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  1. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: [2012]; © 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801464102
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    Subjects: Eloquence in literature; English literature; Figures of speech in literature; National characteristics, English, in literature; Englisch; Rhetorik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  2. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: [2012]; ©2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801464102
    Other identifier:
    Subjects: Figures of speech in literature; National characteristics, English, in literature; English literature; Eloquence in literature; National characteristics, English, in literature; English literature; Eloquence in literature; Figures of speech in literature; Eloquence in literature.; English literature.; Figures of speech in literature.; National characteristics, English, in literature.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction: A Tale of Robin Hood -- -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- -- 2. The Trespasser: Displacing Virgilian Figures in Spenser’s Faerie Queene -- -- 3. The Insertour: Putting the Parenthesis in Sidney’s Arcadia -- -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare’s A Midsummer Night’s Dream -- -- 5. The Figure of Exchange: Gender Exchange in Shakespeare’s Sonnet 20 and Jonson’s Epicene -- -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish’s Blazing World -- -- Conclusion “Words Made Visible” and the Turn against Rhetoric -- -- Appendix of English Rhetorical Manuals -- -- Bibliography -- -- Index
  3. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: [2012]
    Publisher:  Cornell University Press, Ithaca, N.Y. ; Walter de Gruyter GmbH, Berlin

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801464102
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  4. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: 2012
    Publisher:  Cornell University Press, Ithaca ; EBSCO Industries, Inc., Birmingham, AL, USA

    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a 'common' vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is 'outlaw' to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare."--Publisher's description.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0801464102; 9780801464102
    Scope: 1 Online-Ressource (xiii, 249 pages), Illustrations
    Notes:

    Includes bibliographical references and index
  5. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C
    Published: 2012; ©2012.
    Publisher:  Cornell University Press, Ithaca

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene... more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene -- 3. The Insertour: Putting the Parenthesis in Sidney's Arcadia -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare's A Midsummer Night's Dream -- 5. The Figure of Exchange: Gender Exchange in Shakespeare's Sonnet 20 and Jonson's Epicene -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish's Blazing World -- Conclusion: "Words Made Visible" and the Turn against Rhetoric -- Appendix of English Rhetorical Manuals -- Bibliography -- Index.

     
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  6. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: [2012]; © 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start.Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801464102
    Other identifier:
    Subjects: Eloquence in literature; English literature; Figures of speech in literature; National characteristics, English, in literature; Englisch; Rhetorik
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  7. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: 2012
    Publisher:  Cornell University Press, Ithaca

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    Source: Union catalogues
    Language: English
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    ISBN: 0801449650; 0801464102; 9780801449659; 9780801464102
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Englisch; English literature; Eloquence in literature; Figures of speech in literature; National characteristics, English, in literature; Rhetoric, Renaissance; English language; Rhetorik; Englisch
    Scope: 1 Online-Ressource (xiii, 249 pages)
    Notes:

    Includes bibliographical references and index

    Introduction : a tale of Robin Hood -- Common rhetoric : planting figures of speech in the English shire -- The trespasser : displacing Virgilian figures in Spenser's Faerie queene -- The insertour : putting the parenthesis in Sidney's Arcadia -- The changeling : mingling heroes and hobgoblins in Shakespeare's A midsummer night's dream -- The figure of exchange : gender exchange in Shakespeare's Sonnet 20 and Jonson's Epicoene -- The mingle-mangle : the hodgepodge of fancy and philosophy in Cavendish's Blazing world -- Conclusion : "words made visible" and the turn against rhetoric -- Appendix of English rhetorical manuals
  8. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Author: Mann, Jenny C.
    Published: 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801449659; 9780801464102
    Subjects: Englisch; English literature; Eloquence in literature; Figures of speech in literature; National characteristics, English, in literature; Rhetoric, Renaissance; English language; Englisch; Rhetorik
    Scope: xiii, 249 p.
    Notes:

    Includes bibliographical references and index
  9. Outlaw rhetoric
    figuring vernacular eloquence in Shakespeare's England
    Published: 2012
    Publisher:  Cornell University Press, Ithaca

    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular... more

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    "A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a 'common' vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is 'outlaw' to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare."--Publisher's description Introduction : a tale of Robin Hood -- Common rhetoric : planting figures of speech in the English shire -- The trespasser : displacing Virgilian figures in Spenser's Faerie queene -- The insertour : putting the parenthesis in Sidney's Arcadia -- The changeling : mingling heroes and hobgoblins in Shakespeare's A midsummer night's dream -- The figure of exchange : gender exchange in Shakespeare's Sonnet 20 and Jonson's Epicoene -- The mingle-mangle : the hodgepodge of fancy and philosophy in Cavendish's Blazing world -- Conclusion : "words made visible" and the turn against rhetoric -- Appendix of English rhetorical manuals.

     
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  10. Outlaw Rhetoric
    Figuring Vernacular Eloquence in Shakespeare's England
    Author: Mann, Jenny C
    Published: 2012; ©2012.
    Publisher:  Cornell University Press, Ithaca

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene... more

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    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signature:
    EBS ProQuest
    Inter-library loan:
    No inter-library loan

     

    Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: A Tale of Robin Hood -- 1. Common Rhetoric: Planting Figures of Speech in the English Shire -- 2. The Trespasser: Displacing Virgilian Figures in Spenser's Faerie Queene -- 3. The Insertour: Putting the Parenthesis in Sidney's Arcadia -- 4. The Changeling: Mingling Heroes and Hobgoblins in Shakespeare's A Midsummer Night's Dream -- 5. The Figure of Exchange: Gender Exchange in Shakespeare's Sonnet 20 and Jonson's Epicene -- 6. The Mingle-Mangle: The Hodgepodge of Fancy and Philosophy in Cavendish's Blazing World -- Conclusion: "Words Made Visible" and the Turn against Rhetoric -- Appendix of English Rhetorical Manuals -- Bibliography -- Index.

     
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