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Displaying results 1 to 8 of 8.

  1. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: 2002
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Hochschule München, Bibliothek
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    Technische Universität München, Universitätsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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  2. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S
    Published: 2002
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitätsbibliothek der RWTH Aachen
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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262011867
    RVK Categories: LH 65720
    Subjects: Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism
    Scope: XI, 328 S. : Ill., Kt., 24 cm
    Notes:

    Includes bibliographical references and index
  3. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: 2002
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Lehrstuhl und Institut für Kunstgeschichte, Bibliothek
    Signature:
    211:G 2105
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    Ruhr-Universität Bochum, Kunstgeschichtliches Institut, Bibliothek
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    G BB-ACK.1 1
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    Location:
    Universität Bonn, Kunsthistorisches Institut, Bibliothek
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    H 440/12
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    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    kuna600.a182
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0262011867
    Other identifier:
    2001-44155
    RVK Categories: LH 65720
    Subjects: Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism; Kunst; Poststrukturalismus; Geschichte
    Scope: XI, 328 S., Ill., Kt., 24 cm.
    Notes:

    Includes bibliographical references and index
  4. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: c2002

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2002:3820
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    K Wa 5
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-Aest 9,41
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    03-10832
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    Location:
    UB Weimar
    Signature:
    Mag In 4082
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262011867
    Other identifier:
    12001-44155
    RVK Categories: ZH 3100 ; LH 65720
    Subjects: Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism
    Scope: XI, 328 S., Ill., 24 cm
    Notes:

    Literaturangaben
  5. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: c2002
    Publisher:  MIT Press, Cambridge, Mass

    Location:
    Jacobs University Bremen gGmbH, IRC-Library
    Signature:
    N7480 .A29 2002
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262011867
    RVK Categories: LH 64840
    Subjects: Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism
    Scope: xi, 328 p, ill, 24 cm
    Notes:

    Includes bibliographical references and index

    On origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- On the origins of architectural photography -- Imitation -- Art and science in the drawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing.
  6. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: c2002
    Publisher:  MIT Press, Cambridge, Mass.

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2002:3820
    Inter-library loan:
    No inter-library loan

    Location:
    Jacobs University Bremen gGmbH, IRC-Library
    Signature:
    N7480 .A29 2002
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    Unlimited inter-library loan, copies and loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    K Wa 5
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    KGS-Aest 9,41
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2002 C 2420
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    Location:
    Staatliche Kunsthalle Karlsruhe, Bibliothek
    Signature:
    1.2: B Ackerman, 001
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    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    03-10832
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    Location:
    Germanisches Nationalmuseum, Bibliothek
    Signature:
    8 Ki 200/224
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    No loan of volumes, only paper copies will be sent

    Location:
    Kunsthistorisches Institut, Bibliothek
    Signature:
    QF 10 a / 22
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    Location:
    UB Weimar
    Signature:
    Mag In 4082
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262011867
    Other identifier:
    12001-44155
    RVK Categories: ZH 3100 ; LH 65720 ; LH 64840
    Subjects: Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism; Art criticism; Art; Art, Renaissance; Modernism (Art); Poststructuralism
    Scope: XI, 328 S., Ill., 24 cm
    Notes:

    Literaturangaben

    On origins of art history and criticism -- The origins of architectural drawing in the Middle Ages and Renaissance -- Leonardo da Vinci's church designs -- On the origins of architectural photography -- Imitation -- Art and science in the drawings of Leonardo da Vinci -- The aesthetics of architecture in the Renaissance -- The influence of antiquity on Italian Renaissance villas -- Daniele Barbaro and Vitruvius -- Palladio: classical in what sense? -- Thomas Jefferson and Italy -- The conventions and rhetoric of architectural drawing.
  7. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: 2002
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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  8. Origins, imitation, conventions
    representation in the visual arts
    Author: Ackerman, James S.
    Published: 2002
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262011867
    RVK Categories: LH 65720 ; ZH 3100
    Subjects: Kunst; Aufsatzsammlung; ; Kunst; Poststrukturalismus; Geschichte; Aufsatzsammlung; ; Architekturkritik; Ästhetik;
    Scope: XI, 328 S., zahlr. Ill., Kt.
    Notes:

    Literaturangaben