This book focuses on adaptations in and of nineteenth-century France, assessing the reworking of Emile Zola in radio, Honore de Balzac in silent cinema, Gustave Flaubert in contemporary fiction, Victor Hugo in musical theatre, Guy de Maupassant in...
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Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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This book focuses on adaptations in and of nineteenth-century France, assessing the reworking of Emile Zola in radio, Honore de Balzac in silent cinema, Gustave Flaubert in contemporary fiction, Victor Hugo in musical theatre, Guy de Maupassant in television and Jules Verne in sound film. Intro -- Series Editors' Preface -- Acknowledgements -- Introduction -- Labyrinths of Voices: Emile Zola, Germinal and Radio -- Diamond Thieves and Gold Diggers: Balzac, Silent Cinema and the Spoils of Adaptation -- Fragmented Fictions: Time, Textual Memory and the (Re)Writing of Madame Bovary -- Les Misérables, Theatre and the Anxiety of Excess -- Chez Maupassant: The (In)Visible Space of Television Adaptation -- Le Tour du monde en quatre-vingts jours: Verne,Todd, Coraci and the Spectropoetics of Adaptation -- Conclusion -- Bibliography -- Index.
