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  1. Giotto and his publics
    three paradigms of patronage
    Author: Gardner, Julian
    Published: 2011
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674050808; 9780674060975
    Series: Bernard Berenson lectures on the Italian Renaissance
    Subjects: Geschichte; Kunst; Art patronage; Deckenmalerei; Malerei; Ausmalung; Stigmatisation <Motiv>; Mäzenatentum
    Other subjects: Giotto (1266?-1337); Francis of Assisi, Saint (1182-1226); Giotto di Bondone (1266-1337); Franz von Assisi, Heiliger (1182-1226)
    Scope: xii, 240 p
    Notes:

    Includes bibliographical references and index

    Introduction -- Giotto at Pisa : the Stigmatization for San Francesco -- Giotto among the money-changers : the Bardi Chapel in Santa Croce -- The lull before the storm : the Vele in the lower church at Assisi -- Conclusion -- Appendix : inscriptions of the Vele -- Chronology
  2. Giotto and his publics
    three paradigms of patronage
    Author: Gardner, Julian
    Published: 2011
    Publisher:  Harvard University Press, Cambridge, Mass. [u.a.]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674060975
    Other identifier:
    Series: The Bernard Berenson lectures on the Italian Renaissance
    Subjects: Art patronage / Italy / History / To 1500; HISTORY / Renaissance; Geschichte; Malerei; Art patronage; Deckenmalerei; Malerei; Ausmalung; Stigmatisation <Motiv>; Mäzenatentum
    Other subjects: Giotto di Bondone (1266-1337); Franz von Assisi, Heiliger (1182-1226)
    Scope: 1 Online-Ressource (XII, 240 S., [8] Bl.), Ill., graph. Darst.
    Notes:

    This probing analysis of three of Giotto's major works and the patrons who commissioned them goes beyond the clichés of Giotto as the founding figure of western painting. It traces the interactions between Franciscan friars and powerful bankers and illuminates the complex interactions between mercantile wealth and the iconography of poverty

    This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto's frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood
  3. Giotto and his publics
    three paradigms of patronage
    Author: Gardner, Julian
    Published: 2011
    Publisher:  Harvard University Press, Cambridge, Mass. [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674060975
    Other identifier:
    Series: The Bernard Berenson lectures on the Italian Renaissance
    Subjects: Art patronage / Italy / History / To 1500; HISTORY / Renaissance; Geschichte; Malerei; Art patronage; Deckenmalerei; Malerei; Ausmalung; Stigmatisation <Motiv>; Mäzenatentum
    Other subjects: Giotto di Bondone (1266-1337); Franz von Assisi, Heiliger (1182-1226)
    Scope: 1 Online-Ressource (XII, 240 S., [8] Bl.), Ill., graph. Darst.
    Notes:

    This probing analysis of three of Giotto's major works and the patrons who commissioned them goes beyond the clichés of Giotto as the founding figure of western painting. It traces the interactions between Franciscan friars and powerful bankers and illuminates the complex interactions between mercantile wealth and the iconography of poverty

    This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto's frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood