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  1. Body Work
    Objects of Desire in Modern Narrative
    Published: 2009
    Publisher:  Harvard University Press, Cambridge

    Intro -- Contents -- Preface -- 1 Narrative and the Body -- 2 Invasions of Privacy: The Body in the Novel -- 3 Marking Out the Modern Body: The French Revolution and Balzac -- 4 The Body in the Field of Vision -- 5 Nana at Last Unveil'd? Problems of... more

     

    Intro -- Contents -- Preface -- 1 Narrative and the Body -- 2 Invasions of Privacy: The Body in the Novel -- 3 Marking Out the Modern Body: The French Revolution and Balzac -- 4 The Body in the Field of Vision -- 5 Nana at Last Unveil'd? Problems of the Modern Nude -- 6 Gauguin's Tahitian Body -- 7 What Is a Monster? (According to Frankenstein) -- 8 Talking Bodies, Delicate Vessels -- 9 Transgressive Bodies -- Notes -- Index.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674077249
    Subjects: Human body in literature; Human figure in art; Literature, Modern ; History and criticism; Narration (Rhetoric); Sex in literature; Electronic books
    Scope: Online-Ressource (342 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Preface""; ""1 Narrative and the Body""; ""2 Invasions of Privacy: The Body in the Novel""; ""3 Marking Out the Modern Body: The French Revolution and Balzac""; ""4 The Body in the Field of Vision""; ""5 Nana at Last Unveil�d? Problems of the Modern Nude""; ""6 Gauguin�s Tahitian Body""; ""7 What Is a Monster? (According to Frankenstein)""; ""8 Talking Bodies, Delicate Vessels""; ""9 Transgressive Bodies""; ""Notes""; ""Index""

  2. Body work
    objects of desire in modern narrative
    Published: 1993
    Publisher:  Harvard University Press, Cambridge, Mass.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674028869; 0674028864; 9780674077249
    RVK Categories: EC 5410
    Subjects: Corps humain dans la littérature; Sexualité dans la littérature; Narration; Littérature / Histoire et critique; Corps humain dans l'art; LITERARY CRITICISM / Gay & Lesbian; Vertelkunst; Literaire thema's; Menselijk lichaam; Human body in literature; Human figure in art; Literature, Modern; Narration (Rhetoric); Sex in literature; Human body in literature; Sex in literature; Narration (Rhetoric); Literature, Modern; Human figure in art; Körper; Nacktheit <Motiv>; Körper <Motiv>; Literatur; Malerei; Kunst
    Scope: 1 Online-Ressource (xiv, 325 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [289]-318) and index

    Preface -- Narrative and the body -- Invasions of privacy: the body in the novel -- Marking out the modern body: the French revolution and Balzac -- The body in the field of vision -- Nana at last unveil'd? Problems of the modern nude -- Gauguin's Tahitian body -- What is a monster? (according to Frankenstein) -- Talking bodies, delicate vessels -- Transgressive bodies

    The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--The desire to know - guides fictional plots and our reading of them. The novel is so singularly powerful an art form because it plays on our deepest yearnings, including the desire to penetrate the most private of realms. The body that interests Brooks most is defined radically by its sexuality. It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself - which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. In modern art and literature, the body as object of curiosity has been predominantly that of a woman. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force

  3. Body work
    objects of desire in modern narrative
    Published: 1993
    Publisher:  Harvard University Press, Cambridge, MA

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674077249
    RVK Categories: EC 5410
    Subjects: Human body in literature; Sex in literature; Narration (Rhetoric); Literature, Modern; Human figure in art; Körper; Nacktheit <Motiv>; Körper <Motiv>; Literatur; Malerei; Kunst
    Scope: xiv, 325 p.
    Notes:

    Includes bibliographical references (p. [289]-318) and index