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  1. OurSpace
    resisting the corporate control of culture
    Author: Harold, Christine
    Published: c2007
    Publisher:  University of Minnesota Press, Minneapolis

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816649549; 0816649545; 9780816649556; 0816649553
    RVK Categories: AP 14450
    Subjects: Politik; Rhetoric; Mass media and culture; Marketing; Konsumgesellschaft; Protestbewegung; Verbraucherverhalten; Massenmedien; Multinationales Unternehmen
    Scope: xxxiii, 190 p.
    Notes:

    Includes bibliographical references (p. 167-186) and index

    Introduction : the brand politics of consuming publics -- Detours and drifts : situationist international and the art of resistance -- Anti-logos : sabotaging the brand through parody -- Intermezzo : and now a word from our sponsors -- Pranks, rumors, hoaxes : "dressing up" and folding as rhetorical action -- Intermezzo : a sequel -- Pirates and hijackers : creative publics and the politics of "owned culture" -- Inventing publics : kairos and intellectual property law -- Conclusion : from private rights to common goods : OurSpace as a creative commons
  2. OurSpace
    resisting the corporate control of culture
    Author: Harold, Christine
    Published: c2007
    Publisher:  University of Minnesota Press, Minneapolis

    In OurSpace, Christine Harold examines the deployment and limitations of Òculture jammingÓ by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signature:
    e-Book Academic Complete
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    No inter-library loan

    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    No inter-library loan
    Location:
    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
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    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signature:
    eBook ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signature:
    ProQuest
    Inter-library loan:
    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signature:
    E-Books ProQuest Academic
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    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Location:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signature:
    E-Book Proquest
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    No inter-library loan

    Location:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signature:
    eBook ProQuest
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    No inter-library loan

    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    No loan of volumes, only paper copies will be sent

    Location:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signature:
    EBS ProQuest
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    In OurSpace, Christine Harold examines the deployment and limitations of Òculture jammingÓ by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, Harold advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816649556; 0816649545; 9780816649549; 0816649553
    Subjects: Mass media and culture; Rhetoric; Mass media and culture; Rhetoric ; Political aspects; Electronic books
    Scope: Online-Ressource (xxxiii, 190 p), ill, 24 cm
    Notes:

    Includes bibliographical references (p. 167-186) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction: The Brand Politics of Consuming Publics; 1 Detours and Drifts: Situationist International and the Art of Resistance; 2 Anti-Logos: Sabotaging the Brand through Parody; Intermezzo: And Now a Word from Our Sponsors; 3 Pranks, Rumors, Hoaxes: "Dressing Up" and Folding as Rhetorical Action; Intermezzo: A Sequel; 4 Pirates and Hijackers: Creative Publics and the Politics of ""Owned Culture""; 5 Inventing Publics: Kairos and Intellectual Property Law; Conclusion: From Private Rights to Common Goods: OurSpace as a Creative Commons; Notes; Index; A; B; C; D; E

    FG; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
  3. OurSpace
    resisting the corporate control of culture
    Author: Harold, Christine
    Published: 2007
    Publisher:  University of Minnesota Press, Minneapolis

    In OurSpace, Christine Harold examines the deployment and limitations of culture jamming by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

     

    In OurSpace, Christine Harold examines the deployment and limitations of culture jamming by activists. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, Harold advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process. Introduction : the brand politics of consuming publics -- Detours and drifts : situationist international and the art of resistance -- Anti-logos : sabotaging the brand through parody -- Intermezzo : and now a word from our sponsors -- Pranks, rumors, hoaxes : "dressing up" and folding as rhetorical action -- Intermezzo : a sequel -- Pirates and hijackers : creative publics and the politics of "owned culture" -- Inventing publics : kairos and intellectual property law -- Conclusion : from private rights to common goods : OurSpace as a creative commons

     
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