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Displaying results 1 to 4 of 4.

  1. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Author: Smethurst, James Edward
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina ; EBSCO Industries, Inc., Birmingham, AL, USA

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807878088; 0807878081; 9781469603100; 1469603101
    RVK Categories: HT 1728 ; HU 1728
    Series: The John Hope Franklin series in African American history and culture
    Subjects: Moderne; Literatur; Schwarze; Kultur
    Scope: 1 Online-Ressource (x, 252 pages)
    Notes:

    Includes bibliographical references (pages 231-245) and index
  2. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Author: Smethurst, James Edward
    Published: [2011]
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0807834637; 0807871850; 0807878081; 1469603101; 9780807834633; 9780807871850; 9780807878088; 9781469603100
    Series: John Hope Franklin series in African American history and culture
    Subjects: LITERARY CRITICISM / American / General; SOCIAL SCIENCE / Ethnic Studies / African American Studies; Schwarze. USA; American literature; Segregation in literature; African Americans; African Americans; African Americans; Modernism (Literature); Kultur; Moderne; Schwarze; Literatur
    Scope: 1 online resource (x, 252 pages)
    Notes:

    Description based on print version record

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more
  3. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Author: Smethurst, James Edward
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration... more

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

     

    In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0807834637; 0807871850; 0807878081; 1469603101; 9780807834633; 9780807871850; 9780807878088; 9781469603100
    Series: The John Hope Franklin series in African American history and culture
    Subjects: African Americans; African Americans; African Americans; Modernism (Literature); American literature; Segregation in literature; Ségrégation dans la littérature; Noirs américains - Ségrégation; Noirs américains - Vie intellectuelle - 19e siècle; Noirs américains - Vie intellectuelle - 20e siècle; Modernisme (Littérature) - États-Unis; LITERARY CRITICISM - American - General; SOCIAL SCIENCE - Ethnic Studies - African American Studies; African Americans - Intellectual life; African Americans - Segregation; American literature - African American authors; Modernism (Literature); Segregation in literature; Literatur; Amerikanisches Englisch; Schwarze; Rassentrennung; Geistesleben; Moderne; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (x, 252 pages)
    Notes:

    Includes bibliographical references (pages 231-245) and index

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos : African American dualism and strategies for black representation at the turn of the century -- Remembering "those noble sons of Ham" : poetry, soldiers, and citizens at the end of reconstruction -- The black city : the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization : African American writers, Bohemia, and the new poetry -- A familiar and warm relationship : race, sexual freedom, and U.S. literary modernism.
  4. The African American roots of modernism
    from Reconstruction to the Harlem Renaissance
    Published: 2011
    Publisher:  University of North Carolina Press, Chapel Hill, North Carolina

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction --Dueling banjos : African American dualism and strategies for black representation at the turn of the century --Remembering "those noble sons of Ham" :... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    Introduction : new forms and captive knights in the age of Jim Crow and mechanical reproduction --Dueling banjos : African American dualism and strategies for black representation at the turn of the century --Remembering "those noble sons of Ham" : poetry, soldiers, and citizens at the end of reconstruction --The black city : the early Jim Crow migration narrative and the new territory of race --Somebody else's civilization : African American writers, Bohemia, and the new poetry --A familiar and warm relationship : race, sexual freedom, and U.S. literary modernism. In identifying the Jim Crow period with the coming of modernity, Smethurst upsets the customary assessment of the Harlem Renaissance as the first nationally significant black arts movement, showing how artists reacted to Jim Crow with migration narratives, poetry about the black experience, and more

     
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