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  1. Futures of Chinese cinema
    technologies and temporalities in Chinese screen cultures
    Published: 2009
    Publisher:  Intellect, Bristol, UK ; ; EBSCO Industries, Inc., Birmingham, AL, USA

    "With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. For the first time, scholars from film studies, media studies, history and sociology have been brought together in their focus on the concepts of technology and temporality in these films. The book is innovative in its approach by arguing for a broadening of Chinese screen cultures to account for new technologies of screening--from computers and digital video to smaller screens (including mobile phones). It also examines time and technology in both popular blockbusters and independent, art films"--Provided by publisher.

     

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    Source: Union catalogues
    Contributor: Khoo, Olivia; Metzger, Sean
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781841503455; 1841503452
    Subjects: Film
    Scope: 1 Online-Ressource (292 pages), Illustrations
    Notes:

    Includes bibliographical references and index

  2. Futures of Chinese cinema
    technologies and temporalities in Chinese screen cultures
    Published: 2009
    Publisher:  Intellect, Bristol, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 184150274X; 1841503452; 9781841502748; 9781841503455
    Subjects: DRAMA.; Motion picture locations; Motion pictures; Film; Geschichte; Gesellschaft; Motion pictures; Motion pictures; Motion picture industry; Technik; Film
    Scope: 1 Online-Ressource (292 pages)
    Notes:

    Includes bibliographical references and index

    Celebratory screens: Chinese cinema in the new millennium -- Island of no return: cinematic narration as retrospection in Wang Tong and new Taiwan cinema -- Socialist geographies, internationalist temporalities and travelling film technologies: Sino-Soviet film exchange in the 1950s and 1960s -- Hong Kong ghost in the Japanese shell? Cross-racial performance and transnational Chinese cinema -- Jia Zhangke and the temporality of postsocialist Chinese cinema: in the now (and then) -- From BitTorrent piracy to creative industries: Hong Kong cinema emptied out -- Genre film, media corporations and the commercialization of the Chinese film industry: the case of 'new year comedies' -- Demand for cultural representation: emerging independent film and video on lesbian desires -- The queer space of China: expressive desire in Stanley Kwan's Lan Yu -- Saving Face, or the future perfect of queer Chinese/American cinema? -- Remaking the past, interrupting the present: the spaces of technology and futurity in contemporary Chinese blockbusters -- Multiple-screen realities

    "With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. For the first time, scholars from film studies, media studies, history and sociology have been brought together in their focus on the concepts of technology and temporality in these films. The book is innovative in its approach by arguing for a broadening of Chinese screen cultures to account for new technologies of screening--from computers and digital video to smaller screens (including mobile phones). It also examines time and technology in both popular blockbusters and independent, art films"--Provided by publisher

  3. Futures of Chinese cinema
    technologies and temporalities in Chinese screen cultures
    Contributor: Khoo, Olivia (Hrsg.); Metzger, Sean (Hrsg.)
    Published: 2009
    Publisher:  Intellect, Bristol, UK

    "With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "With the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. For the first time, scholars from film studies, media studies, history and sociology have been brought together in their focus on the concepts of technology and temporality in these films. The book is innovative in its approach by arguing for a broadening of Chinese screen cultures to account for new technologies of screening--from computers and digital video to smaller screens (including mobile phones). It also examines time and technology in both popular blockbusters and independent, art films"--Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Khoo, Olivia (Hrsg.); Metzger, Sean (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781841503455; 1841503452
    Subjects: Motion pictures; Motion pictures; Motion picture industry; Motion pictures; Motion pictures; Motion picture industry; Motion picture industry; Motion pictures; Motion pictures ; Social aspects; Performing Arts; DRAMA; History
    Scope: Online Ressource (292 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record