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  1. T.S. Eliot
    the poems
    Author: Scofield, Martin
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the prose criticism, are discussed in detail and placed in relation to the development of Eliot's œuvre, and more briefly to his life and a wider context of philosophical and religious enquiry. In sections devoted to each major poem or group of poems, Martin Scofield examines Eliot's techniques of personae or masks; his use of musical effects; the tension between fragmentation and cohesion in The Waste Land and other verse; the place in his work of symbolism and imagism, as well as less explored elements such as surrealism and comedy; the relevance to his poetry of concepts worked out in his critical writing; and the criticism of his 'poetic workshop', those essays on other poets which he saw as part of the development of his own verse. One recurring theme in the study is the poetic treatment of the relationship (often conflict) between experience in life and experience in art; another is the relation between Eliot's beliefs and his poetry, and between poetry and belief in general. Eliot in his finest poems is seen above all as a poet of what he called 'the first voice', 'oppressed by the burden which he must bring to birth'. The book concludes with a detailed and helpful study of Four Quartets: here as elsewhere Martin Scofield is concerned to look first of all at the texture of the verse and the qualities of the poetic 'surface', while clarifying obscurities and explaining allusions where appropriate. Both students and general readers will find his book informative and his commitment to the poetry infectious.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553752
    RVK Categories: HM 2455
    Series: British and Irish authors
    Subjects: Lyrik
    Other subjects: Eliot, T. S. (1888-1965)
    Scope: 1 Online-Ressource (viii, 264 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. T.S. Eliot
    the poems
    Author: Scofield, Martin
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the prose criticism, are discussed in detail and placed in relation to the development of Eliot's œuvre, and more briefly to his life and a wider context of philosophical and religious enquiry. In sections devoted to each major poem or group of poems, Martin Scofield examines Eliot's techniques of personae or masks; his use of musical effects; the tension between fragmentation and cohesion in The Waste Land and other verse; the place in his work of symbolism and imagism, as well as less explored elements such as surrealism and comedy; the relevance to his poetry of concepts worked out in his critical writing; and the criticism of his 'poetic workshop', those essays on other poets which he saw as part of the development of his own verse. One recurring theme in the study is the poetic treatment of the relationship (often conflict) between experience in life and experience in art; another is the relation between Eliot's beliefs and his poetry, and between poetry and belief in general. Eliot in his finest poems is seen above all as a poet of what he called 'the first voice', 'oppressed by the burden which he must bring to birth'. The book concludes with a detailed and helpful study of Four Quartets: here as elsewhere Martin Scofield is concerned to look first of all at the texture of the verse and the qualities of the poetic 'surface', while clarifying obscurities and explaining allusions where appropriate. Both students and general readers will find his book informative and his commitment to the poetry infectious Aspects of the life of the poet -- Early poetic influences and criticism, and Poems written in early youth -- Prufrock and other observations (1917) -- Poetic theory and poetic practice -- Poems (1920) -- The waste land (1922) -- From The hollow men (1925) to 'Marina' (1930) -- Poetry, pattern and belief -- From Coriolan (1931) to 'Burnt Norton' (1936) -- 'Burnt Norton' (1936) and the pattern for Four quartets -- The wartime quartets (1940-2)

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553752
    Other identifier:
    Series: British and Irish authors
    Subjects: Eliot, T. S ; (Thomas Stearns) ; 1888-1965 ; Criticism and interpretation
    Other subjects: Eliot, T. S (1888-1965)
    Scope: 1 Online-Ressource (viii, 264 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. T.S. Eliot
    the poems
    Author: Scofield, Martin
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the... more

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    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the prose criticism, are discussed in detail and placed in relation to the development of Eliot's œuvre, and more briefly to his life and a wider context of philosophical and religious enquiry. In sections devoted to each major poem or group of poems, Martin Scofield examines Eliot's techniques of personae or masks; his use of musical effects; the tension between fragmentation and cohesion in The Waste Land and other verse; the place in his work of symbolism and imagism, as well as less explored elements such as surrealism and comedy; the relevance to his poetry of concepts worked out in his critical writing; and the criticism of his 'poetic workshop', those essays on other poets which he saw as part of the development of his own verse. One recurring theme in the study is the poetic treatment of the relationship (often conflict) between experience in life and experience in art; another is the relation between Eliot's beliefs and his poetry, and between poetry and belief in general. Eliot in his finest poems is seen above all as a poet of what he called 'the first voice', 'oppressed by the burden which he must bring to birth'. The book concludes with a detailed and helpful study of Four Quartets: here as elsewhere Martin Scofield is concerned to look first of all at the texture of the verse and the qualities of the poetic 'surface', while clarifying obscurities and explaining allusions where appropriate. Both students and general readers will find his book informative and his commitment to the poetry infectious

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553752
    Other identifier:
    RVK Categories: HM 2455
    Series: British and Irish authors
    Subjects: Lyrik
    Other subjects: Eliot, T. S. / (Thomas Stearns) / 1888-1965 / Criticism and interpretation; Eliot, T. S. (1888-1965)
    Scope: 1 online resource (viii, 264 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Aspects of the life of the poet -- Early poetic influences and criticism, and Poems written in early youth -- Prufrock and other observations (1917) -- Poetic theory and poetic practice -- Poems (1920) -- The waste land (1922) -- From The hollow men (1925) to 'Marina' (1930) -- Poetry, pattern and belief -- From Coriolan (1931) to 'Burnt Norton' (1936) -- 'Burnt Norton' (1936) and the pattern for Four quartets -- The wartime quartets (1940-2)
  4. T.S. Eliot
    the poems
    Author: Scofield, Martin
    Published: 1988
    Publisher:  Cambridge University Press, Cambridge

    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    This book is designed to provide a comprehensive and stimulating introduction to T. S. Eliot's poetry for those reading and studying it. The poems, as well as some of the poetic drama (particularly Sweeney Agonistes) and relevant sections of the prose criticism, are discussed in detail and placed in relation to the development of Eliot's œuvre, and more briefly to his life and a wider context of philosophical and religious enquiry. In sections devoted to each major poem or group of poems, Martin Scofield examines Eliot's techniques of personae or masks; his use of musical effects; the tension between fragmentation and cohesion in The Waste Land and other verse; the place in his work of symbolism and imagism, as well as less explored elements such as surrealism and comedy; the relevance to his poetry of concepts worked out in his critical writing; and the criticism of his 'poetic workshop', those essays on other poets which he saw as part of the development of his own verse. One recurring theme in the study is the poetic treatment of the relationship (often conflict) between experience in life and experience in art; another is the relation between Eliot's beliefs and his poetry, and between poetry and belief in general. Eliot in his finest poems is seen above all as a poet of what he called 'the first voice', 'oppressed by the burden which he must bring to birth'. The book concludes with a detailed and helpful study of Four Quartets: here as elsewhere Martin Scofield is concerned to look first of all at the texture of the verse and the qualities of the poetic 'surface', while clarifying obscurities and explaining allusions where appropriate. Both students and general readers will find his book informative and his commitment to the poetry infectious Aspects of the life of the poet -- Early poetic influences and criticism, and Poems written in early youth -- Prufrock and other observations (1917) -- Poetic theory and poetic practice -- Poems (1920) -- The waste land (1922) -- From The hollow men (1925) to 'Marina' (1930) -- Poetry, pattern and belief -- From Coriolan (1931) to 'Burnt Norton' (1936) -- 'Burnt Norton' (1936) and the pattern for Four quartets -- The wartime quartets (1940-2)

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511553752
    Other identifier:
    Series: British and Irish authors
    Subjects: Eliot, T. S ; (Thomas Stearns) ; 1888-1965 ; Criticism and interpretation
    Other subjects: Eliot, T. S (1888-1965)
    Scope: 1 Online-Ressource (viii, 264 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)