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  1. After Debussy
    music, language, and the margins of philosophy
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    LR 56800 joh 2020
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    295.935
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190066826
    RVK Categories: LR 56800
    Subjects: Rezeption; Musik; Philosophie; Französisch; Literatur
    Other subjects: Debussy, Claude (1862-1918)
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele
  2. After Debussy
    music, language, and the margins of philosophy
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or... more

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Philosophie, Bibliothek
    No inter-library loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan

     

    Focusing on the music of Debussy and its legacy in the century since his death, 'After Debussy' offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190066826
    RVK Categories: LP 91692
    Subjects: Music / Philosophy and aesthetics; Music and language; Literatur; Rezeption; Ästhetik; Französisch; Phänomenologie; Sprache; Musik
    Other subjects: Debussy, Claude / 1862-1918 / Criticism and interpretation; Debussy, Claude (1862-1918)
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele (schwarz-weiß)
    Notes:

    Includes bibliographical references and index

  3. After Debussy
    music, language, and the margins of philosophy
    Published: [2020]
    Publisher:  Oxford University Press, New York

    Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head.... more

    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    LP 91692 J66
    No inter-library loan
    Hochschule für Musik Detmold, Bibliothek
    BM 800 DebuC 7:2
    Loan of volumes, no copies
    Universitätsbibliothek Dortmund
    MUH 100/57
    No loan of volumes, only paper copies will be sent
    Universitäts- und Landesbibliothek Münster
    3K 87685
    Unlimited inter-library loan, copies and loan

     

    Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound overquasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem ofcontemporary thought—the gap between language and our embodied relation to the world—but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody keyideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190066826
    Subjects: Literatur; Philosophie; Rezeption; Französisch; Musik
    Other subjects: Debussy, Claude (1862-1918); 20th century & contemporary classical music; Philosophy: aesthetics
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele
  4. After Debussy
    music, language, and the margins of philosophy
    Published: [2020]
    Publisher:  Oxford University Press, New York

    Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head.... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Hochschule für Musik Detmold, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Dortmund
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan

     

    Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound overquasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem ofcontemporary thought—the gap between language and our embodied relation to the world—but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody keyideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780190066826
    Subjects: 20th century & contemporary classical music; Philosophy: aesthetics
    Scope: xix, 373 Seiten, Illustrationen, Notenbeispiele