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  1. Disaster drawn
    visual witness, comics, and documentary form
    Published: 2016
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ;

    Cover -- Title -- Copyright -- Dedication -- Contents -- Introduction | Seeing New -- War Comics -- Framing Documentary -- Comics, Photography, Film -- Drawing History -- Materializing -- Witness, Reference, Presence -- The Gutter -- Chapter 1.... more

    Zentrale Hochschulbibliothek Flensburg
    No inter-library loan
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    eBook ProQuest
    No inter-library loan

     

    Cover -- Title -- Copyright -- Dedication -- Contents -- Introduction | Seeing New -- War Comics -- Framing Documentary -- Comics, Photography, Film -- Drawing History -- Materializing -- Witness, Reference, Presence -- The Gutter -- Chapter 1. Histories of Visual Witness -- Chapter 2. Time, Space, and Picture Writing in Modern Comics -- Chapter 3. I Saw It and the Work of Atomic Bomb Manga -- The Mark versus the Bomb as Documentarian: I Saw It -- Plasticity and Corporeality -- Chapter 4. Maus's Archival Images and the Postwar Comics Field -- "Maus": Comics, War, Witness -- Picturing the Oxymoron of Life in a Death Camp -- Maus: Creating a Testimonial Archive -- Coffins/Archives -- Chapter 5. History and the Visible in Joe Sacco -- Comics and Ethics -- Decoding, Density, and "Double-Vision" -- Style and Suffering -- Comics and the Rhythm of Knowing -- "Events Are Continuous": Footnotes in Gaza and the Counterarchive of Comics -- Coda | New Locations, New Forms -- Notes -- Acknowledgments -- Index.

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674495647
    RVK Categories: AP 88924 ; EC 7120
    Subjects: Comic books, strips, etc.--History and criticism; Comic books, strips, etc; Nonfiction comics; Graphic novels; Psychic trauma in literature; Storytelling in literature; Narration (Rhetoric); Electronic books
    Scope: 1 online resource (372 pages)
  2. Disaster drawn
    visual witness, comics, and documentary form
    Published: [2016]; © 2016
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674495647
    RVK Categories: AP 88902 ; LB 33999 ; LC 84000
    Subjects: Comic books, strips, etc / History and criticism; Graphic novels / History and criticism; Psychic trauma in literature; Storytelling in literature; Narration (Rhetoric); Krieg <Motiv>; Comic; Psychisches Trauma <Motiv>
    Scope: 1 Online-Ressource (359 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    Introduction: Seeing new -- Histories of visual witness -- Time, space, and picture writing in modern comics -- I saw it and the work of atomic bomb manga -- Maus's archival images and the post-war comics field -- History and the visible in Joe Sacco -- Coda: New locations, new forms

  3. Disaster drawn
    visual witness, comics, and documentary form
    Published: 2016
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Frontmatter -- Contents -- A Note on the Figures -- Introduction. Seeing New -- 1. Histories of Visual Witness -- 2. Time, Space, and Picture Writing in Modern Comics -- 3. I Saw It and the Work of Atomic Bomb Manga -- 4. Maus’s Archival Images and... more

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    Universitätsbibliothek Kiel, Zentralbibliothek
    No inter-library loan

     

    Frontmatter -- Contents -- A Note on the Figures -- Introduction. Seeing New -- 1. Histories of Visual Witness -- 2. Time, Space, and Picture Writing in Modern Comics -- 3. I Saw It and the Work of Atomic Bomb Manga -- 4. Maus’s Archival Images and the Postwar Comics Field -- 5. History and the Visible in Joe Sacco -- Coda. New Locations, New Forms -- Notes -- Acknowledgments -- Index In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics have shown a stunning capacity to bear witness to trauma. Hillary Chute explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674495647
    Other identifier:
    RVK Categories: AP 88924 ; EC 7120
    Edition: First printing
    Subjects: Comic books, strips, etc; Graphic novels; Narration (Rhetoric); Nonfiction comics; Psychic trauma in literature; Storytelling in literature; LITERARY CRITICISM / Comics & Graphic Novels
    Scope: 1 Online-Ressource (359 Seiten), Illustrationen