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  1. Portraits of the New Negro Woman
    Visual and Literary Culture in the Harlem Renaissance
    Author: Sherrard-Johnson, Cherene
    Published: [2007]; © 2007
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813542409
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; African American women in literature; African Americans; American fiction; American fiction; Femininity in literature; Harlem Renaissance; Icons in literature; Race in literature; Racially mixed people in literature; Visual perception in literature; Schwarze <Motiv>; Schwarze Frau; Literatur; Harlem renaissance; Thema; Darstellung; Frau <Motiv>; Kunst; Feminismus
    Scope: 1 online resource, 26
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  2. Portraits of the New Negro Woman
    Visual and Literary Culture in the Harlem Renaissance
    Author: Sherrard-Johnson, Cherene
    Published: [2007]
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- Introduction: The Iconography of the Mulatta -- Chapter 1. “A Plea for Color”: Nella Larsen’s Textual Tableaux -- Chapter 2. Jessie Fauset’s New Negro Woman Artist and... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- Introduction: The Iconography of the Mulatta -- Chapter 1. “A Plea for Color”: Nella Larsen’s Textual Tableaux -- Chapter 2. Jessie Fauset’s New Negro Woman Artist and the Passing Market -- Chapter 3. “Black Beauty Betrayed”: The Modernist Mulatta in Black and White -- Chapter 4. The Geography of the Mulatta in Jean Toomer’s Cane -- Chapter 5. Redressing the New Negro Woman -- Notes -- Bibliography -- Index -- About the Author Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813542409
    Other identifier:
    Subjects: Visual perception in literature; African American women in literature; African Americans; American fiction; American fiction; Femininity in literature; Harlem Renaissance; Icons in literature; Race in literature; Racially mixed people in literature; SOCIAL SCIENCE / General
    Scope: 1 Online-Ressource, 26
    Notes:

    restricted access online access with authorization star
  3. Portraits of the New Negro Woman
    Visual and Literary Culture in the Harlem Renaissance
    Author: Sherrard-Johnson, Cherene
    Published: [2007]; © 2007
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813542409
    Other identifier:
    Subjects: SOCIAL SCIENCE / General; African American women in literature; African Americans; American fiction; American fiction; Femininity in literature; Harlem Renaissance; Icons in literature; Race in literature; Racially mixed people in literature; Visual perception in literature; Schwarze <Motiv>; Schwarze Frau; Literatur; Harlem renaissance; Thema; Darstellung; Frau <Motiv>; Kunst; Feminismus
    Scope: 1 online resource, 26
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  4. Portraits of the New Negro Woman
    Visual and Literary Culture in the Harlem Renaissance
    Author: Sherrard-Johnson, Cherene
    Published: [2007]
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- Introduction: The Iconography of the Mulatta -- Chapter 1. “A Plea for Color”: Nella Larsen’s Textual Tableaux -- Chapter 2. Jessie Fauset’s New Negro Woman Artist and... more

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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- Introduction: The Iconography of the Mulatta -- Chapter 1. “A Plea for Color”: Nella Larsen’s Textual Tableaux -- Chapter 2. Jessie Fauset’s New Negro Woman Artist and the Passing Market -- Chapter 3. “Black Beauty Betrayed”: The Modernist Mulatta in Black and White -- Chapter 4. The Geography of the Mulatta in Jean Toomer’s Cane -- Chapter 5. Redressing the New Negro Woman -- Notes -- Bibliography -- Index -- About the Author Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813542409
    Other identifier:
    Subjects: Visual perception in literature; African American women in literature; African Americans; American fiction; American fiction; Femininity in literature; Harlem Renaissance; Icons in literature; Race in literature; Racially mixed people in literature; SOCIAL SCIENCE / General
    Scope: 1 Online-Ressource, 26
    Notes:

    restricted access online access with authorization star
  5. Portraits of the New Negro Woman
    Visual and Literary Culture in the Harlem Renaissance
    Author: Sherrard-Johnson, Cherene
    Published: [2007]
    Publisher:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the... more

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    Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813542409
    Other identifier:
    Scope: 1 Online-Ressource, 26
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)