Narrow Search
Last searches

Results for *

Displaying results 1 to 3 of 3.

  1. American literature and the culture of reprinting, 1834-1853
    Published: 2007
    Publisher:  University of Pennsylvania Press, Philadelphia

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812209747; 9780812219951
    Subjects: Geschichte; American literature; Literature publishing; Authors and publishers; Copyright; Nachdruck; Verlag; Literatur
    Other subjects: Hawthorne, Nathaniel (1804-1864); Poe, Edgar Allan (1809-1849); Dickens, Charles (1812-1870)
    Scope: 1 online resource (373 pages), illustrations
    Notes:

    Originally published: 2003

    Description based on print version record

  2. American literature and the culture of reprinting, 1834-1853
    Published: 2007
    Publisher:  University of Pennsylvania Press, Philadelphia

    Annotation The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call... more

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan

     

    Annotation The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
  3. American Literature and the Culture of Reprinting, 1834-1853
    Published: 2013
    Publisher:  University of Pennsylvania Press, Inc, Philadelphia

    Cover -- Title -- Copyright -- Contents -- Introduction: The Matter of the Text -- 1. Commerce, Print Culture, and the Authority of the State in American Copyright Law -- Discontinuities in the Genealogy of Authorship -- Materiality and the Common... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    No inter-library loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    Cover -- Title -- Copyright -- Contents -- Introduction: The Matter of the Text -- 1. Commerce, Print Culture, and the Authority of the State in American Copyright Law -- Discontinuities in the Genealogy of Authorship -- Materiality and the Common Law in Wheaton v. Peters -- Dissemination and the State -- Perfect Title": American Copyright and the Letter of the Law -- 2. International Copyright and the Political Economy of Print -- Legalizing Piracy -- Representing the Nation: The Campaign for International Copyright -- Decentering the Market: Defending the System of Reprinting -- Maintaining Decentralization: Reprinting and the Syncopation of the National Imaginary -- 3. Circulating Media: Charles Dickens, Reprinting, and the Dislocation of American Culture -- Property in Dickens: The 1842 Tour -- National Debt and National Identity: The American Circulation of American Notes for General Circulation -- Representing Decentralization: The Narrative Structure of American Notes -- Circulation and Slavery -- Martin Chuzzlewit, the Social Order, and the Medium of Print -- 4. Unauthorized Poe -- Embracing Secondarity -- Dislocating Reference -- Elaboration, Eclecticism, and the Deferral of Authorship -- Authentic Facsimiles -- 5. Poe, Literary Nationalism, and Authorial Identity -- James Russell Lowell and the "Be-Mirrorment" of Poe -- Removing the Anonymous: Young America and the Control of Dissemination -- Narratives of Absolute Possession and Dispossession: Authorial Identity in "The Little Longfellow War -- Disowning Ownership: Poe's Evasion of Identity at the Boston Lyceum -- 6. Suspended Animation: Hawthorne and the Relocation of Narrative Authority -- The Uses of Obscurity -- Sleeping Beauty in the Waxworks" Monotony and Repose in Early Hawthorne -- Monotony and Declension: The Properties of Narrative in The House of the Seven Gables.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812219951
    Series: Material Texts
    Subjects: American literature ; 19th century ; History and criticism; Authors and publishers ; United States ; History ; 19th century; Copyright ; United States ; History ; 19th century; Dickens, Charles ; 1812-1870 ; Relations with publishers; Hawthorne, Nathaniel ; 1804-1864 ; Relations with publishers; Literature publishing ; United States ; History ; 19th century; Poe, Edgar Allan ; 1809-1849 ; Relations with publishers; Electronic books
    Scope: Online-Ressource (376 p)
    Notes:

    Description based upon print version of record

    ""Cover""; ""Title""; ""Copyright""; ""Contents""; ""Introduction: The Matter of the Text""; ""1. Commerce, Print Culture, and the Authority of the State in American Copyright Law""; ""Discontinuities in the Genealogy of Authorship""; ""Materiality and the Common Law in Wheaton v. Peters""; ""Dissemination and the State""; """"Perfect Title"": American Copyright and the Letter of the Law""; ""2. International Copyright and the Political Economy of Print""; ""Legalizing Piracy""; ""Representing the Nation: The Campaign for International Copyright""

    ""Decentering the Market: Defending the System of Reprinting""""Maintaining Decentralization: Reprinting and the Syncopation of the National Imaginary""; ""3. Circulating Media: Charles Dickens, Reprinting, and the Dislocation of American Culture""; ""Property in Dickens: The 1842 Tour""; ""National Debt and National Identity: The American Circulation of American Notes for General Circulation""; ""Representing Decentralization: The Narrative Structure of American Notes""; ""Circulation and Slavery""; ""Martin Chuzzlewit, the Social Order, and the Medium of Print""; ""4. Unauthorized Poe""

    ""Embracing Secondarity""""Dislocating Reference""; ""Elaboration, Eclecticism, and the Deferral of Authorship""; ""Authentic Facsimiles""; ""5. Poe, Literary Nationalism, and Authorial Identity""; ""James Russell Lowell and the ""Be-Mirrorment"" of Poe""; ""Removing the Anonymous: Young America and the Control of Dissemination""; ""Narratives of Absolute Possession and Dispossession: Authorial Identity in ""The Little Longfellow War""""; ""Disowning Ownership: Poe's Evasion of Identity at the Boston Lyceum""; ""6. Suspended Animation: Hawthorne and the Relocation of Narrative Authority""

    ""The Uses of Obscurity""""""Sleeping Beauty in the Waxworks"" Monotony and Repose in Early Hawthorne""; ""Monotony and Declension: The Properties of Narrative in The House of the Seven Gables""; """"Time-Stricken"": Narrative Disruption and Self-Indictment""; """"Sordid Contact"": Addressing Ordinary Life and the Disenchantments of Address""; ""Authorship and the Power of Humiliation""; ""Coda""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""W""; ""Y""

    ""Z""""Acknowledgments""