Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 4 of 4.

  1. <<The>> musical legacy of wartime France
    Author: Sprout, Leslie A
    Published: 2013
    Publisher:  University of California Press, Berkeley ; Los Angeles ; London

    For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II. (Klappentext)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520275300; 9780520955271
    RVK Categories: LQ 82207
    Series: California studies in 20th century music ; 16
    Subjects: Music; World War, 1939-1945
    Scope: XXIII, 280 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index
  2. The musical legacy of wartime France
    Author: Sprout, Leslie A.
    Published: 2013
    Publisher:  University of California Press, Berkeley ; Oxford University Press, Oxford

    Music mattered to the three forces competing for political authority in France during the Second World War. German occupying authorities promoted German music at the expense of the French, while the Vichy administration pursued projects of national... more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    Music mattered to the three forces competing for political authority in France during the Second World War. German occupying authorities promoted German music at the expense of the French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520955271
    Other identifier:
    Series: California studies in 20th-century music ; 16
    Subjects: Musik; Zweiter Weltkrieg <Motiv>; Music; World War, 1939-1945
    Scope: 1 Online-Ressource (xxiii, 280 pages), Illustrations (black and white), music.
    Notes:

    Includes bibliographical references and index
  3. The musical legacy of wartime France
    Author: Sprout, Leslie A.
    Published: 2013
    Publisher:  University of California Press, Berkeley ; Los Angeles ; London

    For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the... more

    Location:
    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    Signature:
    LQ 82207 S771
    Inter-library loan:
    No inter-library loan

     

    For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Durufle's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell - in textbooks, program notes, liner notes, historical monographs, and biographies - about music, France, and World War II. (Klappentext)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520275300; 9780520955271
    RVK Categories: LQ 82207
    Series: California studies in 20th century music ; 16
    Subjects: Music; World War, 1939-1945; Zweiter Weltkrieg <Motiv>; Musik
    Scope: XXIII, 280 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index
  4. The musical legacy of wartime France
    Author: Sprout, Leslie A.
    Published: 2013
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520955277; 9780520955271
    RVK Categories: LQ 82207
    Subjects: MUSIC / Genres & Styles / International; MUSIC / Genres & Styles / Classical; Music; Music and war; Musik; Weltkrieg (1939-1945); Music; World War, 1939-1945; Zweiter Weltkrieg <Motiv>; Musik
    Scope: 1 online resource (xxiii, 280 pages), illustrations, music
    Notes:

    Description based on print version record

    Music mattered to the three forces competing for political authority in France during the Second World War. German occupying authorities promoted German music at the expense of the French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works