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  1. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511820496
    Other identifier:
    RVK Categories: LR 56800 ; LR 56806
    Series: New perspectives in music history and criticism ; 21
    Subjects: Musik; Music / Philosophy and aesthetics; Music / Germany / 19th century / History and criticism; Music / Germany / 20th century / History and criticism; Music and philosophy; Ausdruck; Tiefe <Motiv>; Musiktheorie
    Other subjects: Schumann, Robert (1810-1856); Schönberg, Arnold (1874-1951); Wagner, Richard (1813-1883); Schenker, Heinrich (1868-1935); Marx, Adolf Bernhard (1795-1866); Hoffmann, E. T. A. (1776-1822)
    Scope: 1 Online-Ressource (xii, 335 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press)

    From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

  2. Metaphors of Depth in German Musical Thought
    From E. T. A. Hoffmann to Arnold Schoenberg
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511820496
    Other identifier:
    RVK Categories: LR 56800 ; LR 56806
    Edition: Online-Ausg.
    Series: New perspectives in music history and criticism ; 21
    Subjects: Music; Music and philosophy; Music; Music; Music ; Philosophy and aesthetics; Music ; Germany ; 19th century ; History and criticism; Music ; Germany ; 20th century ; History and criticism; Music and philosophy
    Other subjects: Array; Array; Array; Music and philosophy
    Scope: Online-Ressource (1 online resource (350 p.)), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  3. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511820496
    Other identifier:
    RVK Categories: LR 56800 ; LR 56806
    Series: New perspectives in music history and criticism ; 21
    Subjects: Musik; Music / Philosophy and aesthetics; Music / Germany / 19th century / History and criticism; Music / Germany / 20th century / History and criticism; Music and philosophy; Ausdruck; Tiefe <Motiv>; Musiktheorie
    Other subjects: Schumann, Robert (1810-1856); Schönberg, Arnold (1874-1951); Wagner, Richard (1813-1883); Schenker, Heinrich (1868-1935); Marx, Adolf Bernhard (1795-1866); Hoffmann, E. T. A. (1776-1822)
    Scope: 1 Online-Ressource (xii, 335 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press)

    From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

  4. Metaphors of Depth in German Musical Thought
    From E. T. A. Hoffmann to Arnold Schoenberg
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From... more

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
    E-Book CUP HSFK
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    No loan of volumes, only paper copies will be sent

     

    What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511820496
    Other identifier:
    RVK Categories: LR 56800 ; LR 56806
    Edition: Online-Ausg.
    Series: New perspectives in music history and criticism ; 21
    Subjects: Music; Music and philosophy; Music; Music; Music ; Philosophy and aesthetics; Music ; Germany ; 19th century ; History and criticism; Music ; Germany ; 20th century ; History and criticism; Music and philosophy
    Other subjects: Array; Array; Array; Music and philosophy
    Scope: Online-Ressource (1 online resource (350 p.)), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  5. Metaphors of depth in German musical thought
    from E.T.A. Hoffmann to Arnold Schoenberg
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge

    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "This series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and aims to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible and which provide a basis for argument about judgements of value. The intellectual scope of the series is broad. Some investigations will treat, for example, historiographical topics, others will apply cross-disciplinary methods to the criticism of music, and there will also be studies which consider music in its relation to society, culture, and politics. Overall, the series hopes to create a greater presence for music in the ongoing discourse among the human sciences"-- "What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E.T.A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation"-- From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs.

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511820496; 1139145347; 9781139145343; 9780511820496
    Series: New perspectives in music history and criticism
    Subjects: Music; Music; Music and philosophy; Music; MUSIC ; Genres & Styles ; International; Music and philosophy; Music; Music ; Philosophy and aesthetics; Musiktheorie; Tiefe; Ausdruck; Musikästhetik; Tiefe; Motiv (Musik); Criticism, interpretation, etc
    Other subjects: Schenker, Heinrich; Schönberg, Arnold; Schumann, Robert; Wagner, Richard; Marx, Adolf Bernhard
    Scope: 1 Online-Ressource (xii, 335 pages), illustrations
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. From the mine to the shrine: the critical origins of musical depth; 2. Adolf Bernhard Marx and the inner life of music; 3. Robert Schumann and poetic depth; 4. Richard Wagner and the depths of time; 5. Heinrich Schenker and the apotheosis of musical depth; 6. Schoenberg's interior designs; Bibliography