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  1. Waking giants
    the presence of the past in modernism
    Author: Schneidau, Herbert N.
    Published: 1991
    Publisher:  Oxford University Press, New York

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195068629; 1280440864; 1423737091; 1601298129; 9780195068627; 9781280440861; 9781423737094; 9781601298126
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; American literature; Modernism (Literature); Modernism (Literature); History in literature; Memory in literature; Vergangenheit; Vergangenheit <Motiv>; Lyrik; Literatur; Englisch
    Other subjects: Anderson, Sherwood (1876-1941): Winesburg, Ohio; Pound, Ezra (1885-1972): The cantos; Forster, E. M. (1879-1970): Howards End; Joyce, James (1882-1941): Ulysses; Conrad, Joseph (1857-1924): The secret agent; Hardy, Thomas (1840-1928)
    Scope: 1 Online-Ressource (xi, 279 p.)
    Notes:

    Includes bibliographical references and index

    Century's corpse outleant : Hardy and modernism -- Safe as houses : Forster as Cambridge anthropologist -- Primal scene in the Secret agent : sex and violence in the nightmare universe -- Personal past recaptured : Anderson & Sons -- Ezra Pound : the archaeology of the immanent

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H.
  2. Waking giants
    the presence of the past in modernism
    Published: 1991
    Publisher:  Oxford University Press, New York

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H

     
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  3. Waking giants
    the presence of the past in modernism
    Author: Schneidau, Herbert N.
    Published: 1991
    Publisher:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    This is a study of the most paradoxical aspect of modernism, its obsession with the past. Eliot wrote that the artist must be conscious "not only of the pastness of the past, but of its presence." This creed permeated the movement: Modernists believed that the energies of the past could be resurrected in modern works, and that they could be the very force that makes those works modern: the urge of Pound and others to "make it new" stemmed from seeing the past as a source of renewal. Schneidau focuses on separate texts that incorporate these concepts: Joyce's Ulysses, Hardy's poems, Forster's H.

     
    Export to reference management software   RIS file
      BibTeX file