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  1. The wrath of the gods
    masterpieces by Rubens, Michelangelo, and Titian
    Author: Atkins, Christopher D. M.
    Published: [2015]
    Publisher:  Philadelphia Museum of Art, Philadelphia

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 183797
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. This book offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D.M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. Exhibition: Philadelphia Museum of Art, USA (12.9.-6.12.2015)

     
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    Verlag (Table of contracts only)
    Source: Staatsbibliothek zu Berlin
    Contributor: Updike, David (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780876332665; 0876332661; 9780300215243; 030021524X
    Subjects: Malerei; Mythos <Motiv>; Antike; Geschichte 1500-1650; ; Buonarroti, Michelangelo; Vecellio, Tiziano; Rubens, Peter Paul;
    Other subjects: Rubens, Peter Paul (1577-1640): Prometheus bound; Michelangelo Buonarroti (1475-1564); Titian (approximately 1488-1576); Prometheus (Greek deity)
    Scope: 111 Seiten, 29 cm
    Notes:

    Published on the occasion of the exhibition 'The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian', Philadelphia Museum of Art, September 12 - December 6, 2015

    Includes bibliographical references and indexes
  2. Wrath of the gods
    Masterpieces by Rubens, Michelangelo, and Titian ; [... on the occasion of the Exhibition The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian, Philadelphia Museum of Art , September 12 - December 6, 2015]
    Contributor: Rubens, Peter Paul (Ill.); Michelangelo (Ill.); Vecellio, Tiziano (Ill.)
    Published: 2015
    Publisher:  Yale Univ Press, New Haven, Conn. [u.a.] ; Yale University Press

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. This book offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D.M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. Exhibition: Philadelphia Museum of Art, USA (12.9.-6.12.2015)

     
    Export to reference management software   RIS file
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  3. The wrath of the gods
    masterpieces by Rubens, Michelangelo, and Titian
    Author: Atkins, Christopher D. M.
    Published: [2015]
    Publisher:  Philadelphia Museum of Art, Philadelphia

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. This book offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D.M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. Exhibition: Philadelphia Museum of Art, USA (12.9.-6.12.2015)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Verlag (Table of contracts only)
    Source: Staatsbibliothek zu Berlin
    Contributor: Updike, David (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780876332665; 0876332661; 9780300215243; 030021524X
    Subjects: Malerei; Mythos <Motiv>; Antike; Geschichte 1500-1650; ; Buonarroti, Michelangelo; Vecellio, Tiziano; Rubens, Peter Paul;
    Other subjects: Rubens, Peter Paul (1577-1640): Prometheus bound; Michelangelo Buonarroti (1475-1564); Titian (approximately 1488-1576); Prometheus (Greek deity)
    Scope: 111 Seiten, 29 cm
    Notes:

    Published on the occasion of the exhibition 'The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian', Philadelphia Museum of Art, September 12 - December 6, 2015

    Includes bibliographical references and indexes
  4. Wrath of the gods
    Masterpieces by Rubens, Michelangelo, and Titian ; [... on the occasion of the Exhibition The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian, Philadelphia Museum of Art , September 12 - December 6, 2015]
    Contributor: Rubens, Peter Paul (Ill.); Michelangelo (Ill.); Vecellio, Tiziano (Ill.)
    Published: 2015
    Publisher:  Yale Univ Press, New Haven, Conn. [u.a.] ; Yale University Press

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2015:6233:
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a kun 071 pro/917
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2015 D 2870
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. This book offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D.M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. Exhibition: Philadelphia Museum of Art, USA (12.9.-6.12.2015)

     
    Export to reference management software   RIS file
      BibTeX file
    Content information