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  1. Photography and ontology
    unsettling images
    Contributor: Brett, Donna West (Publisher); Lusty, Natalya (Publisher)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self,... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity

     

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    Source: Union catalogues
    Contributor: Brett, Donna West (Publisher); Lusty, Natalya (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780815374299; 0815374291
    Series: Routledge history of photography
    Subjects: Ontologie; Fotografie; Rezeption; Ästhetik
    Other subjects: Photography / Philosophy; Ontology
    Scope: viii, 204 Seiten, 26 cm
    Notes:

    Acknowledgements: "This book had its genesis as an international symposium co-presented by the Photographic Cultures Research Group and the Art and the Documents Research Cluster at the University of Sydney in 2016." - Titel des Symposiums: "Photography.Ontology.Symposium." und Datum ermittelt

    Photography and ontology: an introduction / Natalya Lusty and Donna West Brett -- Ontology or metaphor? / Andrés Mario Zervigón -- Unsettling the archive: the Stasi, photography, and escape from the GDR / Donna West Brett -- Dark archive: the afterlife of forensic photographs / Katherine Biber -- Hard looks: faces, bodies, lives in early Sydney police portrait photography / Peter Doyle -- Anticipatory photographs: Sarah Pickering and An-My Lê / Shawn Michelle Smith -- Eli Lotar's para-urban visions / Natalya Lusty -- The presence of video: making the displaced and disappeared self visible / John Di Stefano -- Contemplating life: Rinko Kawauchi's autobiography of seeing / Jane Simon -- Suspending productive time: some photographs by Gabriel Orozco and Jacques Rancière's thinking of modern aesthetics / Toni Ross -- Photography as indexical data: Hans Eijkelboom and pattern recognition algorithms / Daniel Palmer -- Afterword: photography against ontology / Blake Stimson