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  1. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    Universität Frankfurt, Elektronische Ressourcen
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    RVK Categories: HM 1071 ; HM 1132
    Scope: 1 Online-Ressource (ix, 187 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    Other identifier:
    RVK Categories: HM 1071 ; HM 1132
    Subjects: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Scope: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    Other identifier:
    RVK Categories: HM 1071 ; HM 1132 ; HM 1139
    Subjects: English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; Culture conflict / Great Britain; Culture conflict in literature; Englisch; Literatur; Kulturkonflikt; Moderne
    Scope: 1 online resource (ix, 187 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history
  4. Modernism and cultural conflict, 1880-1922
    Author: Ardis, Ann L.
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... more

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
    Export to reference management software   RIS file
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511484971
    Other identifier:
    RVK Categories: HM 1071 ; HM 1132
    Subjects: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Scope: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)