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  1. The flesh made word
    female figures and women's bodies
    Published: 2010
    Publisher:  Oxford University Press, New York

    Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, Trollope, and Hardy, Michie discusses the codes and taboos which distance the reader from the female body, allowing 'safe' bodily parts - like hands - and 'safe' physical... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, Trollope, and Hardy, Michie discusses the codes and taboos which distance the reader from the female body, allowing 'safe' bodily parts - like hands - and 'safe' physical activities - like eating - to stand for other, unspeakable aspects of female physicality. She reveals how these codes function as safe textual spaces for the entrance of the seemingly excluded female body, and shows that in the stylized discourses of synecdoche, euphemism, physiognomy, and metaphor lie the possibilities of their own subversion

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423764226; 9781423764229; 1601297459; 9781601297457; 128052426X; 9781280524264
    Subjects: English literature; Littérature anglaise; Femmes dans la littérature; Corps humain dans la littérature; Femmes dans l'art; Peinture victorienne; Women in literature; Human body in literature; Women in art; Painting, Victorian; Feminism and literature; English literature; Corps humain dans la littérature; English literature; Femmes dans l'art; Femmes dans la littérature; Littérature anglaise; Peinture victorienne; Feminism and literature; Human body in literature; Painting, Victorian; Women in art; Women in literature; English literature; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Letterkunde; Vrouwen; Engels; Criticism, interpretation, etc
    Scope: Online Ressource (179 p.), ill.
    Notes:

    Includes bibliographical references (p. 167-174) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  2. The flesh made word
    female figures and women's bodies
    Published: 1987
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, Trollope, and Hardy, Michie discusses the codes and taboos which distance the reader from the female body, allowing 'safe' bodily parts - like hands - and 'safe' physical... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, Trollope, and Hardy, Michie discusses the codes and taboos which distance the reader from the female body, allowing 'safe' bodily parts - like hands - and 'safe' physical activities - like eating - to stand for other, unspeakable aspects of female physicality. She reveals how these codes function as safe textual spaces for the entrance of the seemingly excluded female body, and shows that in the stylized discourses of synecdoche, euphemism, physiognomy, and metaphor lie the possibilities of their own subversion.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1423764226; 9781423764229; 1601297459; 9781601297457; 128052426X; 9781280524264
    RVK Categories: HL 1101
    Subjects: Körper; Frau; Englisch; Literatur
    Scope: 1 Online-Ressource (179 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 167-174) and index

  3. The flesh made word
    female figures and women's bodies
    Published: 1987
    Publisher:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195041070; 128052426X; 1423764226; 1601297459; 9780195041071; 9781280524264; 9781423764229; 9781601297457
    RVK Categories: MS 2850
    Subjects: Littérature anglaise / 19e siècle / Histoire et critique; Femmes dans la littérature; Corps humain dans la littérature; Femmes dans l'art; Peinture victorienne; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Letterkunde; Vrouwen; Engels; Englisch; Frau; Literatur; English literature; Women in literature; Human body in literature; Women in art; Painting, Victorian; Feminism and literature; Körper; Englisch; Frau; Literatur
    Scope: 1 Online-Ressource (179 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 167-174) and index

    Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, Trollope, and Hardy, Michie discusses the codes and taboos which distance the reader from the female body, allowing 'safe' bodily parts - like hands - and 'safe' physical activities - like eating - to stand for other, unspeakable aspects of female physicality. She reveals how these codes function as safe textual spaces for the entrance of the seemingly excluded female body, and shows that in the stylized discourses of synecdoche, euphemism, physiognomy, and metaphor lie the possibilities of their own subversion