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  1. The modernist screenplay
    experimental writing for silent film
    Author: Ksenofontova, Alexandra
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays--the modernist screenplays--challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two

     
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030505882; 303050588X
    Series: Palgrave studies in screenwriting
    Subjects: Motion picture plays; Motion picture authorship; Silent films; Modernism (Literature); Motion pictures and literature; Modernism (Literature); Motion picture authorship; Motion picture plays; Motion pictures and literature; Silent films; Criticism, interpretation, etc; History
    Scope: xi, 241 pages, illustrations (some colour), 22 cm
    Notes:

    Includes bibliographical references and index
  2. The modernist screenplay
    experimental writing for silent film
    Author: Ksenofontova, Alexandra
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 156489
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplays comes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays--the modernist screenplays--challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030505882; 303050588X
    Series: Palgrave studies in screenwriting
    Subjects: Motion picture plays; Motion picture authorship; Silent films; Modernism (Literature); Motion pictures and literature; Modernism (Literature); Motion picture authorship; Motion picture plays; Motion pictures and literature; Silent films; Criticism, interpretation, etc; History
    Scope: xi, 241 pages, illustrations (some colour), 22 cm
    Notes:

    Includes bibliographical references and index