Cover; Half Title; Series Page; Title; Copyright; Contents; Illustrations; Acknowledgments; Introduction: "Prowling out for dark employments"; PART I Wordsworth; CHAPTER 1 Reading Wordsworth's power: narrative and usurpation in The Borderers; I; II; III; CHAPTER 2 Cradling French Macbeth: managing the art of second-hand Shakespeare; I; II; III; IV; CHAPTER 3 "In some sort seeing with my proper eyes": Wordsworth and the spectacles of Paris; CODA; CHAPTER 4 Drinking up whole rivers: facing Wordsworth's watery discourse; I; II; Appendix
""SONNET, ON SEEING MISS HELEN MARIA WILLIAMS WEEP AT A TALE OF DISTRESS""THE DOG - AN IDYLLIUM; [NO TITLE]; GEORGICS TRANSLATION IX (ADAPTATION OF ORPHEUS AND EURYDICE PASSAGES); PART II Coleridge and Shelley; CHAPTER 5 Osorio's dark employments: tricking out Coleridgean tragedy; I; II; III; IV; CHAPTER 6 Listening to Remorse: assuming man's infirmities; I; II; III; IV; CODA; CHAPTER 7 Reading Shelley's delicacy; I; II; III; IV; CODA; Notes; INTRODUCTION: ""PROWLING OUT FOR DARK EMPLOYMENTS""; CHAPTER 1: READING WORDSWORTH'S POWER: NARRATIVE AND USURPATION IN 'THE BORDERERS'
CHAPTER 2: CRADLING FRENCH 'MACBETH': MANAGING THE ART OF SECOND-HAND SHAKESPEARECHAPTER 3: ""IN SOME SORT SEEING WITH MY PROPER EYES"": WORDSWORTH AND THE SPECTACLES OF PARIS; CHAPTER 4: DRINKING UP WHOLE RIVERS: FACING WORDSWORTH'S WATER DISCOURSE; CHAPTER 5: 'OSORIO''S DARK EMPLOYMENTS: TRICKING OUT COLERIDGEAN TRAGEDY; CHAPTER 6: LISTENING TO 'REMORSE': ASSUMING MAN'S INFIRMITIES; CHAPTER 7: READING SHELLEY'S DELICACY; Bibliography; Index
