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  1. The all-sustaining air
    romantic legacies and renewals in British, American, and Irish poetry since 1900
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    O'Neill's study provides sensitive close readings of poets publishing since 1900, including Yeats, Eliot, Stevens, Heaney Hill and Hughes. He shows that Romantic poetry is a dominant presence in their poems. The book will interest those who enjoy the... more

    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    O'Neill's study provides sensitive close readings of poets publishing since 1900, including Yeats, Eliot, Stevens, Heaney Hill and Hughes. He shows that Romantic poetry is a dominant presence in their poems. The book will interest those who enjoy the exploration of poetry's attempt to deal with major human and cultural issues.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199299287; 9780191715099 (Sekundärausgabe)
    Other identifier:
    RVK Categories: HM 1133 ; HG 530 ; HM 1191
    Subjects: Englisch; Lyrik; Rezeption; Romantik
    Scope: viii, 208 p.
    Notes:

    Includes bibliographical references and index

    Online-Ausg.:

  2. The all-sustaining air
    romantic legacies and renewals in British, American, and Irish poetry since 1900
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even fractured nature of Romantic legacies, Michael O'Neill focuses on the creative impact of Romantic poetry on twentieth- and twenty-first century poetry. Individual chapters embrace numerous authors and texts, and span differentcultures; the intention is not the forlorn hope of completeness, but the wish to open up possibilities and intersections, and there

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0199299285; 9780199299287
    Subjects: Romanticism; Romanticism; American poetry; English poetry; English poetry
    Scope: Online-Ressource (viii, 208 p), 24 cm
    Notes:

    Includes bibliographical references (p. [192]-202) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Note on Texts; Introduction: 'Original Response'; 1. 'The All-Sustaining Air': Variations on a Romantic Metaphor; 2. 'A Vision of Reality': Mid-to-Late Yeats; 3. 'Dialectic Ways': T. S. Eliot and Counter-Romanticism; 4. 'The Guts of the Living': Auden and Spender in the 1930s; 5. 'The Death of Satan': Stevens's 'Esthétique du Mal', Evil, and the Romantic Imagination; 6. 'Shining in Modest Glory': Post-Romantic Strains in Kavanagh, Heaney, Mahon, Carson, and Others; 7. 'Just Another Twist in the Plot': Paul Muldoon's 'Madoc: A Mystery'

    8. 'Deep Shocks of Recognition' and 'Gutted' Romanticism: Geoffrey Hill and Roy FisherBibliography; Index