Publisher:
The Johns Hopkins University Press, Baltimore
Intro -- Contents -- Preface -- Acknowledgments -- Chapter 1 - The Novel's Gendered Space -- Chapter 2 - The Rise of Gender as Political Category -- Chapter 3 - Renegotiating the Gothic -- Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria...
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Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
Inter-library loan:
No loan of volumes, only paper copies will be sent
Intro -- Contents -- Preface -- Acknowledgments -- Chapter 1 - The Novel's Gendered Space -- Chapter 2 - The Rise of Gender as Political Category -- Chapter 3 - Renegotiating the Gothic -- Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriarchal Authority -- Chapter 5 - Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy -- Notes -- Contributors -- Index.
""Contents""; ""Preface""; ""Acknowledgments""; ""Chapter 1 - The Novel�s Gendered Space""; ""Chapter 2 - The Rise of Gender as Political Category""; ""Chapter 3 - Renegotiating the Gothic""; ""Chapter 4 - My Art Belongs to Daddy? Thomas Day, Maria Edgeworth, and the Pre-Texts of Belinda: Women Writers and Patriarchal Authority""; ""Chapter 5 - Jane Austen and the Culture of Circulating Libraries: The Construction of Female Literacy""; ""Notes""; ""Contributors""; ""Index""