Publisher:
University of Pennsylvania Press, Philadelphia
;
ProQuest, Ann Arbor, Michigan
Valerie Forman contends that three seemingly unrelated domains-new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre-were together crucial to the formulation of a...
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Valerie Forman contends that three seemingly unrelated domains-new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre-were together crucial to the formulation of a new and paradoxical way of thinking about loss and profit in relationship to one another.