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  1. From sign to signing
    iconicity in language and literature 3
    Contributor: Müller, Wolfgang G.; Fischer, Olga
    Published: 2003
    Publisher:  John Benjamins Pub., Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in 'signed' language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time a.

     
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    Source: Union catalogues
    Contributor: Müller, Wolfgang G.; Fischer, Olga
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027296313; 9027296316
    RVK Categories: ER 740 ; HE 100
    Subjects: Zeichen; Sprachzeichen; Gebärdensprache; Gestik; Ikon; Poetizität; Semiotik; Literatur; Motivierung <Linguistik>; Iconicity (Linguistics); Philology; Sign language; Semiotics; LANGUAGE ARTS & DISCIPLINES; Iconicity (Linguistics); Philology; Semiotics; Sign language
    Scope: 1 Online-Ressource (xiii, 441 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and indexes
  2. From sign to signing
    iconicity in language and literature 3
    Published: c2003
    Publisher:  John Benjamins Pub, Amsterdam

    This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in 'signed' language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time a

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789027296313; 9027296316
    Corporations / Congresses:
    Symposium on Iconicity in Language and Literature, (3rd, 2001, Jena, Germany)
    Subjects: Iconicity (Linguistics); Philology; Sign language; Semiotics; Iconicité; Philologie; Langage par signes; Signe (Linguistique); Philology; Sign language; Semiotics; Iconicity (Linguistics); Philology; Semiotics; Sign language; Iconiciteit; Taal; Letterkunde; Conference papers and proceedings; LANGUAGE ARTS & DISCIPLINES ; Communication Studies; Iconicity (Linguistics)
    Scope: Online Ressource (xiii, 441 p.), ill.
    Notes:

    " ... a selection of papers that were originally given at the Third Symposium on Iconicity in Language and Literature organized by the University of Jena in co-operation wih the University of Amsterdam and the University of Zurich and held at Jena, 29-31 March, 2001"--Pref. - Includes bibliographical references and indexes. - Description based on print version record
  3. From sign to signing
    iconicity in language and literature 3
    Published: ©2003
    Publisher:  John Benjamins Pub., Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1588112888; 9027225931; 9027296316; 9789027225931; 9789027296313
    Corporations / Congresses:
    Symposium on Iconicity in Language and Literature < 2001, Jena, Germany> (Verfasser)
    Subjects: Iconicité / Congrès; Philologie / Congrès; Langage par signes / Congrès; Signe (Linguistique) / Congrès; LANGUAGE ARTS & DISCIPLINES / Communication Studies; Iconicity (Linguistics); Philology; Semiotics; Sign language; Iconiciteit; Taal; Letterkunde; Literatur; Iconicity (Linguistics); Philology; Sign language; Semiotics; Ikon
    Scope: 1 Online-Ressource (xiii, 441 pages)
    Notes:

    " ... a selection of papers that were originally given at the Third Symposium on Iconicity in Language and Literature organized by the University of Jena in co-operation wih the University of Amsterdam and the University of Zurich and held at Jena, 29-31 March, 2001"--Preface

    Includes bibliographical references and indexes

    Introduction : from signing back to signs / Olga Fischer and Wolfgang G. Müller -- The influence of sign language iconicity on semantic conceptualization / Klaudia Grote and Erika Linz -- What you see is what you get : iconicity and metaphor in the visual language of written and signed poetry : a cognitive poetic approach / William J. Herlofsky -- Spatial iconicity in two English verb classes / Axel Hübler -- What imitates birdcalls? : two experiments on birdcalls and their linguistic representations / Keiko Masuda -- Perspective in experimental shaped poetry : a semiotic approach / John J. White -- Where reading peters out : iconic images in the entropic text / Julian Moyle -- Iconic representation of space and time in Vladimir Sorokin's novel The queue (Ochered') / Andreas Ohme -- "Vision and prayer" : Dylan Thomas and the power of X / Matthias Bauer -- Diagrams in narrative : visual strategies in contemporary fiction / Christina Ljungberg -- The iconicity of Afrikaans reduplication / C. Jac Conradie -- Diagrammatic iconicity in the lexicon : base and derivation in the history of German verbal word-formation / Volker Harm -- Creative syntax : iconic principles within the symbolic / Beate Hampe and Doris Schönefeld -- Aspects of grammatical iconicity in English / Guenter Rohdenburg -- Beatrice, or, The geometry of love / Wilhelm Pötters -- How metaphor and iconicity are entwined in poetry : a case in haiku / Masako K. Hiraga -- Intermedial iconicity in fiction : tema con variazioni / Werner Wolf -- Iconicity and literary translation / Elżbieta Tabakowska -- Iconizing literature / Jorgen Dines Johansen -- From signal to symbol : towards a systems typology of linguistic signs / Piotr Sadowski

    This volume, a sequel to Form Miming Meaning (1999) and The Motivated Sign (2001), offers a selection of papers given at the Third International Symposium on Iconicity in Language and Literature (Jena 2001). The studies collected here present a number of new departures. Special consideration is given to the way non-linguistic visual and auditory signs (such as gestures and bird sounds) are represented in language, and more specifically in 'signed' language, and how such signs influence semantic conceptualization. Other studies examine more closely how visual signs and representations of time a