne
    Author: Langer, Ullrich
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781107110281
    RVK Categories: IF 2550 ; IT 6605
    Edition: 1. publ.
    Subjects: French poetry / 16th century / History and criticism; Lyric poetry / History and criticism / Theory, etc; Particularity (Aesthetics); LITERARY CRITICISM / European / General; Renaissance; Französisch; Italienisch; Lyrik
    Other subjects: Montaigne, Michel de / 1533-1592 / Criticism and interpretation; Petrarca, Francesco / 1304-1374 / Language
    Scope: VIII, 218 S., 24 cm
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography
  2. Lyric in the Renaissance
    from Petrarch to Montaigne
    Author: Langer, Ullrich
    Published: 2015
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Allgemeine und Vergleichende Literaturwissenschaft
    Signature:
    21.2 - 121/1
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107110281
    Scope: VIII, 218 Seiten
    Notes:

    Literaturverz. S. 201 - 213
  3. Lyric in the Renaissance
    from Petrarch to Montaigne
    Author: Langer, Ullrich
    Published: 2015
    Publisher:  Cambridge Univ. Press, New York

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 946187
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    No loan of volumes, only paper copies will be sent

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    65.3090
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107110281
    RVK Categories: IF 2550 ; IT 6605
    Subjects: Lyric poetry; French poetry; Particularity (Aesthetics)
    Other subjects: Montaigne, Michel de (1533-1592); Petrarca, Francesco (1304-1374)
    Scope: VIII, 218 S.
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his 'sublime' lyric; 7. Conclusion; Bibliography.
  4. Lyric in the Renaissance
    From Petrarch to Montaigne
    Author: Langer, Ullrich
    Published: 2015
    Publisher:  Cambridge University Press, Cambridge

    A wide-ranging study of the lyric as a literary genre in Renaissance Europe, by a leading scholar of the period more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    A wide-ranging study of the lyric as a literary genre in Renaissance Europe, by a leading scholar of the period

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107110281
    Scope: Online-Ressource (228 p)
    Notes:

    Description based upon print version of record

    Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; Acknowledgments; 1 Introduction; The premodern notion of "lyric"; Contemporary vs. early modern vs. classical poetry; Early modern poetry and the singular; A history of the singular?; Petrarch and Petrarchism; 2 Petrarch and the existential singular; Subjectivity, lyric, rhetoric; The lyrical singular vs. the classical rhetorical common place; "I was in part another man from what I am now"; "And the season and the time and the hour and the instant"

    "A thousand of their pleasures are not worth one of my torments""Every other thing, every thought, goes out, and alone there with you"; Sweet, sweet, and "only you"; 3 Minimal lost worlds; Lost in the forest of sadness; One or the other; Questions …; Minimal poems, minimal worlds; This world here; 4 Ronsard's singular erotic reciprocity (Les Amours de Cassandre); Cassandre in the fields: Petrarch and Ronsard; With one glance, stealing the hearts of thousands; None other than you; There two rubies high above; Lexical redundancy: sweet and fortunate; 5 Singularity as emptiness

    Petrarchism and anti-Petrarchism: a brief samplingThis divine frenzy, I no longer have it: the Regrets; That which I am, that which I do; Those others who …; Your Du Bellay is no longer, it is not much at all; Yet no one, except echo, responds to my voice; 6 Montaigne and his "sublime" lyric; This here is a book of good faith, reader; Because it was he, because it was I; Montaigne, sublime commentator of poetry; Cato giving laws to these; Venus and Vulcan; Montaigne staging lyric in Virgil and Lucretius; Montaigne letting go; 7 Conclusion; Turning to one: Scève, Ronsard, Petrarch

    A return to the existential?Notes; 1 Introduction; 2 Petrarch and the existential singular; 3 Minimal lost worlds: The rondeaux of Charles d'Orléans; 4 Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5 Singularity as emptiness: Du Bellay's Regrets; 6 Montaigne and his "sublime" lyric; 7 Conclusion; Bibliography; Authors before 1800; Authors after 1800; Index