The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection In Charles Tomlinson and the Objective Tradition, Richard Swigg examines the...
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The poetry of Charles Tomlinson is distinguished by its respect for the world as objective fact - as set apart from human mythmaking, symbolizing, and egotistic projection In Charles Tomlinson and the Objective Tradition, Richard Swigg examines the amazingly versatile speech and relationship that Tomlinson has brought to the concreteness of nature and city from the early poems of the 1940s up to the late 1980s by assessing the achievement within an Anglo-American tradition of factuality from which Tomlinson has drawn strength and which his work now illuminates Blake's gleaming particularities, Constable's "science" of painting, Ruskin's visual energy, Emerson's and Wordsworth's delight in humble solidities, Whitman's celebration of American facts - all belong to the lineage that, as Tomlinson's poetry reveals, takes on new expression in the modernism of Wallace Stevens and Marianne Moore
