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  1. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.573.08
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    Universität Mainz, Zentralbibliothek
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    255.040
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521767118; 0521767113
    RVK Categories: HL 1223
    Series: Cambridge studies in romanticism ; 87
    Subjects: Englisch; Verstragödie; Romantik
    Other subjects: Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834); Shelley, Percy Bysshe (1792-1822)
    Scope: X, 300 S., Ill.
  2. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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  3. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

  4. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2013
    Publisher:  Cambridge University Press, Cambridge

    "Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane... more

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    Universitätsbibliothek Freiburg
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    GE 2014/5301
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    Thüringer Universitäts- und Landesbibliothek
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    ANG:HG:554:Par::2013
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    Thüringer Universitäts- und Landesbibliothek
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    2019 A 1493
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    Universitätsbibliothek Vechta
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    DXGw8919 = 447521
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    "Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'"

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107644076; 9780521767118
    RVK Categories: HL 1223 ; HL 2465 ; HL 4385 ; HL 4905
    Edition: First paperback edition
    Series: Cambridge Studies in Romanticism ; 87
    Subjects: Wordsworth, William; Coleridge, Samuel Taylor; Shelley, Percy Bysshe; Drama; ; Wordsworth, William; ; Coleridge, Samuel Taylor; Tragödie; ; Shelley, Percy Bysshe;
    Scope: X, 300 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 286-295
  5. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

  6. Romantic tragedies
    the dark employments of Wordsworth, Coleridge, and Shelley
    Author: Parker, Reeve
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    "Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 805286
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    Staats- und Universitätsbibliothek Bremen
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2011 A 7216
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Jg 555 e
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    Universitätsbibliothek Heidelberg
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    2011 A 4616
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bp 3165
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    "Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521767113; 9780521767118
    Other identifier:
    9780521767118
    RVK Categories: HL 1223 ; HL 1131
    Edition: 1. publ.
    Series: Cambridge studies in romanticism ; 87
    Subjects: Wordsworth, William; Coleridge, Samuel Taylor; Shelley, Percy Bysshe; Drama;
    Other subjects: Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834); Shelley, Percy Bysshe (1792-1822)
    Scope: X, 300 S., Ill.
    Notes:

    Machine generated contents note: Part I. Wordsworth: 1. Reading Wordsworth's power: narrative and usurpation in The Borderers; 2. Cradling French Macbeth: managing the art of second-hand Shakespeare; 3. 'In some sort seeing with my proper eyes': Wordsworth and the spectacles of Paris; 4. Drinking up whole rivers: facing Wordsworth's watery discourse; Part II. Coleridge and Shelley: 5. Osorio's dark employments: tricking out Coleridgean tragedy; 6. Listening to remorse: assuming man's infirmities; 7. Reading Shelley's delicacy.

    Literaturverz.: S. 286 - 295